Chapter 6 - The Back Roads
Reeny, that's my wife, was sitting up straight now and staring into the distance ahead. She obviously wasn't relaxed anymore, nor thinking about her
teeth. It was the scene at the accident that had her upset. The unreal numbers of animals crossing the road didn't help much either. We'd always
been careful about such things before and both of us hated hitting anything with our vehicle. In fact, over the years, we both had come to the
conclusion that most roadkill wasn't because of inescapable accidents but rather some people that will go out of their way just to run over something
they hate, whether it's cats or raccoons. Particularly, roadkills in our small town where the speed limit is 30 miles an hour, got us really upset.
Like, who
couldn't stop for a housecat or squirrel at that speed?
Now, the road was being continually crossed by all manner of creatures. We saw small rodents all the time, snakes too, all of them heading west. It
was a puzzler alright and Reeny wasn't a happy camper, that much was obvious. Anyhow, we kept putting along at low speed, avoiding wildlife and
swerving around the dead ones. That's when it struck me...
"Hey, hun, did you notice how there's no traffic
at all?" I asked.
"Um, no, now that you mention it, I haven't seen any cars coming the other way since the accident."
She glanced at me with an arched eyebrow. Both of us knew that there's only one reason for that.
"OK. I'm taking the next left."
"Henry... take that secondary highway through Arva. You know, the one we take when we're not in a hurry."
"yeah, OK."
I know these back roads really well, having lived in the area most of my life and the route she was suggesting runs parallel to the main highway
almost all the way. It's a narrow two lane blacktop with lots of great scenery and plenty of thick bush on either side. Still thinking about the
migration of animals, I figured there'd be less farm stock that way too. Hitting a steer or a horse, even if they ran into my stopped car could do
the fender in bad enough to stop me from driving. This got thinking about the tools in the trunk and what I could use to pry the fender off the tire
if it came to that. Ten minutes of pondering got me nowhere but the next accident scene. No cops with flashing lights this time. Just a dead deer, a
smashed windshield and an empty car sitting on the shoulder with its warning lights flashing. No doubt the occupants were alright and had made for the
nearest farm. As we passed it, I could see the crumpled right corner with a busted headlamp and knew what had happened. The deer had gone airborne
trying to jump, got hit, and wound up in the window. No blood though, so they couldn't have been going too fast.
Beyond the car, I caught a glimpse of something in the field. It was big, white and long, looking exactly like a row of those large round hay bales
wrapped in plastic. You know the kind... they look like big worms. Nothing new to this old farmboy, but I'll be damned if it didn't look like it
moved! I shook my head and watched the road ahead instead, thinking I must be seeing things. Reeny didn't see anything. She had been
concentrating on that dead buck on the road and I knew she was torn. Half of her felt sorry and the other half wanted me to stop and gut it. Strapping
a nice buck on the fender might even give me some protection and I smiled at that thought. She always was a practical woman and she'd dressed a deer
before. Good with a knife, better than me... credit given where due. I've got the patience to sit and wait for a good shot, but cutting just isn't
my thing unless you're talking fish. Reeny, though, seemed to enjoy the process of dressing where I'm done after hanging and gutting. She's a great
partner on a hunt and, between the two of us, there's not much left for the buzzards once we got finished and loaded up for the walk out.
Finally, our turnoff came and we were headed west just like the wildlife, glad to get off the main road. I wasn't keen on finding a roadblock and a
detour up ahead anyways. At least we'd have a few miles without creatures zipping across our path. Glenn Gould had started back on track one, so I
pulled the CD and asked Reeny to put in something else. Of course, she chose her favourite: Emma Lou Harris's Wrecking Ball. Somehow the opening song
struck me. It was titled 'where Will I Be'. The line that comes after is 'when the trumpet sounds'. Damned if that didn't bother me a bit
thinking about our situation. Emma Lou sure does have a nice voice, though, and I was getting comfortable again. The road ahead was pretty clear even
though the rain wasn't letting up. It almost got normal just for a bit. That's when I saw something else that shook me up. There was a farmhouse
about 200 yards away sitting on a little hill. In front of it, there seemed to be a dirty brown spot on an otherwise green lawn. I couldn't tell from
that distance, but something black seemed to be pouring out of it and spreading down the hill. I thought of the Beverly Hillbilly's and old Jed
shooting a hole in the ground and oil pouring out. That's what it looked like through the mist.
Weird, I thought, and drove on not saying a word.
Emma Lou, after a while, started into singing 'All My Tears'. Now, I'm getting spooked, especially with the lines; 'It don't matter where you
bury me, I'll be home and I'll be free'. This is the first time that CD ever made me nervous. Maybe my senses are getting fired up, because I guess
I never paid much attention before. In the few miles between turning west and having to turn north again, I listend to every word she was singing as
if I'd never heard it before. Then she sang a cover of Bob Dylan's song 'Every Grain of sand'. It hit me hard. The words were prophetic, it
seemed,
and catastropic:
In the time of my confession,
in the hour of my deepest need
When the pool of tears beneath my feet
flood every newborn seed
There's a dyin' voice within me
reaching out somewhere,
Toiling in the danger and in
the morals of despair.
Don't have the inclination to
look back on any mistake,
Like Cain,
I now behold this chain of events
that I must break.
In the fury of the moment
I can see the Master's hand
In every leaf that trembles,
in every grain of sand.
Oh, the flowers of indulgence
and the weeds of yesteryear,
Like criminals,
they have choked the breath
of conscience and good cheer.
The sun beat down upon the steps
of time to light the way
To ease the pain of idleness
and the memory of decay.
I gaze into the doorway of
temptation's angry flame
And every time I pass that way
I always hear my name.
Then onward in my journey
I come to understand
That every hair is numbered
like every grain of sand.
I have gone from rags to riches
in the sorrow of the night
In the violence of a summer's dream,
in the chill of a wintry light,
In the bitter dance of loneliness
fading into space,
In the broken mirror of innocence
on each forgotten face.
I hear the ancient footsteps like
the motion of the sea
Sometimes I turn, there's someone there,
other times it's only me.
I am hanging in the balance
of the reality of man
Like every sparrow falling,
like every grain of sand.
Oh, that last verse... it struck me like a hammer and all the horrid images of a timeless sleeping monster stirring from his dreaming death came
flooding back to me.
Cthulhu and his vile mountain city rising from the sea. Good God, it can't be. All this is just wrong... wrong. It doesn't make any
sense. My
hands were getting slick on the steering wheel and an ugly knot developed deep in my guts. I stopped the car and got out in the pouring rain because I
suddenly had a desperate need to take a piss. Reeny, sitting with her back to me, still listening to Emma Lou, was nodding her head to the beat.
'Settle down, idiot!", I mumbled under my breath as I let a stream go behind the trunk, 'you're letting Dylan freak you out.'