Originally posted by Maya432
Originally posted by ShiftTrio
A couple points,
1) A tuned to 432 A4 (432 complete vibrations per second) is not the key but a base for all other notes using the equation f = 2 (3/12)to the power of
× 432 Hz ≈ 513.73747584 This is the Freq of C5 in the scale where A4 is 432. So these do not even out in any way. The 5th ( of the major scale
where A4 432 is the root is E) and has a Freq of 685.7572536 There seems to be no rhyme or reason or secret code here and they certainly do not even
out.
2) Shapes where made in the sand in other frequencies not based on 432? Also using no sound at all.
3) can you provide recorded sounds of Waterfalls, etc so I can perform calculations to see what note it is and then what freq it is?
Personal I tuned down a Step and a Half for my music.
Also when I was younger I took the perfect pitch courses and that how we relate the notes in color but these were based on 440 and I certainly heard
the colors and can name the pitches by these colors just fine.
Also the Fibonacci numbers use 13 notes not 12. This makes no sense as the 13th note is the same note, so then are there 11 notes between the next
octave?
Can some one show me the Fibonacci equation? I am wondering how this is based as I do not know it. Edit I mean in relation to the hertz in notes not,
in nature as the Fibonacci is a proven thing, I just meant how they relate it to music.
One more edit, just to explain, how did they come up with 440 in Fibonacci how was this calculated. The above equation is how they normally do it. But
how is it done using Fibonacci
Thanks
[edit on 27-12-2007 by ShiftTrio]
1) if you know where to look there is....
2) do you have any proof for this ?,...show me
3) no..i am not the scientist..for me i just need my ears and my trusty 432 tuner....
4)if you want measurments then go take measuments.
fibonnaci sequence is not notes......it is a sequence
1, 2, 3, 5, 8, 13,ect.ect.ect
they are not related to notes.
it is the growth sequence . the golden mean.
Sorry for the long quote but I think my original post was needed for context.
I am not sure what you mean, but what method are they using to come up with the Frequency , it has to be a equation of some sort using the Fibonacci
numbers. Above I posted how you scientifically calculate freq , there is also another method Piano tuners use that use a constant variable, this has
to do with Scale and tempering, and because on a guitar at least we cannot have a B# and C even though back in the day they tried even have doubled
black keys lol.
So I am asking not for proof, but for what you base your theory on, all the links do not provide a scientific proof of anything. So we have no reason
or basis to go on? Does that make sense. I am just looking for some clarification on how these were determined because I did the math and it doesn't
add up.
And no offense but your answers are kinda lame, I show you a proof and you throw at me 5 short sentences that mean nothing.
I think your thinking is cool, but your claims are large and you need to back them up with something. Hence why your in skunk works my friend.
On A side note Tibetin Monks also use concert pitch , looks up real singing bowls you will see they are in notes in Concert pitch. So that was out
right BS
www.youtube.com...
Here are over 200 year old Singing bowls, guess what Concert pitch.
But there are other older that are tuned 10 Hz Down from 440 at 430. Still not 432, and these monks have NO relation to the number.
[edit on 27-12-2007 by ShiftTrio]