Ancient Anomalies and Aliens - Part 1: Art, page 21
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reply posted on 28-10-2010 @ 08:41 PM by openmind444
reply to post by Harte

Or are you just trying to be a self-righteous, arrogant, "I will speak for everyone, because I have all the answers" dick? Just wondering, because I don't know you and that is the way that you come across, that seems logical enough for me.


reply posted on 30-10-2010 @ 11:12 AM by CanuckCoder
reply to post by Phage



Placing the mystical representations by ancient man into the context of reality is a reach


Why is looking at a picture and think its context is reality a reach? Symbolism is a reach in my opinion. Who says the artist was not drawing what he saw in hopes to pass down to the ages what he had seen?

I challenge conventional thinking on this, because the interpretation does not make it a reality. Sometimes things are as simple as they seem. Such as a picture of a flying craft, they can be just that from the artists perspective: A craft that is flying in their times.

I hear artists and collectors speak all the time that a painting is not a reflection of reality and is a metaphor for other things but thats all talk without proof and unless the artist is there to say "this is a metaphor" then i see no reason to assume anything.
edit on 30-10-2010 by CanuckCoder because: Finished a thought.



reply posted on 30-10-2010 @ 01:31 PM by NavalFC
Originally posted by CanuckCoder
reply to
post by Phage



Placing the mystical representations by ancient man into the context of reality is a reach


Why is looking at a picture and think its context is reality a reach? Symbolism is a reach in my opinion. Who says the artist was not drawing what he saw in hopes to pass down to the ages what he had seen?

I challenge conventional thinking on this, because the interpretation does not make it a reality. Sometimes things are as simple as they seem. Such as a picture of a flying craft, they can be just that from the artists perspective: A craft that is flying in their times.

I hear artists and collectors speak all the time that a painting is not a reflection of reality and is a metaphor for other things but thats all talk without proof and unless the artist is there to say "this is a metaphor" then i see no reason to assume anything.
edit on 30-10-2010 by CanuckCoder because: Finished a thought.






But the mistake the anomaly hunters make is to judge everything by OUR context.

For example, ancient anomaly hunters have provided many examples of what they say are "the greys" in aicnet art, be it cave walls, statues etc. Ok, but the reason they are able to say this is because the grey is a modern phenomenon, a cultural icon representative of the UFO field.

Absent that frame of reference, one would lack the ability to make that comparison.

Or to simplify it, the reason people are able to find objects in cloud shapes is because they know what the objects normally look like and as such can imagine other things in such away.


Before the dawn of the modern UFO age, ie: pre kenneth arnold, no one would make such claims because they lacked the frame of reference. It is only because people have a mental picture of what a grey is to look like, what saucers look like, what modern machines look like that they are able to go back and say of ancient art things like

"Oh, this painting looks like a man in a rocket" "this trinket looks like a airplane!" etc etc. It is a mistake to do so, because you are judging these things by a context that did not exist to the original creators of said ancient art, and therein lies the fallacy in all of these ancient anomaly scenarios.


reply posted on 31-10-2010 @ 08:50 PM by SpaceLordDom
reply to post by CHA0S



I Can't help but always come up with the same explanation for UFOs and the kind of ancient artifacts and writing. Life on any planet is pretty much a miracle. I always seem to come back to the conclusion that they are not aliens but time travellers. Think about it... If you could go back in time you would go see Jesus Christ yourself. Thus explaining the UFOs around him at that time. Plus arent the grey reminescant of what we could end up looking like. Not saying this is what it is but it always ring special to me when looked at this way. That would explain time shift during abductions. The greys actually look like the evolution of a dolphin ;p. But anyway... YOUR TOUGHT!?


