More great info supporting the golden dawn and my statements
"Tenan’s discovery, made way back in the 1960s, was that the Fibonacci spiral is the apparent basis for the Hebrew alphabet, as well as the Greek,
Arabic, and Sanskrit alphabets, making it the root of the universal language used at the Tower of Babel. It all started when he discovered a pattern
in the original Hebrew letters of the first sentence of Genesis - a pattern that appeared when he counted the letters in base three. He then placed
these letters into geometric shapes based on that pattern. When placed in a square shape, with like letters placed next to each other in concentric
square rings, the result was what looks like a “bird’s eye view” of a seven-stepped ziggurat like the Tower of Babel. When this was then placed
upon a torus or “doughnut”-shaped surface, and the excess space stripped away, what Stan Tenen had was a three-dimensional representation of the
Fibonacci spiral, a shape that can be found in numerous occurrences of nature, including the shape of a developing fetus, and the horns of a ram. This
somewhat snakish, flame-like shape Tenen then placed inside of a crystal tetrahedron - a four-sided prism or pyramid. When light was shined through
the object in a shadow-box, Tenen found that he could form every single letter of the Hebrew alphabet - in order - just by changing the position of
the shape relative to the crystal. With a slightly different orientation, he was able to produce the letters of other alphabets as well.
Appropriately, Tenen named the shape the “flame letter.”
The Fibonacci spiral is a representation of the golden mean proportion that occurs so often in nature, and which has been used in all of the most
magnificent works of art and architecture, going back to ancient times, including the pyramids at Giza and presumably, the Tower of Babel. Even the
colors of the rainbow are made by different wavelengths that vary in size in a golden mean proportion relative to one another. This can be seen in the
varying widths of the color bands in a rainbow. (4) The seven colors correspond to the seven notes of the diatonic music scale, and the mathematical,
golden mean relationship between the notes, as they ascend and descend along the scale, matches exactly the relationship between the colors of the
rainbow. The fact that colors have musical equivalents is reflected in the twelve-note “chromatic” musical scale. As described by author Michael
S. Schneider in A Beginner’s Guide to Constructing the Universe: “The chromatic twelve-scale includes the diatonic seven-scale plus five sharps or
flats between them, giving the scale shades of musical color.” (5) This may provide a factual basis for the sensory phenomenon known as
“synesthesia”, in which certain people naturally see certain colors when they hear certain sounds, and vice-versa. Such people often report seeing
the letters of the alphabet in certain associated colors as well. The modern musical scale system used in the West is based on that invented by the
ancient Greeks, and attributed to the sacred “lyre of Apollo”, which also belonged, in turn, to Orpheus, Pythagoras, and originally, Hermes.
Schneider writes that, “As one stroked the strings upward, the tones descended to earth through E-D-C-B-A-G-F.” Elsewhere in the book he states
that the scale would be ritually strummed by priests in order to call angels down from Heaven!"
Joe
tracyrtwyman.com... 
