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Media commentators regularly note a tendency in news media and wider culture to understand events through the prism of individual agents, as opposed to more complex structural or institutional accounts. If this is a true observation, it may be expected that the audience which both demands and consumes this emphasis itself is more receptive to personalized, dramatic accounts of social phenomena.A second, perhaps related, media trope is the effort to allocate individual responsibility for negative events. The media have a tendency to start to seek culprits if an event occurs that is of such significance that it does not drop off the news agenda within a few days. Of this trend, it has been said that the concept of a pure accident is no longer permitted in a news item. Again, if this is a true observation, it may reflect a real change in how the media consumer perceives negative events.
Hollywood motion pictures and television shows perpetuate and enlarge belief in conspiracy as a standard functioning of corporations and governments. Feature films such as Enemy of the State and Shooter, among scores of others, propound conspiracies as a normal state of affairs, having dropped the idea of questioning conspiracies typical of movies of eras prior to about 1970.
Shooter even contains the line, "that is how conspiracies work" in reference to the JFK murder. Interestingly, movies and television shows do the same as the news media in regard to personalizing and dramatizing issues which are easy to involve in conspiracy theories. Coming Home converts the huge problem of the returning injured Vietnam War soldier into the chance that the injured soldier will fall in love, and when he does, the strong implication is that
the larger problem is also solved. This factor is a natural outcome of Hollywood script development which wishes to highlight one or two major characters which can be played by major stars, and thus a good way of marketing the movie is established but that rings false upon examination.
Further, the necessity to serve up a dubiously justified happy ending, although expected by audiences, actually has another effect of heightening the sense of falseness and contrived stories, underpinning the public's loss of belief in virtually anything any mass media says. Into the vacuum of that loss of belief falls explanation by conspiracy theory. Too, the act of dramatizing real or fictional events injects a degree of falseness or contrived efforts which media savvy people today can identify easily. "News" today is virtually always dramatized, at least by pitting "one side" against another in the fictional journalistic concept that all stories must contain "both sides" (as though reality could be reduced to two sides) or by using more intensive dramatic developments similar to feature movies. That is, by obvious dramatizing, the media reinforces the idea that all things are contrived for someone's gain which could be another definition of, at least, political conspiracies theories. --Dr. Charles Harpole in "History of American Cinema" Scribner/U. Calif Press.