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Originally posted by backinblack
reply to post by FoosM
Doesn't look like the original ladder to me Foosm and that certainly ain't gold colored foil..
Originally posted by FoosM
Tell us Ove, what does Westbury Design and Optical Ltd, specialize in?
What I found about WD is that they specialize in Matte Paintings.
You know what you use matte paintings for?
Originally posted by PsykoOps
reply to post by Ove38
Ok. You make a claim. Now prove it or shut up.
Originally posted by FoosM
Originally posted by backinblack
reply to post by FoosM
Doesn't look like the original ladder to me Foosm and that certainly ain't gold colored foil..
What makes the ladder look different, or not original, to you?
Originally posted by Ove38
.
Now let's look at the one placed in the Apollo 11 rocket
Do you see the difference ? Look at the black legs
Originally posted by Ove38
Originally posted by FoosM
Tell us Ove, what does Westbury Design and Optical Ltd, specialize in?
What I found about WD is that they specialize in Matte Paintings.
You know what you use matte paintings for?
Yes, they paint the backgrounds in the Apollo movies
Originally posted by backinblack
Originally posted by FoosM
Originally posted by backinblack
reply to post by FoosM
Doesn't look like the original ladder to me Foosm and that certainly ain't gold colored foil..
What makes the ladder look different, or not original, to you?
Post a pic from Apollo and see...
I believe Ove already posted the Apollo pics.
What we actually need is a close-up of the "replica"
Did they have any skills in model making?
Im trying to find some evidence that they had the ability to make such a replica.
Because if they didnt, their story makes absolutely no sense.
Originally posted by FoosM
Originally posted by Ove38
Now let's look at the one placed in the Apollo 11 rocket
Do you see the difference ? Look at the black legs
Are you certain that's from Apollo 11, and not another mission?
I never knew about the blue "astronaut". Very strange.
Early blue-screen artifacts? Does it tie in with the Blue Apollo 12 astronauts?
And the visor at the end of the video. Wow...
Originally posted by Aloysius the Gaul
the company was founded by Cliff Culley who was a long time employee at Pinewood Studios and worked on a lot of movies of the era, and also made some of the Daleks for Dr Whoedit on 26-10-2011 by Aloysius the Gaul because: (no reason given)
Long time Pinewood matte specialist Cliff Culley is shown here (in light sweater) putting finishing touches on his Swiss landscape top up for Albert Broccoli's CHITTY CHITTY BANG BANG (1968). The film and the mattes were shot in 65mm with both the 65mm process projector and the taking camera shown here. That's famed optical man Roy Field manning the matte camera behind Culley. Incidentally I'm pretty sure significant rotoscope work has been done to eliminate the ramp under the car and to add a shadow to the grass.
The "blue astronaut" was probably a flaw in the film that got exaggerated by the scanning process.
Originally posted by backinblack
reply to post by FoosM
I believe Ove already posted the Apollo pics.
What we actually need is a close-up of the "replica"
I thought the close up he posted WAS of the replica,
If you didn't notice, it has been proven beyond doubt
that the Apollo 11 Lunar Module residing at the Science Museum, London
was made at the Pinewood film Studios by a special optical effects company.
That it is indistinguishable from the one in the Apollo 11 photos.
Now let's look at the one placed in the Apollo 11 rocket
Do you see the difference ? Look at the black legs
Does your use of the word "probably" mean that in another 100 pages if this is discussed again, someone will pipe up and say it's already been debunked?
Sorry, that seems to be the way this thread works.
That's one huge frikkin building!!..
Now some very interesting things pops out of that text.
First, I had no idea that Broccoli was behind the production.
Broccoli connected with Diamonds are Forever... but it makes sense
Broccoli was involved because Chitty Chitty Bang Bang is based on an Ian Fleming story.
The object formerly entered the Museum’s care in 1977. In fact original correspondence (held on nominal file 6954) with the original model makers, Westbury Design and Optical Ltd, indicates that this object was built specifically at the request of the Museum and for display purposes only. Further more the original enquiry into obtaining a quote from the above model making company was made by the Museum in 1975. Diamonds Are Forever was released in 1971 and Apollo 13 in 1995. As you can see the Museum’s model post-dates these films by several years.
But more importantly, the text discusses the use of rotoscoping and adding shadow to the scene. And I have maintained that many of the shadows, possibly even footprints, that we see in the photos and videos were painted in.