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PID - Motivations for the Murder of Paul McCartney

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posted on Sep, 23 2009 @ 06:53 PM
Falcon, thank you for your very interesting links which are well worth a lengthy examination given that together, they constitute a distinct pattern of manipulation and assassination of musical artists by the Illuminati.

We can see that the Illuminati have a long standing vested interest in music as a way of swaying men's souls, as well as litterature and the arts in general. Towith, it is easy to draw parallels between the cultural revolution of the late 18th century and that of the 1960's when we see the strong implication of leading figures in music gravitating in the same circles as powerful Illuminati.

There is circumstantial evidence that Mozart was a member of the Illuminati. The German poet Goethe, who was an outspoken member of the Illuminati, once wrote in a letter that Mozart was present at an Illuminati meeting in Bavaria. It has been alleged that Mozart was murdered and his body dissolved in lye to cover up the crime, a substitute body then buried in a hurry, thrown into a public mass grave.

Franz Niemetschek, Mozart’s first biographer, reports that Mozart became ill in Prague and required continuous medical attention while he was there. He states that Mozart “was pale and his expression was sad, although his good humour was often shown in merry jest with his friends.”

On Mozart’s return to Vienna, he started work on the Requiem with great energy and interest, but his family and friends noted that his illness was becoming worse and that he was depressed. To cheer him up, Constanze went driving with him one day in the Prater. According to her account, which she gave to Niemetschek, “Mozart began to speak of death, and declared that he was writing the Requiem for himself. Tears came to the eyes of this sensitive man. ‘I feel definitely,’ he continued, ‘that I will not last much longer; I am sure I have been poisoned. I cannot rid myself of this idea.’”

This conversation, which is one of the cornerstones of the poisoning legend, Constanze later repeated to her second husband, Georg Nikolaus von Nissen, who recorded it in his biography of Mozart in much the same terms as the Niemetschek version. Constanze was still recounting the episode as late as 1829, according to the journal of Vincent and Mary Novello, who paid her a visit in Salzburg that year. In fact, the Novellos’ journal records that Constanze told them Mozart had clearly identified the poison that he thought had been administered to him as aqua toffana.

Mozart's less than honorable funeral and burial were arranged by the Baron Gottfried van Swieten, who purportedly adhered to "Josephian burial guidelines". Baron van Swieten was connected with a number of leading composers of the time, sponsoring Haydn and Beethoven.

"Van Swieten is thought to have played a role in changing the social customs of music. As William Weber points out, in van Swieten's time, it was still the normal practice for performers to play mostly newly-composed music; often music that had been written by the performers themselves. The practice of cultivating the music of previous decades and centuries only gradually increased. By about 1870, older works had come to dominate the scene."

"This shift began in van Swieten's own century. Some of the early cases of performers playing older music are pointed out by Weber: "In France the tragedies lyriques of Jean-Baptiste Lully and his successors were performed regularly up through the 1770s. In England music of the sixteenth century was revived in the Academy of Ancient Music, and many of the works of George Frideric Handel remained in performance after his death in 1759." As Weber notes, van Swieten was one of the pioneers of this trend, particularly in his work reviving the music of Bach and Handel, and in his encouragement of contemporary composers to learn from the old masters and create new work that would be inspired by them."

We can thus note that Baron van Swieten was willfully exercising an influence tantamount to reducing the innovation and spontaneous creativity of musicians, which would have allowed for a more rapid and gregarious evolution of musical styles. His efforts at cultural influence are heralded for having lasted more than a century, holding European musical composition within the restrictive constraints of conservative conventions until the latter part of the 19th century. Whether Baron van Swieten was doing so at his own personal initiative for reasons of artistic affinity or aesthetic taste, or whether he was in collusion with other Illuminati with an agenda of social engineering, his initiatives were in any case most successful in this endeavor.

It is interesting to note that Baron van Swieten was investigated for having placed as tutor to the Crown Prince of Austria the eminent Illuminati Johann Baptist von Schloissnigg.

On 14 October 1791, Emperor Leopold II, in the Hofburg in Vienna, received an unsigned letter from a confidant (Leopold would, of course, have recognized the handwriting):

"This person, this Cromwell, this perpetrator of high treason is the private tutor and daily confidant of the Crown Prince of Austria; he is at the head of the Illuminati; he was placed in this position by Baron Swieten; he permits himself such speeches in front of third parties in whom he otherwise shows no particular trust, speaks thus in an Imperial building and in the chancellery of the Crown Prince!!! What might he say in other circumstances, and what designs and plans might be maturing in this man’s mind!”

We can see the same personnage, Baron von Swieten, using his influence in the education of rulers as well as the acculturation of society at large through music. He apparently sought to disrupt the stable order of society while reducing spontaneous creativity in the arts. We can denote a similar tendency respective to the Illuminati influence at the end of the 20th century, creating a counterculture to shake up established society while at the same time eliminating those whose creativity and genuine expression ran counter current to the systematic numbing of the senses and dulling of minds through repetitive rhythms and hypnotic lyrics.


[edit on 23-9-2009 by Getsmart]

posted on Sep, 23 2009 @ 07:04 PM
It is therefore no lie, when it is said that the Illuminati project for ruling the world has been underway for centuries. When those at the heart of the battles for men's hearts and souls know too much or refuse to help enslave humanity, they are disposed of without qualms or hesitation. A ruthless pack of predators, they rule over the arts to break our spirit.

Baron van Swieter also happened to own a painting which attacted much attention due to its Illuminati symbolism which remains occulted to our neophyte eyes. "The Art of Painting" as it was called was painted by Vermeer, and it stands to reason that Baron van Swieter was bringing to the world of music much of the Illuminati intent which had pervaded much of the art of painting already for several centuries, if one is to consider works of French painter Nicolas Poussin who lived in Rome and even earlier painters from the Rennaissance.

