reply to post by caitlinfae
We've made and broken plans to visit your country for years. It's one of the places we've talked about that we'd feel safe -- it's just the
getting there that is hinky.
Okay. I write mostly hard-driving rock, although have written some adaptive works that'd probably fit into the classical zone also. Most of what
I write that is classical sounds like a take-off on Fernando Sor, and that's understandable, in that my two years of classical training focused
largely on Sor's works. I like building up with minor chords and then breaking free of that feeling with majors -- just for brief moments to
offset. Mournful, melocholy, uplifting, back to meloncholy.
Surf feels peaceful to me, even when I lived on the northern Calif. coast where it was Wiiiiiiiild. It's repititious, and yet..... each one has its
own voice. Only time the surf isn't a constant gem of peace is when the hurricanes come, and then, it's only if we hear rocks clacking in the
surf that it becomes a tweak scary.
Kudos to previous poster who explored the nuances of musical manipulation. I'd also like to know more

Yes, it's mathematical, and more than
that. I remember the first time, while perusing classical sheet music in a store, that I realized I could "hear" the music in my head. What an
epiphany. That, of course, lead to being able to hear the music in my head, and then write it on paper. I think this is what Beethoven did after
he lost his hearing. I don't think it would be a likely thing if he had never been able to hear. BTW, I don't mean that in any way to compare
myself to the greatness of Beethoven.
Thanks OP, for bringing this up. Techo? Would I be dating myself if I confessed to a fondness for the group Bush?* ha
*yes, you'd be dating yourself, go away you old phart, you