Originally posted by JimOberg
Originally posted by LunaCognita
They were describing the scene during that period, but they were doing it over the covert channel from atop the LM, talking to people who were not
sitting in the public Mission Control Center in Houston.
And there's the problem. It's easy enough to idly imagine a separate team of experts, unknown to any of the 'standard' flight control team and
trained by another top secret group on separate simulators and pressure chambers in secret buildings, directed by a different set of leaders who never
actually had worked on space missions before, using communications links installed secretly that bypass all standard communications links, carrying
cameras whose film would be dropped into appropriate custodial equipment from the recovery carrier through the medical isolation facilities into the
photo labs and on to exploitation facilities -- anybody with enough time on their hands can 'imagine' anything being possible.
I don't see why they'd need separate simulators and pressure chambers, but otherwise, yes they'd need separate facilities for the things you
mentioned. And that sure seems like a lot of trouble to go through to just do your observations out the top instead of out the window.
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Originally posted by ArMaP
reply to post by easynow
In that Apollo 12 Technical Debrief they talk about that, they say that when looking at a scene cross-sun the landscape looked brown, but down-sun it
looked grey, so I guess it's just a question of scene brightness, a stronger light makes things look grey while a softer light shows that they are
really brown.
Why do you say they are really brown? What makes you believe it's the softer light source that reveals the true color and not the stronger one?
I know from my experience with underwater photography that the colors I see visually and record with the camera with softer illumination are NOT the
accurate ones, and the colors recorded with brighter illumination are the accurate ones. How do I know this? Because I have looked at the same species
of fish I am photographing underwater at the surface also where I can see the true colors with no color distortion from the water, and the brightly
illuminated colors underwater always match the "real" colors better than the dimly lit scenes.
I have also been in factories making colored products, and am aware that to do the quality control check for correct color, those facilities that do
not use spectrophotometers to measure the color usually have a brightly lit area set up to check the color accuracy. Why? Because the human eye and
cameras have difficulty discerning the correct color at lower lighting conditions, more than at brighter lighting conditions.
Maybe there is something about moon photography that makes the softer illumination more accurate and I have no personal experience with moon
photography to contradict this, but I have a lot of other experiences in other conditions that bias me to think that observations and photos using
brighter light sources usually portray color more accurately.