"The Art of Painting, also known as The Allegory of Painting, or Painter in his Studio, is a famous 17th century oil on canvas painting by Dutch painter, Johannes Vermeer. Many art historians believe that it is an allegory of painting, hence the alternative title of the painting. It is the largest and most complex of all of Vermeer's works."

"Experts attribute symbolism to various aspects of the painting. The subject is the Muse of History, Clio. This is evidenced by her wearing a laurel wreath, holding a trumpet (depicting fame), possibly carrying a book by Thucydides, which matches the description in Cesare Ripa's 16th century book on emblems and personifications titled Iconologia."

"The double headed eagle, symbol of the Austrian Habsburg dynasty, former rulers of Holland, which adorns the central golden chandelier, may have represented the Catholic faith. Vermeer was unusual in being a Catholic in a predominantly Protestant Netherlands. The absence of candles in the chandelier might represent the suppression of the Catholic faith."

"The map on the back wall has a rip that divides the Netherlands between the north and south. (West is at the top of the map, as was the custom.) The rip symbolizes the division between the Dutch Republic to the north and the Habsburg controlled Flemish provinces to the south. The map by Claes Jansz Visscher (Nicolaum Piscatorem) shows the earlier political division between the Union of Utrecht to the north, and the colonies to the south."

This painting was later coveted by Hermann Goering who failed to seize it in his spoils of war pillaging of museums and private collections. However, Adolf Hitler "had to have it". He purchased it for a startling price and it entered his personal private collection. Hitler was known for his fascination with the Occult as he had been programed in the UK by Aleister Crowley during WWI who later frequently visited him in Germany. It was logical that such a painting fraught with Illuminati symbolism would be sought out and treasured by a man who went to great lengths to acquire the Spear of Longinus and mounted expeditions to find the lost Arc of the Covenant. It is not necessary to further establish the relation between Hitler and the Illuminati whom he served.

Prince Bernhard first became interested in the Nazis in 1934, during his last year of study at the University of Berlin. He was recruited by a member of the Nazi intelligence services, but first worked openly in the motorized SS. Bernhard went to Paris to work for the firm IG Farben, which pioneered Nazi Economics Minister Hjalmar Schacht's slave labor camp system by building concentration camps to convert coal into synthetic gasoline and rubber. Bernhard's role was to conduct espionage on behalf of the SS. According to the April 5, 1976 issue of Newsweek, this role, as part of a special SS intelligence unit in IG Farbenindustrie, had been revealed in testimony at the Nuremberg trials.

Prince Bernhard went on to found the Illuminati Bilderberg group in 1954 where the Illuminati plans have been furthered ever since. Under the guise if meeting to study current affairs they have clearly plotted to subvert nations and institutions to their own private ends and use the organization to coordinate their efforts jointly aiming to officially establish Big Brother's New World Order.

Salvador Dali may have known more about the Illuminati than is apparent, given that he chose the subject of this very artwork to depict a painter transformed into a crippled dining utensil for consumption purposes. This was possibly a symbolic denounciation of art and the artist as damaged commodities used for the basest of purposes.


Looking back in history to Mozart and more recently with the deaths of rap singers, we can see that a pattern of assassinating musicians has been an established practice of the Illuminati. However, what makes the case of the murder of James Paul McCartney different is that, not only was he assassinated, he was inadequately replaced by a poorly composed impostor.

This cast the circumstances of his death in broader scrutiny than if he had simply surfaced dead in a contrived accident or an assisted suicide. It also brought home, most painfully for those still nourishing the illusion of a fair and equitable society, that the Illuminati had no scruples and were powerful enough to gag the press for decades, dissimulaing in plain sight an eminently visible and audible crime.

James Paul McCartney was assuredly assassinated by the Illuminati, either directly or through their secret service, mob, masonic or satanist underlings. This stands to reason given what else has transpired in the music industry during the past few decades, as well as patterns of control over culture including intimidation, brainwashing and murder. Tavistock is just one emanation of this mission, bringing Psychiatric Operations technology to the task.

[edit on 23-9-2009 by Getsmart]

posted on Sep, 23 2009 @ 07:10 PM
Shall we pause to consider at least one of the more flagrant aspects of the key clue in this case, the Illuminati fascination for Vermeer's masterpiece which illustrates the Muse of History, Clio, carrying The History of the Peloponnesian War by Thucydides ? It is an allegory of Illuminati revisionism controlling our minds through our knowledge of history, and selling throughout most of our known history the falsehood that War is inevitable.

Professor Kagan argues that Thucydides was a revisionist historian. In other words, Thucydides was writing not as a disinterested historian, but as a historian with a point to make, namely, that the war was inevitable and that Athens was only a democracy in name under Pericles.

Modern toxicologists are today claiming that Mozart died of a Strep Throat whereas virtually all institutional journalists tell us that Faul is Paul. With real time media historical Revisionism has become Disinformation.

Yet we know whom we are not to believe, leaving only the issue of what the real truth of the matter is. For example, we know that the Illuminati have a long history of using doubles to usurp the highest offices. Examples date back to antiquity and in more recent times "The Iron Mask" is a 19th century historical novel about a substitute King of France some two centuries earlier.

Today Illuminati revisionism of history has encountered its limits through the comparative juxtaposition of myriads of data, relevant factual information and reliable testimony today accessible thanks to empowered human exchange of ideas and knowledge over the Internet associated with methodical researchers dedicated to learning the truth.

There is also a new dimension to the Illuminati's old and tired use of phonies and shamelessly disguised impostors. It is the combination of mass media exposure of public figures, both the originals and their "copies", along with the widespread sharing of evidence and testimony among the masses through new communication technologies.

