Proof that Sitchin is a deliberate misinformer, page 1
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Topic started on 8-1-2008 @ 02:47 AM by Amenti

www.bibliotecapleyades.net...

Anyone familiar with Sitchins work will recognize this image.
The following is what Sitchin has this to say about it on page 70 of his book Stairway to Heaven.


“An even more startling depiction has been found in the tomb of Huy, who was viceroy in Nubia and in the Sinai peninsula during the reign of the renowned Pharaoh Tut-AnkhAmon. Decorated with scenes of people, places and objects from the two domains of which he was viceroy, his tomb preserved to this very day a depiction in vivid colors of a rocketship: its shaft is contained in an underground silo, its upper stage with the command module is above ground (Fig. 27). The shaft is subdivided, like a multi-stage rocket. Inside its lower part, two persons attend to hoses and levers; there is a row of circular dials above them. The silo cutaway shows that it is surrounded by tubular cells for heat-exchange or some other energy-related function. Above ground, the hemispherical base of the upper stage is clearly depicted in the color painting as scorched, as though from a re-entry into Earth's atmosphere. The command module—large enough to hold three to four persons—is conical in shape, and there are vertical "peep holes" all around its bottom. The cabin is surrounded by worshippers, in a landscape of date palm trees and giraffes. The underground chamber is decorated with leopard skins, and this provides a direct link with certain phases in the Pharaoh's Journey to Immortality. The leopard skin was the distinctive garb symbolically worn by the Shem priest as he performed the Opening of the Mouth ceremony. It was the distinctive garb symbolically worn by the gods who towed the Pharaoh through "The Secret Path of the Hidden Place" of the Duat—a symbolism repeated to stress the affinity between the Pharaoh's journey and the rocketship in the underground silo.”


If This is a real, it is a very compelling argument, Sitchin sure had me believing it back in 1999 when I read this book. Since then I have seen sitchin’s “translations” discredited thoroughly by Dr Micheal Heiser sitchiniswrong.com... but it wasn’t until I started doing some related research of my own that I found the following archaeological smoking gun.

I was first suspicious of it being a hand drawn image, especially considering the great quality of the preservation of the rest of the murals in the tomb of Huy (sitchin claims his drawing was based on murals there). You can see how well they are preserved here: wysinger.homestead.com...


I was also suspicious because those murals depicted rather ordinary happenings sitchins drawing would have been out of place imo… I had almost given up because I had looked at all of the photos of the temple of huy I could find and I was starting to think he just based it off nothing at all. That would have made the trail impossible to follow…and maby he should have…
because then by complete chance I came across this..



here is a bigger one:
wysinger.homestead.com...

This is what the caption reads from dignubia.org

Detail of a wall painting from the tomb of a high Egyptian official, showing an Egyptian scribe recording deliveries of Nubian products shortly after Egypt's conquest of Nubia. Visible are ebony logs, ivory tusks, baskets of ostrich eggs and gold ingots, ostrich feathers, leopard skins, resins, tamarind nuts, aromatic herbs - even a green monkey. Reign of King Thutmose III (about 1479-1425 BCE).


Notice that the cone at the top, Sitchins command module, is just a monkey on top of a triangular table. We see these circular golden objects in baskets on the upper and lower levels, these objects are why Sitchin asks us to believe the following..
The silo cutaway shows that it is surrounded by tubular cells for heat-exchange or some other energy-related function….
notice the stack of leopard skins in the photo?
Remember what Sitchin said about them…
” The underground chamber is decorated with leopard skins, and this provides a direct link with certain phases in the Pharaoh's Journey to Immortality. The leopard skin was the distinctive garb symbolically worn by the Shem priest as he performed the Opening of the Mouth ceremony. It was the distinctive garb symbolically worn by the gods who towed the Pharaoh through "The Secret Path of the Hidden Place" of the Duat—a symbolism repeated to stress the affinity between the Pharaoh's journey and the rocketship in the underground silo.”


And the while there are no giraffes or worshippers in this scene like there are in Sitchins drawing, there are on other walls of the same temple, and of the same style too. this is further evidence that this is where sitchin based his drawing from.

home.scarlet.be...

Sitchin has added many self servicing details like the people pulling levers and hoses, and of course the "charred underbelly" of the command module y'know form reentry and all… and don’t forget the "peepholes".

I suppose the reason this evidence against Sitchin has gone unnoticed for so long is because Sitchin claims this mural is in the tomb of Huy when its actually from the tomb of Rekhmire which is about a hundred years older. This has made his trail almost impossible to follow.

