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Alf Razzell talks about one of his most haunting experiences in World War II. His monologue is about how he finds Bill Hubbard wounded in no-man's-land, and has to leave him behind
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In the beginning of this song the sound of a television changing channels foreshadows one of the themes of the album, how television alters our perception of reality
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starts by telling us how the will of the controllers of the mass media is imposed on the individual.
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" The monkey in the corner/Wrote the lesson in book" refers to how the monkey (which is used as a metaphor for the human race throughout the album) accepts the dogma without question. "... which is this idea of a gorilla who is a metaphor for the human race sitting watching television and trying to work out what his relationship is with all the other gorillas..."
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Tells what got ancestors started on this destructive path. The song starts off with the monkey sitting on a pile of stones holding a bone. We aren't told what happened before the song starts but it must have been important because of the line: "Turned his back on the garden" which refers to the exit from Eden in the Bible. "The monkey" however does not, or refuses to learn from past mistakes. "Memory is a stranger/ History is for fools". The monkey also uses religion to justify his actions; "And he cleaned his hands/In a pool of holy writing"
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shows how the mass media has persuaded people into doing what goes against human pleasure and logic. The most important set of lyrics in this song are: "Can't you see/ It all makes perfect sense/ Expressed in dollars and cents/ Pounds shillings and pence.
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This song focuses on how the media has trained individuals to accept war by glamorizing it. The line "I looked over Jordan and what did I see" is a line taken from the song "Swing Low Sweet Chariot" which is a song about dying
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presents the view point of the soldier as an individual who does not see the destruction he wreaks. The soldier is "Secure in the beauty of military life/ There is no right or wrong"
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addresses the greed, guilt, and willingness to be satisfied with life as long as we have "bread and circuses". As well the media plays on that greed and guilt to keep us passive.
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is very similar to "What God Wants, Part I" in that it portrays what God wants as not only good but bad as well. The song starts with the sound of a television evangelist preaching the word of god.
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expresses a hope that the human species will escape the influence of the media.
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shows that although the television uses asthetics to manipulate, and manipulate us through our guilt, and our greed, there are a lot of real messages underlying the propaganda.
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the man receiving three wishes realizes too late that he wants another wish but he's used them all up. The last wish in this case is for love
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shows that we have got what God wants now: empty entertainment. The line "We've got famine when we need it" suggests that somebody needs famine. The line in the song "We've got choice" suggests in our luxury we have a choice of which car to drive, and that choice is more important than the famine in other countries.
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Roger Waters points out that too much entertainment can kill the human spirit. The second line of the song "This supermarket life is getting long" expresses much the same way as "It's A Miracle" that this life is empty; there is no meaning, only entertainment. In the lines "What is the heart life of a colour TV/ What is the shelf life of a teenage queen" the types of life are deliberately reversed implying television is as valuable as human beings. It also links with "Too Much Rope" where the "tender TV" means that the television not only delivers the feeling but possesses some feeling itself.
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Originally posted by trinity369
I always say that if I had a dime for every time I listened to The Wall or Dark side of the Moon, I would be rich. I would listen to them on vinyl wearing head phones will I slept, for about 3 years, in high school. Other favorites of mine were Wish you were here, and The final cut.
trinity369
Originally posted by MarshMallow_Snake
reply to post by stealthyaroura
Yeah 100% sure. I watched it the other day and was surprised that it was left out.
"Hey You" is a song by Pink Floyd. It appears on The Wall album (1979). It starts the second disc of the double album. This song was edited out of the film for fear on the part of the filmmakers that the film was running too long; however, a rough version is available as an extra on the 25th Anniversary Edition DVD.
Most of the footage was used in other sequences (most notably "Another Brick in the Wall (Part III)".