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originally posted by: Spider879
Why I broached this thread.
.
Warrior King and I
Ok let me say this without giving away too much,one of my six hats before being read the riot act by a gang of six .including mother and father in-laws and a doc in toe to boot, about something called a workaholic, I was a producer and promoter of events,these events were typically reggae events...waddasuprise! but once in awhile I was asked to link with the Hip hop community bringing them here to Japan, since my sabbatical one of my ex-staffer and friend who wanted to fill my shoes so to speak but go in a slightly different direction, asked my opinion on the hardcore Asian American gangsta rap and thug culture,was it a good idea or not,and can I find out who is real and who is not , from a friend of a friend contact, it was through these communiques and the realization that something is changing in the deep dark underground of Hip hop called Gangsta or thug life ,I sometimes forget that this is the internet and not everyone will see the world as I see it,often due to cultural relevance .
originally posted by: Spider879
originally posted by: FormOfTheLord
I have seen gangsters of every race no one is more ganster than another, stop looking at race and look at the actions of the individuals, because its not about what race they are, its thier actions that define them. As soon as you go into race it becomes a race baiting thread based on racism and moronic sterotypes.
I think all racists are the scum of the earth, and posts about various races black, asian, white or otherwise based on thier skin color and not based on the content of character dont belong on ATS, because its stupid and a false narrative, ill go ahead and flag this thread to the mods before it gets started.
Head scratching here,are there Gangsta with a certain swag?..yes or no, that particular swag,known as thugged-out started from one community AAs and influenced another,yes are no,do these ethnic Gangstas influenced each other through music and fashion and ideals.yes or no, do we see in music the outwards expressions and influence of the Asian component yes or no.
What is race baiting about this Thugged out is another term for Gangsta,fashion and ideals which included everyone but started from somewhere.
originally posted by: Yeahkeepwatchingme
a reply to: FormOfTheLord
Didn't African Americans start hip hop/rap though?
I still don't see much race baiting here except from those who keep saying it is.
originally posted by: Yeahkeepwatchingme
a reply to: FormOfTheLord
How was I making a stereotypical comment? Really now, not everything is racist/prejudice.
originally posted by: Yeahkeepwatchingme
a reply to: FormOfTheLord
It was a question. You see racism everywhere.
Flyting is a ritual, poetic exchange of insults practiced mainly between the 5th and 16th centuries. The root is the Old English word flītan meaning quarrel (from Old Norse word flyta meaning provocation). Examples of flyting are found throughout Norse, Anglo-Saxon and Medieval literature involving both historical and mythological figures. The exchanges would become extremely provocative, often involving accusations of cowardice or sexual perversion.
Norse literature contains stories of the gods flyting. For example in Lokasenna the god Loki insults the other gods in the hall of Ægir and the poem Hárbarðsljóð in which Hárbarðr (generally considered to be Odin in disguise) engages in flyting with Thor.
In the confrontation of Beowulf and Unferð in the poem Beowulf, flytings were used as either a prelude to battle or as a form of combat in their own right.
In Anglo-Saxon England, flyting would take place in a feasting hall. The winner would be decided by the reactions of those watching the exchange. The winner would drink a large cup of beer or mead in victory, then invite the loser to drink as well.
The 13th century poem The Owl and the Nightingale and Geoffrey Chaucer's Parlement of Foules contain elements of flyting.
Flyting became public entertainment in Scotland in the 15th and 16th centuries where makars would engage in verbal contests of provocative, often sexual and scatological but highly poetic abuse. Flyting was permitted despite the fact that the penalty for profanities in public was a fine of 20 shillings (over £300 in 2015 prices) for a lord or a whipping for servant. James IV and James V encouraged "court flyting" between poets for their entertainment and occasionally engaged with them. The Flyting of Dumbar and Kennedie records a contest between William Dunbar and Walter Kennedy in front of James IV, which includes the earliest recorded use of the word # as a personal insult. In 1536 the poet Sir David Lyndsay composed a ribald 60 line flyte to James V after the King demanded a response to a flyte.
Flytings appear in several of William Shakespeare's plays. Margaret Galway analysed 13 comic flytings and several other ritual exchanges in the tragedies. Flytings also appear in the Nicholas Udall's Ralph Roister Doister and John Still' Gammer Gurton's Needle from the same era.
Similar practices[edit]Hilary Mackie has detected in the Iliad a consistent differentiation between representations in Greek of Achaean and Trojan speech, where Achaeans repeatedly engage in public, ritualized abuse: "Achaeans are proficient at blame, while Trojans perform praise poetry."
Taunting songs are present in the Inuit culture, among many others. Flyting can also be found in Arabic poetry in a popular form called naqa'id, as well as the competitive verses of Japanese Haikai.
