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A new study conducted by Liverpool scientists suggests the Shroud of Turin proves Jesus was crucified with his hands over his head in a "Y" shape, rather than to the sides in a "T" shape, as traditionally depicted in Christian art. The scientist leading this recent study says this new crucifixion would be "very painful" and likely cause asphyxiation for the victim.
Scientists at the Liverpool John Moores University in the U.K. announced their findings at the American Academy of Forensic Sciences earlier this year. They argue that the Shroud of Turin, believed by some to be the burial cloth of Jesus, shows an image of a man with blood stains streaking down his arms. Matteo Borrini, who led the shroud study at the John Moores University, argues that these stains could only have been obtained if the victim's arms were hung over his head in a "Y" shape, instead of the "T" shape that is so prevalent in Christian art.
AnteBellum
Then again, there findings are all based on the assumption of the Shroud of Turin being real, to which I have no comment.
Danbones
me, I'm not so sure about this whole cross deal as you might notice if you go to my siggy thread
i think the cross as it is expressed in christianity and all the other religions where saviors were hung on crosses
kind of throws a wrench into the whole shroud of turin being Jesus idea
16 saviors hung on crosses
infidels.org...
reply to post by DeadSeraph
After years of discussion, the Holy See permitted radiocarbon dating on portions of a swatch taken from a corner of the shroud. Independent tests in 1988 at the University of Oxford, the University of Arizona, and the Swiss Federal Institute of Technology concluded with 95% confidence that the shroud material dated to 1260–1390 AD.... In 2008 former STURP member John Jackson rejected the possibility that the C14 sample may have been conducted on a medieval repair fragment, on the basis that the radiographs and transmitted light images taken by STURP in 1978 clearly show that the natural colour bandings present throughout the linen of the shroud propagate in an uninterrupted fashion through the region that would later provide the sample for radiocarbon dating. Jackson stated that this could not have been possible if the sampled area was a later addition.
About the beginning of the 9th century, bones, teeth, hair, garments, and other relics of fictitious saints were conveniently "found" all over Europe and Asia and triumphantly installed in the reliquaries of every church, until all Catholic Europe was falling to its knees before what Calvin called its anthill of bones.... St. Luke was touted as one of the ancient world's most prolific artists, to judge from the numerous portraits of the Virgin, painted by him, that appeared in many churches. Some still remain, despite ample proof that all such portraits were actually painted during the Middle Ages.
There were at least 26 "authentic" burial shrouds scattered throughout the abbeys of Europe, of which the Shroud of Turin is just one.... The Shroud of Turin is one of the many relics manufactured for profit during the Middle Ages. Shortly after the Shroud emerged it was declared a fake by the bishop who discovered the artist. This is verified by recent scientific investigation which found paint in the image areas. The Shroud of Turin is also not consistent with Gospel accounts of Jesus' burial, which clearly refer to multiple cloths and a separate napkin over his face.
DeadSeraph
Nothing seems to indicate that a cloth should have been wrapped around the head of christ that tightly either in the bible or the historical record.
If the shroud were that simple to debunk, I'm sure nobody would still be talking about.
There is a lot of other evidence that suggests to many that the shroud is older than the radiocarbon dates allow, and so further research is certainly needed. Only by doing this will people be able to arrive at a coherent history of the shroud which takes into account and explains all of the available scientific and historical information. –Christopher Ramsey, head of the Oxford Radiocarbon Accelerator Unit which participated in the 1988 Carbon 14 Dating of the Shroud. (Mar 2008)
[T]he [1988 carbon 14] age-dating process failed to recognize one of the first rules of analytical chemistry that any sample taken for characterization of an area or population must necessarily be representative of the whole. The part must be representative of the whole. Our analyses of the three thread samples taken from the Raes and C-14 sampling corner showed that this was not the case. –Robert Villarreal, Los Alamos National Laboratory (LANL) chemist who headed a team of nine scientists at LANL who examined material from the carbon 14 sampling region. (Aug 2008
Source…here
Radio carbon dating carried out in 1988 was performed on an area of the relic that was repaired in the 16th century, according to Ray Rogers, who helped lead the Shroud of Turin Research Project (STRP).
At the time he argued firmly that the shroud, which bears a Christlike image, was a clever forgery.