The force of this combination is that people of good will and common sense are generally able to sift through the layers of fabricated myths and disinformation because, whenever the truth is found in a forest of lies, the truth stands out because it casts light on all that it suddenly reveals - above, beneath and surrounding it.

The realm of Justice is leaving the corrupted courts of law blinded by secret oaths and deference to power, and has moved to the minds and consciences of a new breed of witnesses, the general public which has awakened and increasingly knows who are the culprits and who are their accomplices in crime.

The Illuminati have taken control of the First Estate, establishing in clergy countless false religions and sects and placing a known Hitler youth as Pope. They have conspired with the Second Estate through European Black Nobility families and Monarchies seeking to save their Crowns. They have tricked the Third Estate by enrolling the bourgeoisie with the false humanistic pretenses of Freemasonry. They infiltrated and corrupted the Fourth Estate through ownership of media cartels and monopolistic press groups. Today their total control has not yet reached the Fifth Estate.

The latest Illuminati plan is to pull the plug on the Internet as soon as technically feasible. It will plain and simply "not exist anymore". You are encouraged to make multiple backups of all your evidence, not only on magnetic media as these are easily erased by simple EMT detonations. Paper print-outs as well as DVD backups are the safest current means of storage, preferably in fire-proof safes.

The Fifth Estate will survive, but more secretively yet than the Illuminati ever were. Until the day a weak spot is found, and their house of cards collapses. We may not see that day, yet it shall come.

[edit on 23-9-2009 by Getsmart]

posted on Sep, 24 2009 @ 12:21 AM

Originally posted by Getsmart

...Salvador Dali may have known more about the Illuminati than is apparent, given that he chose the subject of this very artwork to depict a painter transformed into a crippled dining utensil for consumption purposes. This was possibly a symbolic denounciation of art and the artist as damaged commodities used for the basest of purposes.

This scene from "A Hard Day's Night" shows, IMO, how celebrities are used as tools to manipulate the masses or are disposed of.

"Simon, will this do?" - they look George over like he's a prize calf, not a person.
George is dehumanized. He's not a "he," He's an object - a thing.

They tell him to "come off it" - assuming he's putting on a show for them. They realize he's not, & are surprised he's a "natural."
Blonde says she told them not to send "Real ones." The man says, "the phonies are much easier to handle."
This is a continuation of the dehumanization & fakeness of celebrities. They don't want real people w/ real thoughts or opinions. They want plastic puppets they can control.

Then they want George to give "his" opinion on clothes, which means the opinion they give him. They tell him he will "really like them." He expresses his own opinion about them (they're dead grotty). The man threatens him saying that he will be nothing unless he wears those shirts - he has to look to consumer goods for his identity & self-worth. Interesting that he says the shirts were designed to be ugly - but people will want them, anyway, b/c they'll be convinced they need them to fit in. It seems like some kind of mind games they're playing w/ people, getting them to want ugly things. lol

When George rebels against this manipulation & deceit, they threaten him w/ replacement. Celebrities/spokespeople are disposable - just objects to be exploited. When George says he doesn't care if he's replaced, they tell him the "new thing" is to care passionately & be right-winged. These ideologies seem to be rather plastic & flexible. People's ideologies depend on what is "in" or the "new thing" - no doubt influenced by these slick commodity pushers.

Then at the end, Susan is shown to be just as disposable as the other commodities. She will not have her contract renewed - even though everything she says, presumably, has been what they told her to say.

posted on Sep, 24 2009 @ 12:27 AM

Originally posted by Getsmart

Yet we know whom we are not to believe, leaving only the issue of what the real truth of the matter is. For example, we know that the Illuminati have a long history of using doubles to usurp the highest offices. Examples date back to antiquity and in more recent times "The Iron Mask" is a 19th century historical novel about a substitute King of France some two centuries earlier.

They're also tipping us off w/ movies like "Dave," in which the US president is switched w/ a double.

The force of this combination is that people of good will and common sense are generally able to sift through the layers of fabricated myths and disinformation because, whenever the truth is found in a forest of lies, the truth stands out because it casts light on all that it suddenly reveals - above, beneath and surrounding it.

Yes, now that people are aware of imposter-replacements, they will be more alert to telling differences. Even an out-of-place eyebrow can give a double away, according to CIA disguise-master, Robert Barron.

posted on Sep, 24 2009 @ 08:20 AM
Falcon, those are quite revealing links. I expect that George Harrison's scene might even be historical with interchanged characters possibly corresponding to people in their entourage, I wonder who Susan was supposed to be?

Furthermore, the reference you made to Robert Barron is in itself worthy of examination given that he spent a long career creating full facial masks that could pass close scrutiny for impersonators to wear. What comes to mind are the early Mission Impossible series episodes where they would wear a rudimentary mask to pass checkpoints with armed guards who would distractedly gaze at them through a car windshield. But apparently today's disguises are meant to be examined close up by skeptical eyes in critical situations.

We will all consider what this means, relative to people such as Paul McCartney being replaced. Had his technology been this advanced back in 1966 we wouldn't have been exposed to such failed efforts at producing makeshift doubles as in the Beatles' heyday. We need only listen carefully to Robert Barron's own highly expert professional opinion when judging if they did a good job surgically designing Faul:

"“Reconstructive surgery does not work,” Barron said. “It always falls short of expectation.”"

Warning: Link to CIA headquarters' quote of Robert Barron

For the purposes of examining the use of disguises, it stands to reason that they can be used for lasting substitution of public figures by impersonators, but also for short term stand-ins of just about anyone for just about any reason. One likely use of doubles can be assumed to be for the temporary replacement of personalities in the public light, in order to elude investigation into the circumstances of their deaths.