reply posted on 6-11-2010 @ 11:42 AM by AnteBellum
I have already written off that they do not exist. Circumstantial evidence in this area along with astrobiological studies have led me to believe this fully. With that being said my attention draws to not 'if' they came but 'why'.
So if an alien race came here for something they needed thousands of years ago then left. Does it really matter what the motive: experimentation, gene pooling, gold, expansion. . . whatever. The fact that our history is vague at the least back then and subscribing to ancient alien theory it seems they may have altered us in some way after years of trial and error for some purpose. Paleontologists and other disciplines still can't figure out why our brains spontaneously grew 3 times larger 'overnight' as it relates to species development all roughly before written Sumerian history began, pyramids, etc. This one fact is not consistent to punctuated equilibrium or evolutionary theory (for all you Darwin buffs) for any known specie on our planet. Then after these aliens took what was needed some decided to stay. I mean it was an investment of sorts, wouldn't they want to protect there interests even for a short time. Then the project was complete! All available resources pulled for some other venture. Is it so far fetched to think if they did it here they could have done it hundreds of other places, before and later, for other reasons. Now from time to time they come back to look at what they did, call it curiosity. That's it.
I can't see an advanced alien race wanting anything from us as a whole, but maybe this. An example being the way we farm fish. We need fish so we take a few and farm them. We don't use the entire ocean just a couple to get things started (alien abduction). Now they need to feed them (cow mutilations), from there perspective we seem to like beef and milk quite a lot here, but the mutilations don't stop with cattle, the other animals are just not needed as much so they go mainly unnoticed. Maybe they do this to help develop other planets, speed things along, be more efficient. We have created a seed bank here on Earth maybe they are creating a gene bank. If I had advanced knowledge of gene splicing I would want the largest kit of parts available to me, knowledge is power.
As for there agenda, I think it already happened a long time ago. But that is the problem now, it is no longer about there agenda, it is now about our agenda. The left us like parents have left children after 6 years of age, to find our own fates, our own direction.


reply posted on 18-12-2010 @ 02:28 PM by RaKais
Originally posted by NavalFC
Originally posted by CanuckCoder
reply to
post by Phage



Placing the mystical representations by ancient man into the context of reality is a reach


Why is looking at a picture and think its context is reality a reach? Symbolism is a reach in my opinion. Who says the artist was not drawing what he saw in hopes to pass down to the ages what he had seen?

I challenge conventional thinking on this, because the interpretation does not make it a reality. Sometimes things are as simple as they seem. Such as a picture of a flying craft, they can be just that from the artists perspective: A craft that is flying in their times.

I hear artists and collectors speak all the time that a painting is not a reflection of reality and is a metaphor for other things but thats all talk without proof and unless the artist is there to say "this is a metaphor" then i see no reason to assume anything.
edit on 30-10-2010 by CanuckCoder because: Finished a thought.






But the mistake the anomaly hunters make is to judge everything by OUR context.

For example, ancient anomaly hunters have provided many examples of what they say are "the greys" in aicnet art, be it cave walls, statues etc. Ok, but the reason they are able to say this is because the grey is a modern phenomenon, a cultural icon representative of the UFO field.

Absent that frame of reference, one would lack the ability to make that comparison.

Or to simplify it, the reason people are able to find objects in cloud shapes is because they know what the objects normally look like and as such can imagine other things in such away.


Before the dawn of the modern UFO age, ie: pre kenneth arnold, no one would make such claims because they lacked the frame of reference. It is only because people have a mental picture of what a grey is to look like, what saucers look like, what modern machines look like that they are able to go back and say of ancient art things like

"Oh, this painting looks like a man in a rocket" "this trinket looks like a airplane!" etc etc. It is a mistake to do so, because you are judging these things by a context that did not exist to the original creators of said ancient art, and therein lies the fallacy in all of these ancient anomaly scenarios.


But... surely, you can apply things from a modern context BECAUSE we know back then said context should not exist in ancient art? If we see artefacts shaped like F-16 fighter planes, should we not question why an ancient piece of art is depicting such a craft? Why would an artist be able to imagine such a construct that clearly could not exist? Not even in someones imagination. We are able to imagine things in a modern time, things that are out of this world because we have a fundamental grasp on the way the world works, the way the laws of physics operate. Back then, why would anyone even dream of flying craft, strange sights in the sky, unexplained anamolies unless the event/sighting ACTUALLY happened? I see alot of these pictures and I do wonder, "is this not just a depiction of a spirit or an angel, maybe their god?" but their similiarities to modern day sightings and depictions of UFO's is just too much of a coincidence to ignore solely on supposed context of the time the piece was painted/drawn/enscribed.

Of course, maybe I just read what you said wrong and I apologise if you meant something else but thats just my own two cents.


reply posted on 18-12-2010 @ 08:52 PM by Harte
Originally posted by openmind444
reply to
post by Harte

Or are you just trying to be a self-righteous, arrogant, "I will speak for everyone, because I have all the answers" dick? Just wondering, because I don't know you and that is the way that you come across, that seems logical enough for me.

What seems logical enough for you is actual nonsense to thinking people. If you want to believe that I care to "speak for everyone," go ahead and believe what you want. It's obvious that you do that anyway, in the face of facts to the contrary.

Originally posted by openmind444
You know..the stuff that makes sense.

Yes, I do know. On the other hand, I've seen no evidence of such knowledge on your part.

Harte


reply posted on 15-4-2011 @ 12:47 AM by bittiyo
reply to post by merka



amazing eye. congrats, this topic is good... but sometimes we fall into a fanatic side. keep it up man.
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