Sorry, couldn't resist...

edit on 21-10-2011 by whyamIhere because: kush
But according to investigative journalist Debbie Nathan, the story of Sybil has one big problem: it's mostly bunk.
In Sybil Exposed, Nathan, famous for her exposés on "recovered memory syndrome", goes through the story, claim by claim, with a fine-toothed comb. It's a massive undertaking of research that teases apart fact from fiction to reveal an even more interesting and educational account of, not 16, but just three personalities: the author, Flora Schreiber, the psychiatrist, Cornelia Wilbur, and "Sybil", Shirley Mason.
What Nathan found among the archives was "shocking but utterly absorbing", she says. Mason's 16 personalities had not appeared spontaneously as they do in the book and movie, but were "provoked over many years of rogue treatment that violated practically every ethical standard of practice for mental health practitioners", she writes.
This is quite a firebomb to throw into a heated battle that started in the late 1990s and is still being fought today. The lines are drawn between whether MPD, since renamed dissociative identity disorder, exists as an artefact of post-traumatic stress disorder, as its own unique illness, or if it is merely the product of wishful, reinforcing therapy and willing clientele.
Nathan uses direct quotes from the actual psychoanalysis session transcripts, excerpts from Mason's diaries, and Schreiber's author notes to provide fascinating insights into how these three women turned sickness and desire into a business.
When Wilbur, an ambitious female psychiatrist in a field packed with men, found Mason, an attention-starved and admiring patient, it was not long before they were engaged in a twisted parent-child kind of relationship. Nathan shows how Wilbur supplied her patient with attention and affection, and Mason eagerly performed whatever dance seemed to please Wilbur most.
At one point Mason wrote a letter attempting to confess to Wilbur that she had invented these personalities. She also asked that they stop "demonizing" her mother - who Wilbur had cast as a vicious abuser but who Nathan suggests was just religiously strict and emotionally unpredictable. Wilbur dismissed the letter as a defence mechanism, and her patient, desperate not to lose the doctor's interest, continued the charade. Soon after, the two women met Schreiber, who spun their story into the profitable and sexy legend we know today.