If an alphabet agency or other Illuminati operative wishes to discretely terminate the existence of a public figure in the limelight, what better way than to abduct or murder them, take one's time to extract information or other utilities from them, and then dispose of them in a scientifically controlled situation simulating any sort of circumstances of death one wishes. One need only send the duplicate to a locations of one's choice, in clear public view of people who don't know them well, to then switch the double for the real cadaver, technically prepared to simulate the chosen death scenario.

Field agents might be able to comment on the feasibility of such a chain of events, and on its potential usefulness in various types of circumstances. However, one can imagine that having total control over the surrounding circumstances of a staged death, including eyewitness testimonies and timed sequences of events, would be a valuable asset for assassination teams. The use of disguised doubles is thus probably more prevalent today not only for replacing important figures in politics, media and industry, but also to control and erase the traces of such actions by premeditated design.

Our investigation into the circumstances of Paul McCartney's death at least predate the usage of such advanced techniques of scientific manipulation, enabling us to use this opportunity to study the Modus Operandi of the Illuminati at work.

posted on Sep, 24 2009 @ 09:01 AM

We know that the Illuminati and their mob/agency underlings have created public figures only to fake their deaths, as they did for most of the eminent Nazi's at the end of WWII. These then assumed alternative identities, new missions, and pursuits in different fields, continuing to contribute in other ways to the Illuminati agenda. It is clear that the Illuminati have also taken over the personalities and/or bodies of existing public figures to exploit their impact over impressionable minds and utilize their position within public office, institutions, government administrations or private companies. There is a great deal of evidence regarding their creation and manipulation of doubles of STARS, be they actors or musicians, Faul comes to mind.

We can conclude that the Illuminati expect and demand TOTAL CONTROL over every major personality having influence over society. This will be done either through traditional methods of pressure, or by simply replacing them with doubles. In this posting let us first examine the traditional methods of pressure and their administrative and operative articulation.

The Illuminati exercise political power by a series of hierarchical methods, by fomenting coups and setting up dictatorships with puppet government, by funding political campaigns and rigging elections, by lobbying, corrupting politicians and resorting to blackmail and threats.

Deeper Insight Into the Illuminati Formula, p. 65

The Illuminati exercise economic power by controlling central banks and the supply of currency, creating bubbles and recessions by compressing or expanding monetary mass to expropriate property and take over economic sectors. A network of complicit banks and multinational companies including but not limited to the industrial military intelligence complex, further articulates their policies of economic conquest and subordinance of ordinary citizens to a stacked deck of cards for operating a business or just earning a living.

The Illuminati exercise cultural power by designing and orienting trends in every art form, from music to painting as well as the 7th art, cinematography - Hollywood is a compelling example as holly is the wood used for witches' wands, something that is at least metaphorically used to cast a spell on the public thanks to that special "Hollywood Magic". We have seen in above posts how the Illuminati incursion into the arts has been a persistent strategy of the conquest of men's souls, Falcon's quote of Lenin is revealing of their widespread use of cultural control. State controlled art in the Soviet Union and in Nazi Germany come to mind and, less visibly in our currently immersed perception but just as significantly, today's promotional and commercial substitution of art with garbage is at least as degrading.

Sculpture at MOMA, the New York Museum of Modern Art:

Satanist lyrics pervading music:

The Illuminati exercise mental power through control of academic institutions and scientific publications which impose the paradigms that construct our reality, using press groups' monopoly to churn out prefabricated news pertaining to engineered current events, numbing the masses with hypnotic inane television programs and brainwashing advertising, and use electronic microwave carrier frequencies in our environment and convenience technologies, such as cell phones, to convey chosen signals to affect brainwave rhythms and trigger mental states. Victims are left with little recourse beyond wearing aluminum foil hats or placing their trust in "orgone zappers".

Description of US Patent for Microwave Brainwave Control

The Illuminati exercise spiritual control by subverting all religions, using revisionist techniques applied to scripture, implanting satanists and pedophiles within churches, exploiting the human quest for the higher significance of life through a constellation of alienating sects created to delude, deceive, enslave and exploit. They also practice Luciferian religion, kabbalism and pagan nature cult, planning for us a single world religion, namely theirs.

posted on Sep, 24 2009 @ 11:32 AM
Excellent stuff, Getsmart. I really like reading your posts a lot - always good information & analysis.

Here's some information on doubles & disguises - esp Robert Barron:

Then about what you were saying about the Illuminati owning the entertainment industry:

"The Central Intelligence Agency owns everyone of any significance in the major media."
~ William Colby
(1920-1996) former Director of the CIA

Colby was the victim of an unfortunate "boating accident."

...Once they find something that works, that is what they do. So,
again and again CIA officials have been caused to "disappear" or
have been murdered. It is better than having to make messy
explanations. A favorite cover story is the boat scenario or the
plane crash, actually sabotaged...

...Former CIA Director William Colby was too involved. So, the
mysterious "they" used the boat trick, to make him disappear or
for murder.

At the time of his disappearance, Colby was under Congressional
subpoena to testify. Some believe his testimony could have put
Bill and Hillary Clinton in prison...

By Sherman H. Skolnick

Dr. Peter Beter had a lot on replacement-imposters being used to serve the agenda. He focused more on political figures, though. I'll try to find some quotes on that from him.

[edit on 24-9-2009 by faulconandsnowjob]

posted on Sep, 24 2009 @ 08:10 PM
Here's an analysis of Let It Be by Brian Berge. I don't know who he is or how accurate his interpretation is but it may be of interest to those who think there are occult references in the songs.

I've read so much about The Beatles lately, I can't remember where it was that Paul/Faul said 'Mother Mary' was his own mother but Brian Berge's analysis contradicts that.

posted on Sep, 25 2009 @ 07:39 PM
My current speculative theory is that Tavistock and British Intelligence couldn't help but notice the intense power The Beatles wielded over young people worldwide. Not since Hitler had they seen transcendental, adoring mania like this. They saw in the Beatlemania phenomenon a chance to use it in a social engineering experiment if they could gain control through The Beatles themselves.

