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Bootlegs should not be confused with counterfeit or pirated recordings, which are merely unauthorized duplicates of officially released recordings, often attempting to resemble the official product as close as possible. Some record companies have considered that any record issued outside of their control, and for which they do not receive payment, to be a counterfeit, which includes bootlegs. However, some bootleggers are keen to stress that the markets for bootleg and counterfeit recordings are different, and a typical consumer for a bootleg will have bought most or all of that artist's official releases anyway.[4] Who's Zoo compiled early singles and B-sides by The Who, which had not been commercially released in the U.S. Like several Trademark of Quality bootlegs, it featured cover artwork by William Stout. Many bootlegs consist of private or professional studio recordings distributed without the artist's involvement, including demos, works-in-progress or discarded material. These might be made from private recordings not meant to be widely shared, or from master recordings stolen or copied from an artist's home, a recording studio or the offices of a record label, or they may be copied from promotional material issued to music publishers or radio stations, but not for commercial release.[5] A theme of early rock bootlegs was to copy deleted records, such as old singles and B-sides, onto a single LP, as a cheaper alternative to obtaining all the original recordings. Strictly speaking, these were pirated recordings, but because the work required to clear all the copyrights and publishing of every track for an official release was considered to be prohibitively expensive, the bootlegs became popular. Some bootlegs, however, did lead to official releases. The Who's Zoo bootleg, collecting early singles of The Who, inspired the official album Odds And Sods, which beat the bootleggers by issuing unreleased material, while various compilations of mid-1960s bands inspired the Nuggets series of albums
True. remember reading all about it but cannot find the source i read it all from. Most people don't even know NASCAR roots started from bootleggers. Actually rum runners with fast cars to outrun the revenue agents. Through bragging rights they started races that eventually became what most now know as NASCAR.
originally posted by: peter vlar
a reply to: VoidHawk
The term literally originated from smugglers hiding illegal bottles of alcohol in their boots under their pants.
Yes I do prefer the soundboarded recordings, but sometimes there area good audience sourced recording that sounds almost as good as a soundboard, lol a few times I have even remixed some audience sourced recordings to make them sound better, and even made cover art a few times. There are still boot's floating around by me proob4 cause of that. Also there was a add on to winamp called DMX that would open them up to better sounding levels.
originally posted by: jtrenthacker
I have a ton of bootleg shows from various bands. I'm a bit finicky when it comes to sound quality though. I prefer to listen to soundboard boots if available. I just can't listen to most audience recordings. Too much noise.
I'm a big fan of Pearl Jam & Dave Matthews Band and thankfully they have released "official bootlegs". I know, I know, they aren't true bootlegs, but for live music, they sound superb.
LOL I remember back in the day My step cousin was a DJ and we went all over Detroit to find that damn Prince Black album. lol no internet then.
originally posted by: reldra
a reply to: proob4
I have just not been able to afford to buy any music in a long time. Well, I think I stopped buying when CDs went to $10+.
Youtube was right there to listen. Many sources were right there to download. My tape recorder was right there with the radio. I had so many mixtapes..I have saved some. I download mainly, single songs from youtube with an app.
At Christmas, I save money by downloading entire albums from piratebay for family.
I remember buying a bootleg of Prince's "The Black Album" at a flea market in Berkeley in about 1991? Best guess at year. It was a cassette. I still have it.
I did buy a lot when I was a teen...read: given money by parents or earned from babysitting. The first music I bought with my own money was the 45 of The Scorpions 'Rock You Like a Hurricaine" followed by the 45 of Quiet Riot "Cum on Feel the Noize". I remember having record albums of both Shaun Cassidy and Michael Jackson "Thriller" tacked to my bedroom wall, so obviously I was finding my music footing and some money was spent.
I have actually bought a lot of 'picture disc records'. I like them.
But now, I only need single songs. I am not going to pay a couple bucks for each one. So, I may be doing the 'bad' pirating. I don't 'feel bad' though.
I listen to pretty specific playlists on Spotify for free. They say the free runs out, but it never does. Not sure how saving some to my computer would be bad.
Me too. I had 100's of shows I recorded on cassettes and 8-tracks. Lot's of good stuff i cannot even find now on the bootleg boards and forums. I really liked the long play 8 - tracks that recorded at high tape speeds for close to lossless recording. lol Back then i would have killed for a reel to reel but they was so expensive.
originally posted by: GENERAL EYES
I remember "bootlegging" the Dr. Demento shows off the night radio broadcasts on the weekends.
Ah, cassettes. Those were the days.
Wish I knew where those tapes went.
Maybe I should invest in CD's now.
Or mp3's.
Or something.
Yar!
originally posted by: GENERAL EYES
I remember "bootlegging" the Dr. Demento shows off the night radio broadcasts on the weekends.
Ah, cassettes. Those were the days.
Wish I knew where those tapes went.
Maybe I should invest in CD's now.
Or mp3's.
Or something.
Yar!
See that's the fun part. I have well over 500 Metallica Full audio shows and over 100 full video shows.(lot's are on youtube nowdays) it's just fun to see how they change up from venue to venue like you say.
originally posted by: MystikMushroom
The String Cheese Incident is pretty famous for allowing "tapers" to setup microphones on stands to record their live concerts. They don't mind, as long as they don't interfere with the concert. In fact, there was a whole website that had a huge database of every recorded concert available.
It was pretty neat to listen to the same song done live in various venues and over the years. Some of the songs seemed to have lives of their own, evolving and changing as the time went by...