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originally posted by: randyvs
originally posted by: Krazysh0t
a reply to: randyvs
He didn't just "say so", he created an experiment, tested it, and published his results.
Where's your proof of that?
NO DIRECTIONALITY. In a photograph one can observe a directionality, which means that you can see from which direction the light came that caused the shadows and light areas.The image on the Shroud does not show this characteristic and it seems that the image was formed straight up- and down, which is called “COLLIMATED”. There is also an absence of brushstrokes.
NO OUTLINES. The image does not show any outlines and fades away in the surrounding Shroud. Artists normally use outlines when drawing an image of a person. In a photograph the outlines are also clearly visible.
While studying the image on the ENRIE photographs, Prof Alan Whanger observed that in the face the sinuses were visible and also part of the teeth. In the image of the hands, the metacarpalia are visible like on an X-Ray photograph. It seems that part of the “energy” that caused the image had long wavelength X-Ray properties.
SUPERFICIALITY. The image is present only on the top two or three fibers of the threads. These fibers are hollow and the lumen is called medulla and shows no discoloration, and the individual fibers are all about the same color (monochromatic). It is important to note that these individual fibers of the threads are 10 to 20 times thinner than a human hair (14-8 micrometer for every fiber = 0.25-0.3 mm). Every yarn is composed of 70-120 linen fibers each 0.25-0.3 mm. According to Kevin Moran, on the sides of the fibers the image is like cut with a knife, visible with precision microscopy.
why there are no other photographs of that same period?
why the "discovery of Photography at that time didn't remain in our civilization and became Lost?
NO DIRECTIONALITY. In a photograph one can observe a directionality, which means that you can see from which direction the light came that caused the shadows and light areas.The image on the Shroud does not show this characteristic and it seems that the image was formed straight up- and down, which is called “COLLIMATED”. There is also an absence of brushstrokes.
originally posted by: The angel of light
a reply to: puzzlesphere
Dear puzzlesphere, excuse me but it is evident that you need a good course of History of the Christendom.
I was clearly referring only to the Historic records that correspond to the western Europe, because the previous one belong the Bizantine Empire and in that context this same object would be called The Holy Mandylion or the Image of Edessa, depending of the epoch, that actually existed, according with civil and church records.
These what those records provide about the way in which the Shroud came from Palestine to North Italy through France, Greece, Turkey and Syria: ( again please understand that is not my Theory, it is what Historians have researched on the topic)
The image of Edessa was owned by the King Abgar of Edessa, today Turkey, in the 1st century of the common era:
Eusebios of Cesarea in the third century wrote the first written version of its history:
In his History of the Church (1.13.5-1.13.22). Eusebius claimed that he had transcribed and translated the actual letter in the Syriac chancery documents of the king of Edessa. This records a letter written by King Abgar of Edessa to Jesus, asking him to come cure him of an illness. Jesus replies by letter, saying that when he had completed his earthly mission and ascended to heaven, he would send a disciple to heal Abgar (and does so).
en.wikipedia.org...
It was the disciple St Jude, the same Saint patron of the Children hospitals in America, called later Thaddeus of Edessa, who was commissioned to visit the king. He was the one to bring the image of Jesus in a cloth to the King. If you check all the images that are made until our days of that Saint shows him carrying in his chest an object with the face of Christ stamped on it.
en.wikipedia.org...
First mention of the Edessa Image after that time is on the 384 AD when Egeria a woman French pilgrim visited Edessa an in a tour were allowed to see it.
There is a book that describe her trips:
Egeria Gaulian Pilgrim to middle east.
The Edessa image is also referred again on the 593 year of the common Era in the Evagrius Scholasticus:
en.wikipedia.org...
This Shroud was then moved by the byzantine troops toward Contantinople along the centuries of the Persian Sasanide expansion in the eastern Mediterranean.
One evidence of this trip is the existence of another object called the Keramidion, dated in the century 6th or 7th, that was a copy of the face of Christ on it , that it is believed was miracously stamped by simple contact with the Edessa Cloth or the Mandylion. This is a tile that is now preserved in the Caucasus in the monastery of Ancha in Georgia.
en.wikipedia.org...
In the year 944 the Bizantines brought the Mandylion to Constantinople , today Istanbul Turkey, where it was kept in the Holy Sophia Cathedral.
www.shroud2000.com...
It was from there that the French Templar knights would have taken it during the IV crusade. A burial cloth, which some historians maintain was the Shroud, was owned by the Byzantine emperors, but disappeared during the Sack of Constantinople in 1204.
Geoffroi de Charny, French knight who is certified, even with coins of the epoch ,that owned the Shroud of Turin in the XIII century was nephew of another Geoffroi de Charny, that was a Templar and who went with Oton the la Roche to Constantinople in the crusade he took part in. The Templar knight Oton the La Roche was the first westerner who saw the Mandylion in public exhibition every Friday's Prayer in Istambul in 1204. He is also the first person that it is known owned the Shroud of Turin in France.
greatshroudofturinfaq.com...
Thanks for your interesting question,
The Angel of Lightness