I speculate that The Beatles were secretly, at the behest of Brian Epstein who was briefed by intelligence asset George Martin (collaborating with the Ashers who were assets of Tavistock) persuaded to join British Intelligence as secret agents in a special project. I think they were sold a bogus story that they were needed to project Peace and Love messages into the mass consciousness in order to raise it to a higher level of civilization devoid of war. They agreed and were rewarded with MBEs as a result of secretly joining British Intelligence.

'___' was then administered heavily to all involved. At this time, '___' was also being distributed in mass quantities to the general public in the UK and USA. Paul backed out and was killed in a satanic ritual. He was immediately replaced by a double who had been in underground training for at least a year. The new group is told that they must put forward a front of unity and produce their end of the bargain, the psychedelic records. Messages and clues were encoded into the songs and cover art. The Beatles insisted on an exit strategy. The agreed to put up a front until the end of the decade, so come December 1969 they can go their separate ways.

A red herring rumor is spread in London that Paul was killed in a car crash. TPTB put the rumor out there and just let it circulate (the social response to this part of the experiment was tracked by Tavistock).

Early on, Epstein blabbed to one too many intel planted gay lovers about the situation and he was murdered. That struck fear in the group that they had to play along.

The social engineering project was not to foster peace and love but to get masses of people to tune in, turn on, and drop out. This was to indoctrinate a generation of people into an acid trip experienced state where subconscious programming was attempted via song lyrics, sound effects, some backwards masking, and album cover art.

Yoko and Linda were both undercover agent handlers planted to control and observe at close range John and Bill.

The PID controversy in 1969 was what is known in intelligence circles as a limited hangout. That is when the truth starts to purposefully emerge and then TPTB deflate it by ridicule and laugh it off (as they do with a topic like UFOs). LIFE magazine as well as Time, Newsweek, and U.S. News and World Report were all controlled by CIA. They put out the PIA cover story with photos of Bill in Scotland ostensibly to settle the matter,

Another publication that went to millions of homes in the USA was World Book Encycolpedia and Yearbook, also managed by CIA. In the 1970 Yearbook, page 454, in the Personalities of 1969 section, there are these stories in the exact order as they appear in the Yearbook... (see how they trivialize the PID story)...

"Kusmanovich, Svetom lived undisturbed in a 6-by-10-foot manhole in downtown Toronto for three years until someone stumbled onto his subterranean apartment... (etc).

Martin, Richard may have won a Pyrrhic victory when he was re-elected in the Riverside, Wyo., town council election. The losing candidate was Mrs. Richard Martin.

McCartney, Paul, of the Beatles, agreed that reports of his death were greatly exaggerated, but he refused to dignify them with a denial. The rumor was started by amateur sleuths who said they could substantiate their contention that Paul had died in a car accident a few years before with hundreds of "clues"from the Beatles' recordings and record jackets. As the rumors swept across college campuses throughout the country, McCartney, his wife, and their two children were unconcernedly on holiday in Scotland. His only comment was a philosophical one: "If I were dead, I'd be the last to know."

Murray, Mary was perhaps registering a complaint against the quality of today's rail service when she locked herself in the washroom of a Penn Central train in transit through Ohio, smashed the window, and jumped off the fast-moving train... (etc)

Nadin, Leslie, in retaliation against a rash of robberies in his Birmingham, England store, rigged a trap by removing some floorboards where the burglars always entered... (etc)"

posted on Sep, 25 2009 @ 09:25 PM
I think that upon secretly joining British Intelligence, The Beatles approved the development of doubles for each of them. In fact, multiple doubles have been used over the years to stand in for each of them from time to time. The most used, full-time double has been Bill. Trained in advance to perform as Paul. I think unknown to The Beatles early on, Paul was chosen in advance for some occult ceremony in which he witnessed sexual predators (as in EYES WIDE SHUT) then was overdosed on a date rape drug ( O.D. like the dead girl in EYES WIDE SHUT).

I think Lennon and Harrison were assassinated by Manchurian Candidate programmed "lone nut" types. The Illuminati are fond of using the "lone nut" scenario. Mal Evans was also bumped off because he was about to go public.

I think the Tokyo police know that Bill is fake, but were persuaded by the British government not to release that info. Heather Mills also knows the truth and has stated she has hidden away with a friend a box of evidence.

Others who know the truth... Ringo, Cyn Lennon, Patti Boyd, Maureen Starkey, Yoko, Olivia Harrison, Eric Clapton, George Martin, the Ashers, and several others.

posted on Sep, 26 2009 @ 02:09 AM
This theory makes sense to me. I've noticed doubles for all of the Beatles. Maybe they were just stand-ins & Paul was the only one permanently replaced...

[edit on 26-9-2009 by faulconandsnowjob]

posted on Sep, 26 2009 @ 08:33 AM

Originally posted by Getsmart
Prince Bernhard first became interested in the Nazis in 1934, during his last year of study at the University of Berlin. He was recruited by a member of the Nazi intelligence services, but first worked openly in the motorized SS. Bernhard went to Paris to work for the firm IG Farben, which pioneered Nazi Economics Minister Hjalmar Schacht's slave labor camp system by building concentration camps to convert coal into synthetic gasoline and rubber. Bernhard's role was to conduct espionage on behalf of the SS. According to the April 5, 1976 issue of Newsweek, this role, as part of a special SS intelligence unit in IG Farbenindustrie, had been revealed in testimony at the Nuremberg trials.

The above URL includes text which is interpreted by ATS posting software as a grinning Smiley. I can only offer 2 solutions. The first is for you to quote my text to retrieve the link and copy & paste it into a browser window. The second is for me to post the text.

