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The sinister Guy Fawkes mask made famous by the film V for Vendetta has become an emblem for anti-establishment protest groups. Who's behind them?
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British graphic novel artist David Lloyd is the man who created the original image of the mask for a comic strip written by Alan Moore. Lloyd compares its use by protesters to the way Alberto Korda's famous photograph of Argentine revolutionary Che Guevara became a fashionable symbol for young people across the world.
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The film of V for Vendetta ends with an image of a crowd of Londoners all wearing Guy Fawkes masks, unarmed and marching on parliament.
It is that image of collective identification and simultaneous anonymity that is appealing to Anonymous and other groups, says Rich Johnston, a commentator on the world of comics.
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Johnston sees the mask as fundamentally a violent image. "It's not a symbol of passive resistance but a symbol of active terrorism - it's about bringing down a government and a country and that could be quite scary and alienating to some people."
The idea of the V mask being appropriated as a political symbol is inherently ridiculous, he suggests.
"It's like assuming you can bring down a government using a light sabre or a He-Man sword."
Originally posted by IsaacKoi
I wonder if Warner Bros gets a royalty from the sale of the masks? Presumably it does. At the very least, the widespread use of the mask must promote interest in the movie V for Vendetta and promote DVD sales...
Masked Protesters Aid Time Warner’s Bottom Line
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What few people seem to know, though, is that Time Warner, one of the largest media companies in the world and parent of Warner Brothers, owns the rights to the image and is paid a licensing fee with the sale of each mask.
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Indeed, with the help of Anonymous, the mask has become one of the most popular disguises and — in a small way — has added to the $28 billion in revenue Time Warner accumulated last year. It is the top-selling mask on Amazon.com, beating out masks of Batman, Harry Potter and Darth Vader.
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Warner Brothers did not respond to a request for comment on the mask’s newfound popularity as a tool of protesters.
The film of V for Vendetta ends with an image of a crowd of Londoners all wearing Guy Fawkes masks, unarmed and marching on parliament.
... Johnston sees the mask as fundamentally a violent image. "It's not a symbol of passive resistance but a symbol of active terrorism