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During 2005, David Dunn often wandered the hilly outskirts of Santa Fe looking like a medieval plague doctor. Armed with headphones and a tape recorder, the avantgarde music composer and violin player poked the thin bark of pinyon trees with a special homemade device.The odd contraption consisted of a meat thermometer and a piezoelectric transducer from a Hallmark greeting card. After inserting the modified thermometer-cum-microphone into the tree's inner bark, Dunn patiently listened to the voices inside the tree.
Dunn started with the stories of Pueblo elders, who believe that "the beetles come when the trees cry." He wondered if that was true, and, if so, how a pinyon might weep. He was also curious about how bark beetles communicated in their winding galleries. Why did scientists know so little about the insect's acoustic abilities? Could the death of beetle-riddled spruce trees in Alaska be related to the pinyon-killing drought in New Mexico? His list kept growing.
Dunn's reflections produced some radical conclusions. Given the insect's evolutionary success and its ability to change entire landscapes at the drop of a hat, Dunn thinks bark beetles might be one of the most important animals on earth. "They are amazing creatures. They eat themselves out of a food source. That's a terrifying proposition." After producing a highly unusual beetle CD called The Sound of Light in Trees, Dunn began a wildly inventive collaboration to test an innovative idea: acoustic warfare against beetles. The results could change the entire field of pest management. "We altered beetle behavior by playing back their own sound," explains Dunn. "We managed to turn them into cannibals. We created unprecedented behaviors."
Dunn started with the stories of Pueblo elders, who believe that "the beetles come when the trees cry."
To start off the experiments, McGuire played the most abrasive sounds he could think of: heavy metal and, amusingly, angry monologues by Rush Limbaugh, the infamous talk-radio host. "I wanted an authoritative, agitating, and repeatable voice I could play back again and again. I also wanted to stress the hell out of the beetles, and I thought that hate radio would do it," McGuire explains.
But the beetles in the phloem sandwich ignored Limbaugh's bombast. The beetles didn't react, either, when McGuire played the man's voice backward. "They're smart critters," adds McGuire. The beetles also ignored head-banging tunes by Metallica, as well as Guns n' Roses' Welcome to the Jungle
"The female started signaling by making weak pulsing sounds. The male moved towards her and started to make a terrifying loud stridulation sound. The female froze in her tracks. Then the male came up to her and chewed her in half lengthwise. It was sonic warfare," says Dunn.
We changed their reproductive behavior completely," says Hofstetter.
Dunn's reflections produced some radical conclusions. Given the insect's evolutionary success and its ability to change entire landscapes at the drop of a hat, Dunn thinks bark beetles might be one of the most important animals on earth. "They are amazing creatures. They eat themselves out of a food source. That's a terrifying proposition." After producing a highly unusual beetle CD called The Sound of Light in Trees, Dunn began a wildly inventive collaboration to test an innovative idea: acoustic warfare against beetles. The results could change the entire field of pest management. "We altered beetle behavior by playing back their own sound," explains Dunn. "We managed to turn them into cannibals. We created unprecedented behaviors."
Armed with headphones and a tape recorder, the avantgarde music composer and violin player poked the thin bark of pinyon trees with a special homemade device.The odd contraption consisted of a meat thermometer and a piezoelectric transducer from a Hallmark greeting card
Hearing organs which have evolved in the context of predator avoidance are highly sensitive, preferentially in a broad range of ultrasound frequencies, which release rapid escape manoeuvres. Hearing in the context of communication does not only require recognition and discrimination of highly specific song patterns but also their localisation. Typically, the spectrum of the conspecific signals matches the best sensitivity of the receiver. Directionality is achieved by means of sophisticated peripheral structures and is further enhanced by neuronal processing. Side-specific gain control typically allows the insect to encode the loudest signal on each side. The filtered information is transmitted to the brain, where the final steps of pattern recognition and localisation occur. The outputs of such filter networks, modulated or gated by further processes (subsumed by the term motivation), trigger command neurones for specific behaviours. Altogether, the many improvements opportunistically evolved at any stage of acoustic information-processing ultimately allow insects to come up with astonishing acoustic performances similar to those achieved by vertebrates.
Originally posted by Afterthought
Fascinating information, Op! S&F
What this man discovered is useful as well as distructive, like most inventions actually. I just hope that his findings are kept in the right hands. If not, evil scientists might develop music or sounds that cause people to kill each and eat each other.