It is especially important to grasp the relationship between the Illuminati, the Bilderberg, Royal Families, social engineering and cultural manipulation including imposters like Faul. We can see in this text the connection between their plans for a depopulated Garden of Eden with only half a billion slaves, culturally announced by the Illuminati proclamation of ECOFASCISM.

The Nazi Roots of the House of Windsor

Scott Thompson, The American Almanac, August 25, 1997.
One of the biggest public relations hoaxes ever perpetrated by the British Crown, is that King Edward VIII, who abdicated the throne in 1938, due to his support for the Nazis, was a "black sheep", an aberration in an otherwise unblemished Windsor line. Nothing could be further from the truth.

The British monarchy, and the City of London's leading Crown bankers, enthusiastically backed Hitler and the Nazis, bankrolled the Führer's election, and did everything possible to build the Nazi war machine, for Britain's planned geopolitical war between Germany and Russia.

Support for Nazi-style genocide has always been at the heart of House of Windsor policy, and long after the abdication of Edward VIII, the Merry Windsors maintained their direct Nazi links.

So, when Prince Philip, co-founder with Prince Bernhard of the Netherlands of the World Wildlife Fund (WWF), tells an interviewer that he hopes to be "reincarnated as a deadly virus'' to help solve the "population problem", he is just "doing what comes naturally'' for any scion of the Anglo-Dutch oligarchy (see page 8 for more quotes from Prince Philip).

To get beyond the soap opera stuff and truly understand the Windsors today, it is useful to start with Prince Philip. Not only was he trained in the Hitler Youth curriculum, but his German brothers-in-law, with whom he lived, all became high-ranking figures in the Nazi Party.

Before his family was forced into exile, Prince Philip had been in line of succession to the Greek throne, established after a British-run coup against the son of King Ludwig of Bavaria, who became King Otto I of the Hellenes. Having dispatched King Otto in 1862, London ran a talent search for a successor, which resulted in the selection of Prince William, the son of the designated heir and nephew to the Danish king, Crown Prince Christian. In 1862, Prince William of the Danes was installed as King George I of Greece, and married a granddaughter of Czar Nicholas I in 1866. Prince Philip is a grandson of Queen Victoria, and he is related to most of the current and former crowned heads of Europe, including seven czars.

The marriages of Prince Philip's sisters definitely strengthened the German aristocratic ties. During 1931-1932, Philip's four older sisters married as follows: Margarita to a Czech-Austrian prince named Gottfried von Hohenlohe-Langenburg, a great-grandson of England's Queen Victoria; Theodora to Berthold, the margrave of Baden; Cecilia to Georg Donatus, grand duke of Hesse-by-Rhine, also a great-grandson of Queen Victoria; and, Sophie to Prince Christoph of Hesse.

Three of Philip's brothers-in-law were part of a group of German aristocrats who were Anglophile and pro-Nazi at the same time, and who remain a subversive force in Germany to this day.

Enter Prince Bernhard

His Royal Highness Prince Bernhard, royal consort to Queen Juliana of the Netherlands and father of the current Queen Beatrix, co-founded and became the first head of the World Wildlife Fund (now the World Wide Fund for Nature) in October 1961. When the Lockheed scandal forced Prince Bernhard to resign from his most important public functions in 1971, he was replaced by Prince Philip. Prince Bernhard, like Prince Philip, whom he recruited to the eco-fascist cause, had strong roots in the Nazi movement.

In fact, the whole House of Orange did: Queen Wilhelmina, mother of the future Queen Juliana, married a right-wing playboy who begged for money for Hitler; Juliana married an SS man (Prince Bernhard); and, Queen Juliana's daughter Beatrix married a former member of Hitler Youth.

Prince Bernhard first became interested in the Nazis in 1934, during his last year of study at the University of Berlin. He was recruited by a member of the Nazi intelligence services, but first worked openly in the motorized SS. Bernhard went to Paris to work for the firm IG Farben, which pioneered Nazi Economics Minister Hjalmar Schacht's slave labor camp system by building concentration camps to convert coal into synthetic gasoline and rubber. Bernhard's role was to conduct espionage on behalf of the SS. According to the April 5, 1976 issue of Newsweek, this role, as part of a special SS intelligence unit in IG Farbenindustrie, had been revealed in testimony at the Nuremberg trials.

When Bernhard left the SS to marry the future Queen Juliana, he signed his letter of resignation to Adolf Hitler, "Heil Hitler!'' William Hoffman writes in his book Queen Juliana:

"Tensions [over the marriage] were not cooled when ... Adolf Hitler forwarded his own congratulatory message. The newspaper Het Volk editorialized that `it would be better if the future Queen had found a consort in some democratic country rather than in the Third Reich.''

This is the man who recruited Prince Philip to eco-facism, but Prince Philip's Nazi roots had been laid much earlier.


[edit on 26-9-2009 by Getsmart]

posted on Sep, 26 2009 @ 09:27 AM
CONTINUED from Above

Hitler Youth and Universal Fascism

Through the influence of his sister Theodora, young Philip was sent to the German school near Lake Constantine that had been founded by Berthold's father, Max von Baden, working through his longtime personal secretary, Kurt Hahn. During World War I, Prince Max von Baden had been chancellor, while the Oxford-trained Hahn first served as head of the Berlin Foreign Ministry's intelligence desk, then as special adviser to Prince Max in the Versailles Treaty negotiations. Von Baden and Hahn set up a school in a wing of Schloss Salem, employing a combination of monasticism and the Nazis' ``strength-through-joy'' system. At first a supporter of the Nazis, Hahn, who was part Jewish, soon got into trouble with the SS, and came to support the more centrist elements of the Nazi Party. What Hahn really had become is what Henry Kissinger's friend, Michael Ledeen has termed a "universal fascist,'' in the sense of Vladimir Jabotinsky, Count Coudenhove-Kalergi, the Strasser brothers, and other fascists whom the hard-core Nazis would have no dealings with.

