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The media, apparently, have finally decided to take a stand for truth in reporting. Their target? Alleged America-hater Michael Moore and his apparently epoch-making "Fahrenheit 9/11." His film turns out to be of such critical importance to the Fate of the Republic that journalists have spared no trite observation in parsing every shot of the film for accuracy. Some do not even bother doing that much, dismissing the film regardless of the level of truth it contains.