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Isis & Osiris symbolism in Star Wars: The Phantom Menace

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posted on Mar, 19 2011 @ 08:13 AM
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Blatant Isis & Osiris symbolism found in Star Wars: The Phantom Menace. See and judge for yourself:





posted on Mar, 19 2011 @ 08:23 AM
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Of course it is. Star Wars is officially based on mythologies gathered from around the world.

Lucas drew inspiration from Joseph Campbell, a renown mythologist.

George Lucas was the first Hollywood filmmaker to credit Campbell's influence. Lucas stated following the release of the first Star Wars film in 1977 that its story was shaped, in part, by ideas described in The Hero with a Thousand Faces and other works of Campbell's.

wiki

Lucas even called Star Wars "A mythology for a modern age" or something of that nature.

It is a direct known fact that these stories are based heavily in those "myths".

Now, does Lucas know more about the secrets than we do? Most likely.
Does he know insiders/elites who told him things? Most likely.

Are there hidden references and symbolizisms all throughout the SW series? Absolutely.



posted on Mar, 19 2011 @ 09:26 AM
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reply to post by muzzleflash
 


Agreed. I don't see what the big deal is. Perhaps Lucas presenting Padme/Queen Amidala in an Egyptian style is a little less offensive than his horrible stereotyping of blacks in the Gungans like Jar Jar, or chinese stereotyping as Viceroy Gunray and the trade federation, but really, it's what he does.



posted on Mar, 20 2011 @ 11:33 AM
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reply to post by muzzleflash
 


Yeah, Campell was quite a huge influence for Lucas.
From an interview (in the official star wars mag) i once read that Lucas was inspired by Campell´s work " The jurney of the Hero" (If i recall the right title...) that gave him the final influence to write star wars.
Campell has studied many myths from all over the world and came to the conclusion that all myths share some main concepts.
This concept of the heros jurney summarizes as following:


A. Departure:
1. The Call to Adventure
The call to adventure is the point in a person's life when they are first given notice that everything is going to hange, whether they know it or not.
2. Refusal of the Call
Often when the call is given, the future hero refuses to heed it. This may be from a sense of duty or obligation, fear, insecurity, a sense of inadequacy, or any of a range of reasons that work to hold the person in his or her current circumstances.
3. Supernatural Aid
Once the hero has committed to the quest, consciously or unconsciously, his or her guide and magical helper appears, or becomes known.
4. The Crossing of the First Threshold
This is the point where the person actually crosses into the field of adventure, leaving the known limits of his or her world and venturing into an unknown and dangerous realm where the rules and limits are not known.
5. The Belly of the Whale
The belly of the whale represents the final separation from the hero's known world and self. It is sometimes described as the person's lowest point, but it is actually the point when the person is between or transitioning between worlds and selves. The separation has been made, or is being made, or being fully recognized between the old world and old self and the potential for a new world/self. The experiences that will shape the new world and self will begin shortly, or may be beginning with this experience which is often symbolized by something dark, unknown and frightening. By entering this stage, the person shows their willingness to undergo a metamorphosis, to die to him or herself.

# Inititation

1. The Road of Trials
The road of trials is a series of tests, tasks, or ordeals that the person must undergo to begin the transformation. Often the person fails one or more of these tests, which often occur in threes.
2. The Meeting with the Goddess
The meeting with the goddess represents the point in the adventure when the person experiences a love that has the power and significance of the all-powerful, all encompassing, unconditional love that a fortunate infant may experience with his or her mother. It is also known as the "hieros gamos", or sacred marriage, the union of opposites, and may take place entirely within the person. In other words, the person begins to see him or herself in a non-dualistic way. This is a very important step in the process and is often represented by the person finding the other person that he or she loves most completely. Although Campbell symbolizes this step as a meeting with a goddess, unconditional love and /or self unification does not have to be represented by a woman.
3. Woman as the Temptress
At one level, this step is about those temptations that may lead the hero to abandon or stray from his or her quest, which as with the Meeting with the Goddess does not necessarily have to be represented by a woman. For Campbell, however, this step is about the revulsion that the usually male hero may feel about his own fleshy/earthy nature, and the subsequent attachment or projection of that revulsion to women. Woman is a metaphor for the physical or material temptations of life, since the hero-knight was often tempted by lust from his spiritual journey.
4. Atonement with the Father
In this step the person must confront and be initiated by whatever holds the ultimate power in his or her life. In many myths and stories this is the father, or a father figure who has life and death power. This is the center point of the journey. All the previous steps have been moving in to this place, all that follow will move out from it. Although this step is most frequently symbolized by an encounter with a male entity, it does not have to be a male; just someone or thing with incredible power. For the transformation to take place, the person as he or she has been must be "killed" so that the new self can come into being. Sometime this killing is literal, and the earthly journey for that character is either over or moves into a different realm.
5. Apotheosis
To apotheosize is to deify. When someone dies a physical death, or dies to the self to live in spirit, he or she moves beyond the pairs of opposites to a state of divine knowledge, love, compassion and bliss. This is a god-like state; the person is in heaven and beyond all strife. A more mundane way of looking at this step is that it is a period of rest, peace and fulfillment before the hero begins the return.
6. The Ultimate Boon
The ultimate boon is the achievement of the goal of the quest. It is what the person went on the journey to get. All the previous steps serve to prepare and purify the person for this step, since in many myths the boon is something transcendent like the elixir of life itself, or a plant that supplies immortality, or the holy grail.

# Return

1. Refusal of the Return
So why, when all has been achieved, the ambrosia has been drunk, and we have conversed with the gods, why come back to normal life with all its cares and woes?
2. The Magic Flight
Sometimes the hero must escape with the boon, if it is something that the gods have been jealously guarding. It can be just as adventurous and dangerous returning from the journey as it was to go on it.
3. Rescue from Without
Just as the hero may need guides and assistants to set out on the quest, often times he or she must have powerful guides and rescuers to bring them back to everyday life, especially if the person has been wounded or weakened by the experience. Or perhaps the person doesn't realize that it is time to return, that they can return, or that others need their boon.
4. The Crossing of the Return Threshold
The trick in returning is to retain the wisdom gained on the quest, to integrate that wisdom into a human life, and then maybe figure out how to share the wisdom with the rest of the world. This is usually extremely difficult.
5. Master of the Two Worlds
In myth, this step is usually represented by a transcendental hero like Jesus or Buddha. For a human hero, it may mean achieving a balance between the material and spiritual. The person has become comfortable and competent in both the inner and outer worlds.
6. Freedom to Live
Mastery leads to freedom from the fear of death, which in turn is the freedom to live. This is sometimes referred to as living in the moment, neither anticipating the future nor regretting the past.


You can follow the whole star wars story with this simple summary.

And yeah it is clear that there is also the Isis-Osiris-myth interwoven into the story, but i wont go so far to say they are 1:1 retelling the story...



posted on Mar, 24 2011 @ 11:39 AM
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reply to post by TheNewAeon2012
 


Yeah what is your point?



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