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For more than 3,000 years they had lain, muted, in the Valley of the Kings, close to the mummy of the boy king. Found in different parts of Tutankhamun's tomb, both were decorated with depictions of Egyptian gods identified with military campaigns.
in 1939 the Egyptian Antiquities Service was persuaded to take part in a BBC broadcast to the world from the Cairo Museum.
Rex Keating, a radio pioneer who helped convince the museum, was chosen to present it to an estimated 150 million listeners worldwide one Sunday afternoon.
Bandsman Tappern had, after all, played the trumpet shortly before World War II broke out. Cairo Museum's Tutankhamun curator claims the trumpet retains "magical powers" and was blown before the first Gulf War, and by a member of staff the week before the Egyptian uprising.
the people shouted when the priests blew with the trumpets: and it came to pass, when the people heard the sound of the trumpet, and the people shouted with a great shout, that the wall fell down flat, so that the people went up into the city, every man straight before him, and they took the city.
Both became exhibits at the Cairo museum, but when it was broken into during the recent uprising, the bronze instrument vanished. Luckily, the silver one was away on exhibition tour.
King Tut's curse
A whole science has sprung up around the study of ancient music, where the original instruments are too fragile to play or no longer exist.
Archaeologists and archaeomusicologists are still able to get a sense of how they might have sounded.
Richard Dumbrill, considered the world's leading authority on the Music of the Ancient Near East, is one. He reconstructed the Silver Lyre of Ur, discovered by Leonard Woolley in modern-day Iraq around the same time that Tutankhamun's tomb was excavated.
The trumpets were first played just before World War II broke out, but could they really summon war?
Mr Woolley, a brilliant archaeologist, recognised a pile of twisted metal in a tomb as the remains of a 5,000-year-old lyre. He poured wax into the space where the instrument had lain to recover the shape.
Mr Dumbrill used the cast and Mr Woolley's notes to recreate the lyre, including the animal gut strings. The sounds it makes conjures up a world even more ancient than Tutankhamun's.
The Lost Sound Orchestra, as its name suggests, aims to bring other ancient worlds to life. Using laptops, experts try to make digital sound from virtual instruments - such as those shown on ancient Greek vases. They started with the epigonion (an ancient stringed instrument) from the 2nd Century BC.
But this is not just an academic exercise - the project creates the possibility of an orchestra of lost sounds gathered from all over the world via digital technology.
As Tutankhamun's trumpet echoes once more, the loss - and return - of such a celebrated artefact is convincing some of Tutankhamun's celebrated curse. Not least the trumpet's apparent ability to summon up war.
Bandsman Tappern had, after all, played the trumpet shortly before World War II broke out. Cairo Museum's Tutankhamun curator claims the trumpet retains "magical powers" and was blown before the first Gulf War, and by a member of staff the week before the Egyptian uprising.
Both became exhibits at the Cairo museum, but when it was broken into during the recent uprising, the bronze instrument vanished. Luckily, the silver one was away on exhibition tour.
The trumpet was recently found - reportedly with other Tutankhamun artefacts in a bag on the Cairo Metro.
Sounds create vibrations at certain frequencies and can have tremendous power.
The archaic Egyptian instruments that have been unearthed, so far, are largely tuned to 432 hz. In ancient Greece (the school book original place for music) their instruments were predominantly tuned at 432 hz. Within the archaic Greek Eleusenian Mysteries, Orpheus is the god of music, death and rebirth, and was the keeper of the Ambrosia and the music of transformation (his instruments were tuned at 432 hz).
Post hoc ergo propter hoc, Latin for "after this, therefore because of this," is a logical fallacy (of the questionable cause variety) that states, "Since that event followed this one, that event must have been caused by this one." It is often shortened to simply post hoc and is also sometimes referred to as false cause, coincidental correlation, or correlation not causation. It is subtly different from the fallacy cum hoc ergo propter hoc, in which the chronological ordering of a correlation is insignificant.
Post hoc is a particularly tempting error because temporal sequence appears to be integral to causality. The fallacy lies in coming to a conclusion based solely on the order of events, rather than taking into account other factors that might rule out the connection.
Originally posted by Kandinsky
reply to post by MrSpiderMonkey
I guess Tut's trumpet interrupted 3000 years of neighbourly love in the Middle East and peace in Europe?
What we need right now is a specops-team to track down and round up all the trumpet owners out there. Once they're all silenced, we can begin the process of rebuilding the world and reassigning the brass sections of orchestras to less destructive occupations.
Originally posted by AkaAlternate
Trumpets inciting war?
I wonder what will happen when 2 billion people listen to a handful of trumpets during the Royal Wedding on the 29th of April. Probably nothing.
This would make good Dan Brown novel.