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For three centuries, the publishing industry has been working very hard to obscure copyright's true origins, and to promote the myth that it was invented by writers and artists. Even today, they continue to campaign for ever stronger laws against sharing, for international treaties that compel all nations to conform to the copyright policies of the strictest, and most of all to make sure the public never asks exactly who this system is meant to help.
The reward for these efforts can be seen in the public's reaction to the file-sharing lawsuits. While most people agree that this time the industry went too far, the error is mainly treated as one of degree — as if the record companies had a valid point, but had merely resorted to excessive force in making it.
To read the true history of copyright is to understand just how completely this reaction plays into the industry's hands. The record companies don't really care whether they win or lose these lawsuits. In the long run, they don't even expect to eliminate file sharing. What they're fighting for is much bigger. They're fighting to maintain a state of mind, an attitude toward creative work that says someone ought to own products of the mind, and control who can copy them. And by positioning the issue as a contest between the Beleaguered Artist, who supposedly needs copyright to pay the rent, and The Unthinking Masses, who would rather copy a song or a story off the Internet than pay a fair price, the industry has been astonishingly successful. They have managed to substitute the loaded terms "piracy" and "theft" for the more accurate "copying" — as if there were no difference between stealing your bicycle (now you have no bicycle) and copying your song (now we both have it). Most importantly, industry propaganda has made it a commonplace belief that copyright is how most creators earn a living — that without copyright, the engines of intellectual production would grind to a halt, and artists would have neither means nor motivation to produce new works.
Originally posted by SaturnFX
Copywrite issues made simple.
Originally posted by petrus4
If you are not willing to educate yourself, do not bother simply repeating said ignorance; as though repetition alone is going to make it any more accurate.
The record companies don't really care whether they win or lose these lawsuits. In the long run, they don't even expect to eliminate file sharing. What they're fighting for is much bigger. They're fighting to maintain a state of mind, an attitude toward creative work that says someone ought to own products of the mind,
Originally posted by jollyjollyjolly
reply to post by petrus4
Get a clue. Get a job. Get some understanding of the issues.
Originally posted by petrus4
Originally posted by jollyjollyjolly
reply to post by petrus4
Get a clue. Get a job. Get some understanding of the issues.
I'm surprised that someone who responds to me with this kind of type A, paternalistic condescension has time to respond at all. Shouldn't you be busy working yourself into a premature heart attack?
The concept of a "copyright" is wrong, flawed and serves to accomplish nothing but personal interests and greed.
If you made something good, good for you people will probably praise you for it. You can't force people to praise or pay you for your creations, crappy or otherwise. You can't demand a "right to respect, money and power" because you personally think you released something into the world that's worthwhile. It's inevitable that it will be copied, face it. Everything is a copy or reinvention of some former concept, in some way or another.