If Sitchin claims that this isnt the mural he based his drawing off of maby he can provide us with a photo of the mural that he did seeing as how well preserved the other murals are at the temple of Huy are he should have no trouble with this. after all these years But my guess he never anticipated anyone finding this photo.

This evidence, combined with the Dr Heiser’s scholarly work at sitchiniswrong.com... which shows Sitchins dirty tricks on all aspects of his translations constitutes a serious blow, not just to Sitchn but to a lot of alternative speakers who have parroted Sitchin and used Him as the foundation for their theories…quite simply if Sitchin is wrong so are they.
If Sitchin is a deliberate dis informer I think the reason is to lay groundwork for the new world orders one world religion, but in any case I think its time we start asking those kind of questions.


reply posted on 8-1-2008 @ 05:44 AM by deezee
reply to post by Amenti



While i do not believe, he's a deliberate misinformer for the NWO, i do believe he is making stuff up and maybe even believing it himself, like many "new age" authors do. It definatelly helps the book sales if you "pretty" the truth up "a bit".

This doesn't proove, he made his picture out of these two, but since he doesn't have an original to back his drawing up, this explanation is actually more likely.

Great find!


reply posted on 20-4-2008 @ 10:14 PM by legionromanes
Originally posted by THIseNdsnowoldKings
I read it. buddy only points out a few errors. As i knew, there would be faults with what was said. In any case, he does not argue a whoel lot of sitchins writings..only a few small pointsand unless there is an actual sumerian around, then who actually knows the words all so well. Maybe its liek english some, and words can have several meanings. or the scribe may have messed up soem in the writing. In any case he doesnt argue very much of what sitchin wrote. . Not gonna damage his credentials any i would think.


quite correct, I'm sure that his one and only phd in economic history is quite safe. rather than a sumerian whats wrong with the hundreds of living sumerologists (who all say sitchin is wrong) or the thousands of dead ones (who said the same thing)

Sithin is well known for fabricating his evidence and in some cases adapting it.
here on the left you can see his drawing of a figure from a babylonian cylinder seal with the original shown on the right.

img175.imageshack.us...

From the style of dress the figure in the babylonian seal is known to be a woman. heres how sitchin describes her


an astronaut (“Fishman”, equipped for splashdowns) on Mars


Sitchin not only is claiming here that a babylonian image is sumerian, but also that a man is a woman. He at no time shows an image of the original seal. I can only presume that the reasoning behind this is that it doesnt exist.

here are the original pictures
frontpage.montclair.edu...
www.sitchin.com...

also about this image
he also claims that an assyrian depiction of a winged disc is sumerian
that an akkadian depiction of a fish is sumerian
that seven dots represent the earth when in fact it is the typical mesopotamian representation of the pleiades.
you might also notice the lovely straight edged medieval shaped sword. The sumerians used swords that were curved

clearly then the cylinder seal is a pastiche designed to fool people who only know history from pseudohistory books








[edit on 20-4-2008 by legionromanes]

[edit on 20-4-2008 by legionromanes]

[edit on 20-4-2008 by legionromanes]


reply posted on 4-5-2009 @ 12:53 PM by ningishzidda74
reply to post by Amenti




ok ok i had to sign in to be able to answer but i bet it will be worth the deal...
i propose a 'deal' to the person who posted this.

I show that Sitchin has done no misinformation nor he has deliberated invented the handmade drawing, and YOU apoligize publicly in this thread, with CAPITAL letters.
Ok?

Let's start...

the drawing Sitchin shows on his books is said to be taken from HUY's (or HUI) tomb in the Sinai peninsula...

it takes no long search, with google, to look for some material... it is extremely rare.. but we find a match:

Gaston Maspero, one of the most important travelers and scholars about Egypt, has written in the late XIX century a work made of of various Volumes...
among which... we find:

www.gutenberg.org...

if you go to about the middle of the page you will find the upper part of the original painting just as stamped by Maspero...

Here is a screen capture:






Now, I await you apologize...




reply posted on 5-5-2009 @ 06:27 PM by Amenti
reply to post by ningishzidda74



Yes, thank you. someone sent this to me before, may have have been you.
If it was then you agreed with me that while this would mean that sitchin did not create the image. it still is a wonder why this image fails to appear in the tomb itself, or for that matter, where it would have been in the tomb.

the fact is it is still a relativity recent drawing, and as long as there is no hard evidence of this mural existing in the real world I am still inclined to believe that it is a forgery, or some other funny business is going on, the ball is back in your court to show this thing exists and if it doesnt, what happened to it? as I said the murals in that tomb are vastly different and well preserved.
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