Three separate events occurred this week in Germany that has its citizenry worried that fascist extremism may be on the rise. Neo-Nazis tooks seats
in the German legislature while the top-selling film in Germany,
The Downfall, is a Hitler-sympathetic work. At the same time, the Flick
Collection, allegedly emassed from a convicted war criminal's fortunes, opened at the Hamburger Bahnhof museum.
www.theglobeandmail.com
It was a bizarre and disquieting week in Germany, full of dark echoes of the 1920s and featuring several bizarre spectacles. Whenever the newly
elected fascists were asked questions on TV news shows, politicians from major parties got up, took off their microphones and stormed out of the
studios. A 35-year-old woman cartwheeled across an art-gallery floor before kicking apart major works of modern art in a protest against owner
Friedrich Christian Flick, grandson of a Nazi war criminal.
The week's events left many Germans wondering if fascist extremism has made a return to mainstream credibility, after being nearly unmentionable in
Germany since Hitler's suicide nearly 60 years ago.
There have been chilling echoes of the circumstances that saw Hitler sweep to power in the late 1920s and early 1930s: a sustained period of growing
unemployment and economic malaise; angry and jobless young men in the eastern provinces infuriated by the liberal, tolerant society of the west; a
widespread distrust of “outsiders,” immigrants and perceived non-Germans.
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Neo-Nazis obtained seats in Saxony and Brandenburg on Sunday. This is the first time the illegal parties have had a seat in the German legislature
since 1968.
The movie,
The Downfall, portrays Hitler as "a human being, not a psychopath" and shows his "charm" and "soft spots".
The Flick Collection represents a 12 million dollar investment by the grandson of Friedrich Flick, convicted of using Jewish slave labourers in his
weapons factories during World War II, and sentenced to seven years in prison during the Nuremberg trials.
[edit on 28-9-2004 by Banshee]