Although Hahn's powerful connections permitted him to escape the concentration camps, he was forced to leave the school he founded in Germany before Philip's arrival there, and established a new school in Scotland, called Gordonstoun. It would play a major role in rearing all the male children of Queen Elizabeth II and Philip. When Philip arrived at Hahn's school in Schloss Salem, it was in control of the Hitler Youth and the Nazi Party, and the curriculum had become Nazi "race science.'' Hahn became an adviser to the Foreign Office in London, urging policies of appeasement based upon appeals to the "centrist'' Nazis.

Philip's Relatives Work for the SS

The husband of Philip's sister Sophie, Prince Christoph, was embraced by the Nazis, who saw him as a channel to the appeasement faction in Britain epitomized by King Edward VIII. Joining the Nazi Party in 1933, by 1935 Prince Christoph was chief of the Forschungsamt (directorate of scientific research), a special intelligence operation run by Hermann Göring, and he was also Standartenführer (colonel) of the SS on Heinrich Himmler's personal staff. The Forschungsamt used electronic intelligence-gathering methods to police the Nazi Party, while working with the Gestapo against the Catholic Church, the Jews, and labor organizations. When rumors of homosexuality spread against Capt. Ernst Roehm of the Stormtroopers, Himmler turned to the Forschungsamt's eavesdroppers, and ordered the "Night of the Long Knives'' as a result. The eldest of Prince Christoph and Sophie's children was named Karl Adolf, after Hitler. Later, Prince Philip would promote his education.

Prince Christoph's brother, Philip of Hesse, married a daughter of the King of Italy, and became the official liaison between the Nazi and Fascist regimes.

Four years after Prince Philip left Schloss Salem to attend Gordonstoun Academy in Scotland, on Nov. 16, 1937, Philip learned that his sister Cecilia and her husband Georg Donatus, hereditary grand duke of Hesse-by-Rhine, had crashed in one of Göring's Junker aircraft on a trip to London for Georg's brother's wedding. According to the British magazine Private Eye, the funeral became a gathering point for leading Nazis and their appeasers. Prince Philip himself developed secretive ties with King Edward VIII, continuing after Edward was deposed in 1938.

In fact, one of the central figures in the 1930s Nazi-British back-channel was Philip's uncle and sponsor, Lord Louis Mountbatten (originally, Battenberg, a branch of the House of Hesse). Until he was forced to abdicate, King Edward VIII enjoyed the full backing of ``Dickie'' Mountbatten. Through much of World War II, secret channels of communication were maintained between the British royal family and their pro-Hitler cousins in Germany, by Lord Mountbatten, through his sister Louise, who was crown princess of pro-Nazi Sweden. Louise was Prince Philip's aunt.

Although Buckingham Palace's rumor mill has tried to depict this wartime collaboration with the enemy as mere family correspondence, the channel apparently included messages from Prince Philip's secret ally, the Duke of Windsor (the former Edward VIII). On Nov. 20, 1995, the Washington Times reported, based on recently discovered Portuguese Secret Service files first published in the London Observer, that the Duke of Windsor had been in close collaboration with the Nazis in Spain and Portugal to foment a revolution in wartime Britain, that would topple the Churchill government, depose his brother King George VI, and allow him to regain the throne, with Queen Wallis [Simpson, the American divorcée, for whom he abdicated the throne] at his side. Portuguese surveillance revealed that Walter Schellenberg, head of Gestapo counterintelligence, was one point of contact in this plot. After Schellenberg met with the Spanish ambassador to Portugal, Nicolás Franco, brother of fascist Gen. Francisco Franco, Ambassador Franco told a Portuguese diplomat: "The Duke of Windsor, free from the responsibilities of the war, in disagreement with English politicians, could be the man to put at the head of the Empire.''

Whatever correspondence was hidden in Sophie and Prince Christoph's Kronberg Castle, King George VI, in June 1945, felt compelled to dispatch the former MI-5 officer turned "Surveyor of the King's Pictures,'' Anthony Blunt, to gather up the correspondence. Queen Elizabeth II reportedly insisted that there be no interrogation of Blunt about his secret trip to the castle. Otherwise, it is notable that starting with an exchange between King George VI and President Eisenhower, the House of Windsor has been desperate to keep classified those documents from Kronberg Castle that fell into American Army hands, long beyond the normal length of time. Clearly, Prince Philip's patron Lord Dickie Mountbatten, Mountbatten's sister Crown Princess Louise, and Philip's brother-in-law Prince Christoph of Hesse were not just exchanging Christmas greetings.

Among many interesting issues raised in this text is Hitler's ally General Franco of Spain, held for continuing the Nazi movement underground after the WWII, supporting the project and raising an eminent Bilderberger under his personal tutorship and protection, King Juan Carlos.


posted on Sep, 27 2009 @ 01:25 PM
An essay that was written by Paul when he was ten years old (and for which he won a prize) has been unearthed. I'm just posting this as it's interesting, I've no point to make.

posted on Sep, 27 2009 @ 07:28 PM
I saw the schoolboy essay story today, too. Here's the BBC version...

Interesting that this wasn't in any of the biographies. It's as if only the Original Paul knew of this and most likely Faul didn't know about this and that's why it isn't in any interviews or biographies post-1966.

