*facepalm*
Can we, as a society, not get past the Eurocentric, Occidental, Judeo-Christian trappings we slip back into continually? The entire concept of
"Illuminati symbolism" is the sad result of the echo chamber of the internet, a thousand voices making a thousand agreements on a thousand opinions
to create a thousand truths.
God, sometimes I hope the 2012 doomsday prophecy is real and a mysterious planet on a collision course wipes this sad blue marble out.
The entire video makes reference to numerous horror movies of American and Korean cinema, which of course could be misconstrued as "Illuminati"
symbols. All of the Christian symbolism found within the video is thanks to the work of chaplains from the Korean War, of course in many other
cultures similar symbols appear, yet nobody makes the knee-jerk reaction of calling it Illuminati. That's something reserved for American,
predominantly white, conservative Christians with an overactive Cassandra complex and great detachment from the advancement of themes and tones in
global pop culture over the last six decades. Remember, when you have a hammer, everything looks like a nail.
Topics like this are absolutely ridiculous and really cast a dubious light on the collective intelligence of humanity.
Narsha : Illuminati Infiltration of K-Pop Korean, page
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Topic started on 22-12-2010 @ 12:06 AM by Illuminati_2012
Illuminati symbolism is not only present in American pop culture, it is also heavily referenced in Korean pop (K-Pop), a multi-billion industry that
reaches millions of young fans. We’ll look at the occult symbolism found in Narsha’s “Bbi-Ri-Bop-A” and SHINee’s “Lucifer” to see how
the same hidden force that rules the American music industry also rules K-Pop.
The Illuminati symbolism found in the works of American artists. In the last years however, the J-Pop (Japanese pop) and K-Pop (South Korean pop) industries have been producing their own factory-made pop stars to serve the enormous Asian market. Considering the importance of its large population, it is not surprising that the popular culture of the Far East is heavily tainted by the elite’s agenda.
Narsha’s video Bbi-Ri-Bop-A is a prime example of Illuminati symbolism in K-Pop, using the same story line, symbolism and color codes found in other ritualistic videos described on this site (see Rihanna, Lady Gaga, Beyonce). The homogeneity of the messages the global population is exposed to is becoming increasingly apparent as cultural and local differences are being replaced by a single, calculated and debased popular culture.
Here’s the video with subtitles.
Analysis of the Song and Video
The song and video revolve around the themes of ritualistic initiation and spiritual duality, which have both been abundantly observed in other videos. Narsha starts by being a good, godly girl and undergoes a profound spiritual transformation.
The video begins with an average working guy (representative of the masses) working hard for his money. While drilling a hole, he accidentally uncovers a secret underground world that immediately attracts him.
He peeps through this world with his left eye, symbolic of the Eye of Horus and/or the All-Seeing Eye.
He is then swept into an alternate, spiritual world—some might call it the astral plane—where he must choose his spiritual destiny.
Narsha poses as a dualistic spiritual being, starting the video wearing classical Christian symbols.
Narsha wearing Jesus Christ’s crown of thorns in front of a solar halo
The lyrics of the song invite the listener to follow her into a place “without sadness and happiness,” “with no disease,” but that is still compared to a nightmare. During the bridge of the song she says:
People that are worn out come to me
Give me your worn out soul
I will erase for you every memory you want to erase
What you want boy, what you want girl
Try to believe me, entrust me and come into me
While those words are being said, Narsha undertakes a visual spiritual transformation, illustrating the lyrics’ deeper meaning. Indeed, she is going from being godly to luciferian.
The Illuminati symbolism found in the works of American artists. In the last years however, the J-Pop (Japanese pop) and K-Pop (South Korean pop) industries have been producing their own factory-made pop stars to serve the enormous Asian market. Considering the importance of its large population, it is not surprising that the popular culture of the Far East is heavily tainted by the elite’s agenda.
Narsha’s video Bbi-Ri-Bop-A is a prime example of Illuminati symbolism in K-Pop, using the same story line, symbolism and color codes found in other ritualistic videos described on this site (see Rihanna, Lady Gaga, Beyonce). The homogeneity of the messages the global population is exposed to is becoming increasingly apparent as cultural and local differences are being replaced by a single, calculated and debased popular culture.
Here’s the video with subtitles.
Analysis of the Song and Video
The song and video revolve around the themes of ritualistic initiation and spiritual duality, which have both been abundantly observed in other videos. Narsha starts by being a good, godly girl and undergoes a profound spiritual transformation.
The video begins with an average working guy (representative of the masses) working hard for his money. While drilling a hole, he accidentally uncovers a secret underground world that immediately attracts him.
He peeps through this world with his left eye, symbolic of the Eye of Horus and/or the All-Seeing Eye.
He is then swept into an alternate, spiritual world—some might call it the astral plane—where he must choose his spiritual destiny.
Narsha poses as a dualistic spiritual being, starting the video wearing classical Christian symbols.
Narsha wearing Jesus Christ’s crown of thorns in front of a solar halo
The lyrics of the song invite the listener to follow her into a place “without sadness and happiness,” “with no disease,” but that is still compared to a nightmare. During the bridge of the song she says:
People that are worn out come to me
Give me your worn out soul
I will erase for you every memory you want to erase
What you want boy, what you want girl
Try to believe me, entrust me and come into me
While those words are being said, Narsha undertakes a visual spiritual transformation, illustrating the lyrics’ deeper meaning. Indeed, she is going from being godly to luciferian.
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