Echoes of the genre continue into modern poetry. Hugh MacDiarmid's poem A Drunk Man Looks at the Thistle, for example, has many passages of flyting in which the poet's opponent is, in effect, the rest of humanity.
Flyting is similar in both form and function to the modern practice of freestyle battles between rappers and the historic practice of the dozens.
African Americans arent thugs and gansters, African Americans dont have swag like your saying, and there is nothing "Hip Hop" about African Americans. Swag, being a thug, being a gangster, and hip hop rapping can be done by anyone who practices the art form of doing it. Which is why I am saying your basing this thread on the false premise that Asian Americans are acting like African Americans. African Americans dont act like anything, the minute you lump races into sterotypes your wrong. We are all the same, behavior is learned and promoted by popular media nothing more than that. Forget the skin color of the rappers and look at the art form of rap in itself, because its not an African American thing, its just something promoted in the African American community.
originally posted by: Spider879
a reply to: FormOfTheLord
African Americans arent thugs and gansters, African Americans dont have swag like your saying, and there is nothing "Hip Hop" about African Americans. Swag, being a thug, being a gangster, and hip hop rapping can be done by anyone who practices the art form of doing it. Which is why I am saying your basing this thread on the false premise that Asian Americans are acting like African Americans. African Americans dont act like anything, the minute you lump races into sterotypes your wrong. We are all the same, behavior is learned and promoted by popular media nothing more than that. Forget the skin color of the rappers and look at the art form of rap in itself, because its not an African American thing, its just something promoted in the African American community.
Who the heck said AAs are thugs and Gangsters, you are reading into the thread stuff simply not said. the art form known as hiphop came out of AA and Latino communities, matter of fact the tradition of speaking over the mic to music was a Jamaican thing called toasting,most of the early hiphop artist were in fact second generation Jamaican kids from the Bronx , Dance hall and Hiphop are cousins, the Latinos added their bit with Break dancing through something similar to what is known as Capoeira a form of martial art disguised as a dance practiced in Brazil but ultimately traced back to Angola.
Your examples of medieval rap do not come from the same line Hiphop came from, prudish Victorian era would have killed that.
In any case Gangsta Rap is a subculture of Hip Hop,it's values and mores are different,others may enjoy it but to but it was the least democratic of hiphop, barriers would eventually break down however and the last group to break ground in that form of musical gangsta expression are Asian Americans.
hard-copy.co.uk...
Rap battles are an evolution of ‘flyting’, the ancient Scottish art of exchanging poetic insults for entertainment or to settle a quarrel.
Professor Ferenc Szasz, a History professor at University of New Mexico who specialises in the cultural impact of Scotland on the Western world, published a study on the historical context of Robert Burns.
Szasz claims that the tradition of flyting was exported to the US by Scottish slave owners, where the practice was adopted and developed among the slave population.
Flyting was a form of public entertainment in 15th and 16th century Scotland, often described as verbal jousting. The battlers themselves were called Makars.
“The Scots have a lengthy tradition of flyting – intense verbal jousting, often laced with vulgarity, that is similar to what one finds among contemporary inner-city African-American youth,” explains Szasz.
“Both cultures accord high marks to satire. The skilled use of satire takes this verbal jousting to its ultimate level – one step short of a fist fight.”
The Flyting Of Dunbar And Kennedy is the most famous recorded joust, in which two Makars spit obscene rhymes at each other before the Court of King James IV. It has been described by historians as “just over 500 lines of filth”. The Dunbar Flyting also includes the first recorded use of the word ‘#’ as a personal insult.
Professor Szasz points to an American civil war poem, printed in 1861, as the first example of Flyting in the US.
Professor Willie Ruff of Yale agrees that African American music traditions were heavily influenced by Scottish culture.
“Two people engage in ritual verbal duelling and the winner has the last word in the argument,” he says, by way of comparison, “With the loser falling conspicuously silent.”
Flyting isn’t dead though – far from it. The Scottish rap scene continues to grow, with acts like Hector Bizerk now breaking into the mainstream. Here are a couple of fine examples of modern day flyting.
originally posted by: Yeahkeepwatchingme
a reply to: FormOfTheLord
Look, I asked a question because I wanted to know. Whatever your game is it's just ridiculous. You obviously can't discuss this topic without screaming racism, grow up.
originally posted by: Yeahkeepwatchingme
a reply to: FormOfTheLord
Exactly what is the point of this now? To be honest, you're the race baiting one in this thread, not the OP.
"He asked if African Americans started rap! Obvious racist!" It doesn't work that way.
originally posted by: Yeahkeepwatchingme
a reply to: FormOfTheLord
I still don't know what you're going on about. Do you understand the difference between a statement and a question?
Originally I asked if African Americans created rap, it wasn't a statement. Then you started accusing me of racism for god only knows but it's really stupid.
Didn't African Americans start hip hop/rap though?