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The discovery of Sanxingdui shocked the world, but the history of the ruins remains a mystery. The bronze wares from the Sanxingdui we see today are but only small scraps of an immemorial and brilliant civilization. Where was the Sanxingdui culture from? Which clan did the residents of the ruins belong to? How did the advanced bronze manufacture techniques come into being? And how did they decline and die out? The archaeological project at the Sanxingdui ruins is ongoing. Mysterious and magnificent, the Sanxingdui civilization is a unique and dazzling page in China’s long history.
What archeologists have unearthed in Sanxingdui, however, is a large number of bronze statues and masks produced with very sophisticated technology in a style very different from the bronzes of the Yellow River basin. The Sanxingdui finds prove that a culture distinct from the Yellow River cultures existed in the upper Yangtze basin. More important still, this separate culture had achieved a high degree of sophistication in bronze working, and it also had its own unique art and burial culture. The most prominent representative of this culture is certainly the huge bronze statue of a man, which has been nicknamed "the giant of the East."
That is one reason why the relics from Sanxingdui are so remarkable. Predating by a millennium the tomb of the first Qin emperor, the Sanxingdui burial pits contained nearly 80 human figures in bronze, including heads, masks, and the 172-cm life-size bronze statue that, together with its base, towers to a height of 262 cm.
The bronze statue has sharp facial features-bushy eyebrows, big eyes that glare at the viewer, an aquiline nose, and a tightly closed mouth that reaches very nearly from ear to ear. The facial muscles are tensed, the expression is solemn, and both arms are held out in a circle, as if performing some kind of sacred rite. The figure wears a hard, round cap decorated with a feather-like ornament. The clothes consist of three layers of robes decorated with intricately crafted dragons, whorls, and human faces.
According to Dr. Chen Fang-mei, a specialist in Shang-period bronzes at National Taiwan University's Institute of Art History, one can tell just from the large size of the bronze statue that the Sanxingdui culture was quite sophisticated.
Dr. Chen attaches the highest importance to the bronze casting prowess of the Sanxingdui culture: "They had left the Stone Age behind and entered the Bronze Age. This accomplishment was every bit as significant as our lunar landing and entry into the space age."
Now the discoveries of Sanxingdui have revealed that there was also a unique culture in the Chengdu Plain of the upper Yangtze basin, thus adding emphatic proof of the diverse origins of Chinese civilization.
NOW...
Originally posted by SpringHeeledJack
reply to post by Frankenchrist
Are you implying that aliens are artists and impressionism was the style that was in vogue at the time?
Also, that skull isn't even human. An arbitrary area at an arbitrary angle linked to an obscure object on Earth, an animal skull.edit on 1-8-2011 by SpringHeeledJack because: (no reason given)
Coincidences do exist, I wouldn't even jump the gun so far as to call this one.
Originally posted by Arken
Originally posted by SpringHeeledJack
One more thing before I bail on this thread OP.
In my opinion, a MUCH more intriguing last question would be...
Did ancient humans travel to Mars?
I'll leave you to it.
My personal opinion is... YES!