reply to post by Dasher
I could go into just how many pennies I get from each song...but it gives me a headache. Writers credit, authors and co-writers credit. Publishers
etc....and the folks who are complaining here just dont know how all this works.
I have a song in the Sopranos' Episodes #24 and 51.
Same tune in Trains, Plains and Automobiles with John Candy and Dan Ackroid.
Another in Tommy Boy with Chris Farley and David Spade.
All vary from a huge 1 time payment to use in movie forever, and the others small, quarterly payments.
In one of the above, they hire a cover band to play the song so they didnt have to pay us performance credit in the movies.
There are a million variables to copyright. Im also an author and that is a whole other ball game of variables.
My opinion? Use something of mine...just dont sell it to someone as yours, and make a profit. Just say I was the composer/author and Im fine with
This from my music publishers, forwarded to me.
From: Laura Childs On Behalf Of IFPI Press Release
Sent: 12 September 2011 11:02
Subject: RECORDING INDUSTRY WELCOMES EU DECISION ON COPYRIGHT TERM EXTENSION
Brussels, 12th September 2011 – The international recording industry welcomed today’s decision by the European Union to extend the term of
copyright protection offered to performers and producers from 50 to 70 years.
The decision was applauded by Plácido Domingo, chairman of IFPI, which represents the recording industry worldwide: “The decision to extend the
term of protection for recordings in Europe is great news for performing artists. Artists at the start of their careers will benefit from an increased
pool of revenue that will be available to invest in new talent. Established artists can benefit from their work throughout their lifetimes. This is
especially important today when licensed digital services make music widely available online.
“Extension of protection also reflects the important role performers play in the success of songs by narrowing the gap between the protection
offered to recorded performances and that offered to compositions.”
Frances Moore, chief executive of IFPI, added: “This is a victory for fairness. With this decision, the European Union is giving artists and
producers in Europe the fair treatment they deserve. The extension of the term of protection to 70 years narrows the gap between Europe and its
international partners and improves the conditions for investment in new talent.
“Over 38,000 artists and performers petitioned for this extension, supported by right holders from across the European music sector. Their calls
have been heeded, and we thank the European Commission for having the vision to table this Directive, the European Parliament for giving it resounding
support and the Member States, led on this occasion by the Polish Presidency of the EU, for making term extension a reality.”
Notes to editors:
The EU term extension Directive extends term of protection for performers and producers of musical works from 50 to 70 years. It brings Europe’s
artists and producers closer into line with the protection offered to authors and composers (life plus 70 years).
The Directive also narrows the gap between the term of protection in Europe and that of other countries and regions, where term of protection can
range from 70 to 95 years.
The EU term of protection Directive was proposed by the European Commission in 2008 and voted on by the European Parliament in 2009. The Directive was
adopted by the EU Council of Ministers in Brussels today. The legislation will be implemented by Member State Governments within two years from
publication in the Official Journal.
IFPI is the organisation that promotes the interests of the international recording industry worldwide. Its membership comprises some 1,400 major and
independent companies in 65 countries. It also has affiliated industry national groups in 45 countries.