But in a video made shortly before his death three years ago, he said facts had come to light that indicated the shroud could be genuine. (Source)
Akragon
reply to post by DeadSeraph
Im not so sure about the shroud, but this is consistent with the manor he was executed...
Nailed to a Pole with his hands over his head...
S&F
(William D. Edwards, MD, Department of Pathology, Mayo Clinic, Rochester, MN; Wesley J. Gabel, MDiv, West Bethel United Methodist Church, Bethel, MN.; Floyd E Hosmer, MS, AMI, Dept of Medical Graphics, Mayo Clinic, Rochester, MN; Homestead United Methodist Church, Rochester, MN; review of article and excerpts from On The Physical Death of Jesus Christ, JAMA, March 21, 1986 – Vol 255, No. 11). (The medical terms in this article have been edited into layman’s terminology by: Carol R. Ritchie; TNCC, MSN, RN, CNOR.)
Scourging Practices
Flogging was a legal preliminary to every Roman execution, and only women and Roman senators or soldiers (except in cases of desertion) were exempt. The usual instrument was a short whip with several single or braided leather thongs of variable lengths, in which small iron balls or sharp pieces of sheep bones were tied at intervals. For scourging, the man was stripped of his clothing, and his hands were tied to an upright post. The back, buttocks, and legs were flogged either by two soldiers (lictors) or by one who alternated positions. The severity of the scourging depended on the disposition of the lictors and was intended to weaken the victim to a state just short of collapse or death. As the Roman soldiers repeatedly struck the victim’s back with full force, the iron balls would cause deep contusions, and the leather thongs and sheep bones would cut into the skin and subcutaneous tissues. Then, as the flogging continued, the lacerations would tear into the underlying skeletal muscles and produce quivering ribbons of bleeding flesh. Pain and blood loss generally set the stage for circulatory shock. The extent of blood loss may well have determined how long the victim would survive on the cross. After the scourging, the soldiers often taunted their victim.
McCrone's theory is that "a male model was daubed with paint and wrapped in the sheet to create the shadowy figure of Jesus." The model was covered in red ochre, "a pigment found in earth and widely used in Italy during the Middle Ages, and pressed his forehead, cheekbones and other parts of his head and body on to the linen to create the image that exists today. Vermilion paint, made from mercuric sulphide, was then splashed onto the image's wrists, feet and body to represent blood."
McCrone analyzed the shroud and found traces of chemicals that were used in "two common artist's pigments of the 14th century, red ochre and vermilion, with a collagen (gelatin) tempera binder" (McCrone 1998). He makes his complete case that the shroud is a medieval painting in Judgment Day for the Shroud of Turin (March 1999). For his work, McCrone was awarded the American Chemical Society's Award in Analytical Chemistry in 2000.
According to microchemist Dr. Walter McCrone,
The suggestion that the 1532 Chambery fire changed the date of the cloth is ludicrous. Samples for C-dating are routinely and completely burned to CO2 as part of a well-tested purification procedure. The suggestions that modern biological contaminants were sufficient to modernize the date are also ridiculous. A weight of 20th century carbon equaling nearly two times the weight of the Shroud carbon itself would be required to change a 1st century date to the 14th century (see Carbon 14 graph). Besides this, the linen cloth samples were very carefully cleaned before analysis at each of the C-dating laboratories.*
According to shroud investigator Joe Nickell, Rogers "relied on two little threads allegedly left over from the sampling" and the word of "pro-authenticity researchers who guessed that the carbon-14 sample came from a 'rewoven area' of repair." According to Nickell, P.E. Damon's 1989 article published in Nature claims that "textile experts specifically made efforts to select a site for taking the radiocarbon sample that was away from patches and seams."
According to microchemist Dr. Walter McCrone,
The suggestion that the 1532 Chambery fire changed the date of the cloth is ludicrous. Samples for C-dating are routinely and completely burned to CO2 as part of a well-tested purification procedure. The suggestions that modern biological contaminants were sufficient to modernize the date are also ridiculous. A weight of 20th century carbon equaling nearly two times the weight of the Shroud carbon itself would be required to change a 1st century date to the 14th century (see Carbon 14 graph). Besides this, the linen cloth samples were very carefully cleaned before analysis at each of the C-dating laboratories.*