It looks like you're using an Ad Blocker.
Please white-list or disable AboveTopSecret.com in your ad-blocking tool.
Thank you.
Some features of ATS will be disabled while you continue to use an ad-blocker.
As Rodger bemoaned his life of “loneliness, rejection and unfulfilled desire” and arrogantly announced that he would now prove his own status as “the true alpha male,” he unwittingly expressed the toxic double helix of insecurity and entitlement that comprises Hollywood’s DNA. For generations, mass entertainment has been overwhelmingly controlled by white men, whose escapist fantasies so often revolve around vigilantism and sexual wish-fulfillment (often, if not always, featuring a steady through-line of casual misogyny). Rodger’s rampage may be a function of his own profound distress, but it also shows how a sexist movie monoculture can be toxic for women and men alike.
How many students watch outsized frat-boy fantasies like “Neighbors” and feel, as Rodger did, unjustly shut out of college life that should be full of “sex and fun and pleasure”? How many men, raised on a steady diet of Judd Apatow comedies in which the shlubby arrested adolescent always gets the girl, find that those happy endings constantly elude them and conclude, “It’s not fair”?
Film director Judd Apatow and actor Seth Rogen both blasted Washington Post film critic Ann Hornaday’s op-ed in which she suggests that Elliot Rodger’s mass killing in Isla Vista, Calif., is tied to white men in Hollywood promoting “escapist fantasies” that “revolve around vigilantism and sexual wish-fulfillment.”
Rogen and Apatow ridiculed the op-ed on Monday via Twitter.
“@AnnHornaday how dare you imply that me getting girls in movies caused a lunatic to go on a rampage,” Rogen tweeted in response, receiving hundreds of re-tweets and favorites. Apatow responded, adding to Rogen’s comments on Twitter: “I find your article horribly insulting and misinformed.” “She uses tragedy to promote herself with idiotic thoughts,” Apatow posted.
originally posted by: NthOther
If white male domination of Hollywood is to blame, then maybe women should stop buying tickets (see pg. 13).
How many students watch outsized frat-boy fantasies like “Neighbors” and feel, as Rodger did, unjustly shut out of college life that should be full of “sex and fun and pleasure”? How many men, raised on a steady diet of Judd Apatow comedies in which the shlubby arrested adolescent always gets the girl, find that those happy endings constantly elude them and conclude, “It’s not fair”?