I've done '___' through ayahausca analog -- the trip lasts 5 hours -- not 5 minutes as compared to smoking. Taking it through ingestion is much more
powerful as Terrance McKenna readily admitted.
There's different types of '___' sources and the one I did mimosa is stronger than what's used in ayahausca. But more importantly I did it while in
full-lotus using my third eye to test the power of the '___'.
What happened is that the kundalini was fully activated -- which means the orgasmic bliss was insanely amazing. Also I heard gun shots and my brain
exploded with light. Then everything after that was rainbows -- as a vortex.
I call this the rainbow vortex of reality -- and I just had to stay in full-lotus to maximize the effect. I didn't threw up until after a couple
hours or so -- it's hard to tell because I had no motor function on any conscious level. I would have waves of consciousness which would go into
left-brain dominance just long enough for me to formulate a question or thought and then I was immediately sucked back into the rainbow vortex.
This is called '___' hyperspace -- is it a fractal?
Again if you watch math Professor Steve Strogatz on fractals:
In fact even the "infinite geometry" of mathematics is "finite" because the magnification of scale is a way of changing space through time -- or
measuring time as spatial distance. So the infinite time is always contained within space.
Whereas the quantum time-frequency uncertainty principle reveals that this is not true -- whenever frequency is measured as spatial distance then you
actually lose the concept of infinite time.
But in nonwestern music the concept of frequency is not determined by spatial time measurement. So time is not a distance as it is in Western
measurement -- speed is distance change. In Taoism the yang is the Perfect 5th ratio as 2:3 and the Perfect 4th ratio as 3:4 is yin -- so you LISTEN
to this process of complementary opposites -- just as in quantum physics there is violation of commutative property. In nonwestern music -- G x C does
not equal C x G, as C to G is 2:3 and G to C is 3:4 -- the same in Taoism. So that's why the Western changed time to a spatial measurement for
symmetric mathematical equations -- which the Golden Ratio is an example of.
For example to have the closed form of the Golden Ratio you have to have a quadratic solution but you can only do so by REVERSING THE ORDER of the
harmonic ratios. Originally the Golden Ratio was for the Greeks -- A is to B as B is to A plus B. This had to be changed so that the last term was "A
minus B." According to Western science this change of order does not matter but in quantum physics is DOES matter -- because the order that you make
the measurement of time as spatial distance changes the value of the spatial measurement.
In Taoism there is no technology to make the measurement -- so there's no need to convert the complementary opposite ratios of time back to a
symmetric spatial measurement -- which again is what a fractal is. Symmetric self-symmetry -- the Golden Ratio being 1 plus 1 divided by 1 -- as an
infinite continued fraction. It's the slowest converging irrational number and so has the least stability and therefore enables the most growth of
spatial form as diversity. But that is still a finite form of space -- but if you realize that the numbers are actually complementary opposites then
the "one" is not a number -- it resonates as a converging fraction 1:2:3.... and the reverse in Taoism as 3:4 is not the same value as 3:4 in
symbolic axiomatic logic because it violates the commutative property.
I've actually corresponded with Professor Strogatz about this a bit.
The Golden Ratio change from A:B::B:A + B to A:B::B:A – B for Plato’s Academy fails to satisfy the algebraic solution of B squared even though it
can provide the Fibonacci number series. For example quantum chaos Professor Ian Stewart in his new about on how all of science is based on symmetry,
Why Beauty is Truth: A History of Symmetry (2007) states that the order of the symbols can be changed around in solving the quadratic equation, if
there is no concern about negative or positive values. But in music ratios, based on asymmetry, changing the order of the symbols has a direct
consequence on the meaning of the terms since C to G is 2:3 while G to C is 3:4. Kepler understood and rejected this changing of the order of infinity
because A + B is converted to A- B even though the two expressions have a different square value. Plato and Euclid relied on this concept of negative
infinity, using the quadratic zero, to justify the changing of the order, but in the Pythagorean natural overtones – the Law of Pythagoras - the
female principle comes first and one is therefore not a number. For Kepler, the method of exhaustion, derived from “Plato’s Theory of Numbers,”
(for the square root of two, the ratio of the triangle diagonal to the side as an infinite fraction series converging on the irrational, by
alternately greater and less ratios) exposes the inherent Pythagorean complimentary opposites of evolution – the male and female principles.
(“Plato's Theory of Number,” by Ivor Bulmer-Thomas, The Classical Quarterly, 1983). So for the Golden Ratio of A:B::B:A-B the result is A * A - B
equals 2, 3, 10, 24, 65, 168 while B squared equals 1, 4, 9, 25, 64, 169 creating the male-female (complimentary opposite) convergence. (“Kepler’s
Celestial Music,” in Studies in Musical Science in the Late Renaissance, 1975, Warburg Institute, Oxford University).
O.K. so for "quantum consciousness" you want to consider Hameroff and Penrose who utilize Godel's Theorem - which is the same logic as the
"time-frequency uncertainty principle." Science is not the truth but it's the great myth of our times - myth being what we really believe is
Here's the Hameroff vids, etc.