The timing of this coming out is also interesting. I think the Macca camp are aware of the current resurgent interest in the PID theories (witness the Mojo story a couple of weeks ago that got into the MSM quoting Sir Paul saying PID is an "occupational hazard"). So I think TPTB got this new story out in the MSM about 10-year-old Paul so that now Faul can comment on it and thus we have another device to link the fake with the original in the minds of the public. Watch in the coming weeks how they will have Faul commenting on it. And then the public will think "Yeah that's him alright, reminiscing about childhood."

posted on Sep, 27 2009 @ 07:42 PM

Originally posted by switching yard
I think that upon secretly joining British Intelligence, The Beatles approved the development of doubles for each of them. In fact, multiple doubles have been used over the years to stand in for each of them from time to time. The most used, full-time double has been Bill.
Others who know the truth... Ringo, Cyn Lennon, Patti Boyd, Maureen Starkey, Yoko, Olivia Harrison, Eric Clapton, George Martin, the Ashers, and several others.

Hi Switching Yard,

Your assumptions may well be accurate. It is likely, even had there been little photographic evidence to support it, that doubles for the others would have been used. One can even assume that the Mop head haircut or wig was designed not be launch a new fashion but to overcome one of the difficulties with doubles, it is hard to find someone with similar enough features and bone structure without having to worry about extremely different hairlines.

Whether this is the reason or not for their now famous Beatles hair style, one can see that in identifying people, hairlines cannot confirm identity buy they often will quickly identify one as an impostor. This is the case when identifying Nazi doubles during WWII as well as identifying the real Nazis when they were brought over to the USA after the war. Here is but one example of how a hairline can help identify a Nazi leader thought to have died in the bunker but found on a photo taken after the war in New Mexico.

During the forties and even the sixties, if your theory about The Beatles having willfully participated in a project including doubles holds true, there was apparently not yet sufficiently good technology to modify hairlines satisfactorily. Today plastic surgery for permanent solutions and special effects makeup for temporary replacements have probably made resorting to such wigs unnecessary. This would mean that The Beatles were possibly in advance "designed" to be replaceable, something they would have known before they signed up for such a pact with Tavistock or MI6. However, they may not have been told everything involved...

Regarding those "in the know" you mention Ringo, Cyn Lennon, Patti Boyd, Maureen Starkey, Yoko, Olivia Harrison, Eric Clapton, George Martin, the Ashers, and several others. I could not help noticing Ringo being the only one who was physically close to Faul or touching him in Beatles photos after Paul's disappearance. It seemed that Ringo might have had a higher role as coordinator given that he was added to the group without bringing significant talent or charisma to the fabulous four.

Also, would you know or be willing to reveal at least something vague about the identity or profile of the "several others" you mention?

I think it is safe to say we have established not only Paul's replacement by Faul, but a pattern of replacement and/or assassination of the Beatles. This coincides with a historical Illuminati program to control society through culture and music, and known contemporary alphabet intelligence agency mind control programs using counterculture drugs and song lyrics to impact American society with others to follow.

This brings us to consider that doubles have been used throughout history in politics and other leadership roles in various fields where public image, credibility and generating a following are critical to orienting populations. The replacement of Paul by Faul is one of the most revealing of such doppelgangers for a number of technical reasons:

- mass exposure of the doubles to the public through television
- archived records of countless photographs, both public and private
- quasi religious cult status of Star figures brought into every household
- fledgling beginnings of surgical and cosmetic make-up techniques
- rebellious reactions of group members who started to believe the "sell"
- failure to replicate the well known "inner presence" of Paul's charisma
- those in love with Paul falling out of love with Faul
- unpredicted profound change in group dynamics due to substitution
- witnesses in the entourage who couldn't be co opted, bought or silenced
- secret messages encrypted in lyrics, backmasking and visual graphics
- development of PID rumor management strategies and disinformation
- implantation of "handlers" as spouses or long term associates
- extensive wet team elimination of potential sources of leaks
- masonic UK police subservient to a satanic Illuminati power elite

This has all the makings of either very good fiction, or a very very bad reality. Given that reality is often beyond fiction, we can expect further revelations in the investigation into James Paul McCartney's murder.

[edit on 27-9-2009 by Getsmart]

posted on Sep, 27 2009 @ 07:57 PM

Originally posted by berenike
An essay that was written by Paul when he was ten years old (and for which he won a prize) has been unearthed. I'm just posting this as it's interesting, I've no point to make.

Hi Berenike,

This is indeed interesting, not because it shows a hidden side of Paul we never knew, but because it shows to what lengths they will go to try to convince us that Faul is Paul. Why would Paul accept knighthood when John Lennon refused a lesser degree of the same honor? Well, it is plain and simple, by coincidence this boy wonder wrote a Eulogy to the Queen and was a devoted loyal monarchist! We know who Faul works for. Kevin Roach presumably works for the same organization which apparently now wants the world to cherish her Royal Highness as never before.

The incongruous text, either dictated to a young boy or more likely fabricated by feeble minded submissive subjects, shows the unlikely age marked at the top of the page, something which most likely would not have been done in such a contest yet does a great deal to help falsify the text by dating it more precisely at a time preceding the forgery by many decades. Such allusion to a gory event, followed by fawning admiration with condescending sanctimonious qualification of QEII's rule smacks more of a contemporary promotion of her Majesty whose reputation since her glacial reaction to Princess Diana's death has suffered considerable erosion through revelations over the Internet.

So you will note that I don't buy the haphazard finding of such a lost document in irrelevant library archives. The odds of him being chosen for this prize for such a drivel and then going on to become an Icon of the 20th century are a zillion to one.

[edit on 27-9-2009 by Getsmart]

posted on Sep, 27 2009 @ 08:50 PM
You know in "Wag the Dog" when they put the shoe-song in the Library of Congress under 1930's music? Yeah... maybe that's what was going on...

I was kind of shocked that the people who called into the Freeman show on PID were aware Faul was a double:

^ also discusses theories of what happened to Paul

posted on Sep, 27 2009 @ 08:50 PM
Deleted Double Post

[edit on 27-9-2009 by Getsmart]

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