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Originally posted by humbleh
What's all the excitement about? I don't see anything remotely interesting about the pics, reverse mirroring can produce all kinds of weird effects in images, you guys are reading way too much into it.
Originally posted by radioactive_liquid
Originally posted by humbleh
What's all the excitement about? I don't see anything remotely interesting about the pics, reverse mirroring can produce all kinds of weird effects in images, you guys are reading way too much into it.
who are you working for?
Originally posted by -0mega-
He has a point though
Originally posted by ru55j
Originally posted by subz
Originally posted by -0mega-
He has a point though
Not really. He simply asserts that "I don't see anything remotely interesting" and then generalizes by asserting that "reverse mirroring can produce all kinds of weird effects". How that pertains to this specific example is lost on me.
If I was to deliberately paint something with an effect that could only be seen via superimposing its mirror over it, would my intent (and effect) disappear because "reverse mirroring can produce all kinds of weird effects"? How ludicrous.
I think it has been pointed out in this thread how unlikely to be chance some of the effects are. We've done our home work and refrained from blanket assertions based on no evidence. Can we expect the same from sceptics? At least when I am a sceptic, which I usually am, I give evidence for why I think so.
Originally posted by Brother Stormhammer
I'll admit that I'm very skeptical about this whole thing, and since it's been suggested that skeptics should provide reasons as to why they are skeptical, I'll oblige.
Originally posted by Brother Stormhammer
First, we need to keep in mind that "The Last Supper" hasn't just been restored over time, it's been edited / reworked over time. The original work was done in a medium that doesn't last very well, and various attempts to restore damage have, at times, also made changes to the way some of the characters look. This really (at least to me) makes any 'revelations' based on the image at least questionable.
Originally posted by Brother Stormhammer
Second, there's the "I see a pony!" effect. I call it that because if you look at enough random visual information (cloud formations, ink blots or the like), eventually, you'll see a pony.
Originally posted by Brother Stormhammer
Third, the 'knights' in the composite image don't look very much like Templars, even if you assume that they're knights. They don't seem to be wearing mail, and the distinctive white tunics / surcoats that were Templar icons certainly don't seem to be in evidence, and the even more iconic Templar Cross even less so...or am I missing something?
Originally posted by Brother Stormhammer
Fourth, there's *too much* being seen in this image...knights all over the place, stars, hearts, (I'm waiting for shamrocks, moons, and diamonds, to complete the Lucky Charms set!), grails, infants, knives, phantom hands....it makes me wonder exactly what da Vinci was trying to say, since he seems to have said *everything*... or perhaps, he simply painted his version of one of the most dramatic scenes in the New Testament, and we're all making a lot more of this than the artist intended.
Originally posted by Brother Stormhammer
It pertains to this specific example because this 'specific example' is exactly the sort of case that he's discussing....it's a case of reverse-mirroring an image, and then seeing all sorts of unusual things in the resulting image, therefore, the observation that 'reverse mirroring can produce all sorts of weird effects' is very pertinent to the discussion at hand.
Originally posted by Brother Stormhammer
Actually, you're making a huge 'blanket assertion' based on little or no evidence. It's right there in the first sentence of the paragraph. You're assuming that this 'mirrored and superimposed image' was done on purpose, and with the intent of hiding a message...or messages. As for the odds of some of these effects being chance, those are a bit hard to calculate, but given that the original Last Supper was a fairly symmetric work, it shouldn't be a surprise that certain elements line up with their mirror image, should it?
Originally posted by Brother Stormhammer
I might believe that da Vinci hid a religious (or even a humorous) message in a work of art...but when people start finding Buddha, cathedrals, aliens, and the World Trade Center towers hidden in his artwork, I really have trouble believing that what they're seeing is really there.
Originally posted by Brother Stormhammer
Just call me a "sceptic"
Originally posted by Twixly
I am intressed in knowing if there are any known technology in Da Vincis era that would alow him to superimpose the painting this way?
Or any sort of theory on how he could have done it.
I find it very hard to believe he just managed to "do it in his mind" ?