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Originally posted by Masonic Light
He is referring to the Eleusinian Mysteries, of which he himself was a Greater Initiate. The Mysteries were divided into the Lesser, or first degree, which accepted all citizens, and the Greater Mysteries, or second degree, which was the Grade of Adepti Mystagogue, of which only a relatively select few were admitted.
The ceremonial ritual of the Mysteries was witnessed only by the initiated, and they did indeed take the form of an allegorical drama. Modern Freemasonry has inherited much from these Ancient Mysteries.
Originally posted by Illusionsaregrander
I do however have a high level of respect for your opinions and facts, and would be most grateful for anything you could share without violating your code of ethics. If you dont feel like typing and could just supply some links you find reliable that would be very kind.
Vitruvius is most famous for asserting in his book De architectura that a structure must exhibit the three qualities of firmitas, utilitas, venustas — that is, it must be strong or durable, useful, and beautiful. According to Vitruvius, architecture is an imitation of nature. As birds and bees built their nests, so humans constructed housing from natural materials, that gave them shelter against the elements. When perfecting this art of building, the ancient Greek invented the architectural orders: Doric, Ionic and Corinthian. It gave them a sense of proportion, culminating in understanding the proportions of the greatest work of art: the human body. This led Vitruvius in defining his Vitruvian Man, as drawn magnificently by Leonardo da Vinci: the human body inscribed in the circle and the square (the fundamental geometric patterns of the cosmic order).
Q - As we have no noble Order of Architecture known by the names of Wisdom, Strength, and Beauty, to which do they refer?
A - The three most celebrated, which are the Ionic, Doric, and Corinthian.
A - Geometry, the first and noblest of sciences, is the basis on which the superstructure of Masonry is erected. By Geometry we may curiously trace nature through her various windings to her most concealed recesses. By it we may discover the power, wisdom, and goodness of the Grand Geometrician of the Universe, and view with amazing delight the beautiful proportions which connect and grace this vast machine. By it we may discover how the planets move in their different orbits, and mathematically demonstrate their various revolutions. By it we may rationally account for the return of seasons, and the mixed variety of scenes which each season produces to the discerning eye. Numberless worlds are around us, all formed by the same Divine artist, which roll through the vast expanse, and are conducted by the same .unerring law of nature. While such objects engage our attention, how must we improve, and with what grand ideas must such knowledge fill our minds! It was a survey of nature, and an observation of her beautiful proportions, which first induced men to imitate the Divine plan, and study symmetry and order. This gave rise to society, and birth to every useful art. The architect began to design and the plans which he laid down having been improved by time and experience, have produced some of those excellent works which have been the admiration every age.
From the picture it was clear to him that the knowledge of the medieval masons had its roots in ancient Egypt. For the next fifteen years, until 1951, Schwaller de Lubicz remained in Egypt, investigating the evidence for what he believed was an ancient system of psychological, cosmological, and spiritual knowledge.
Schwaller believed Luxor was a kind of living organism, a colossal compendium of esoteric truth, whose every detail, from its total design down to its very materials, voiced one central revelation: that Conscious Man was the goal of cosmic evolution. "Each individual type in Nature is a stage in the cosmic embryology which culminates in man," he wrote. Different species, Schwaller believed, developed various "functions"—what the Egyptians called "Neters" and we translate as "gods"--which have their apotheosis and integration in Conscious Man.
The essence of Schwaller's evolutionism has to do with what he calls "functional consciousness," an idea we can benefit from understanding, regardless of our opinions of elites or theocracies. And although Schwaller developed his ideas about functional consciousness in an Egyptian context, that context is ultimately not necessary. The essence of those ideas goes back to Bergson and intuition. Needless to say, Schwaller took this basic insight and, with his Egyptian revelations, developed an original, powerful, and imaginatively thrilling symbolic system.
"Functional consciousness" is a way of knowing reality from the inside. Schwaller believed ancient Egypt was based on this inner knowing, very unlike our own outer-oriented one. The ancient Egyptians, he argued, were aware of the limitations of purely cerebral consciousness, the Set mind that "granulates" experience into fragments of time and space and is behind our increasing abuse of nature and of each other. Granulated experience produces our familiar world of disconnected things, each a kind of "island reality." From this perspective, when I look at the world, I see a foreign, alien landscape, which I can know only by taking it apart and analyzing it. As the poet Wordsworth wrote, "We murder to dissect."
R. A. Schwaller was born in 1887. In his youth he worked as a chemist and studied art and theosophy. The aristocratic Lithuanian poet and occultist Oscar Milosz conferred the title of de Lubicz on Schwaller. At around the same time, Schwaller de Lubicz claims to have met the enigmatic alchemist Fulcanelli. Fulcanelli later became famous for his book ''Le Mystere des Cathedrales'' (1925), an alchemical reading of the symbolism of Gothic cathedrals.
After World War I, de Lubicz was largely responsible for the formation of the Veilleurs (the Watchmen), a group dedicated to preserving higher values in a demoralized postwar world. The higher values were those of hierarchy and discipline. The elite of the Veilleurs sought to evolve to a higher state of being. The group's ambitions were esoteric and protofascist.
Originally posted by Illusionsaregrander
I have a huge favor to ask you. I know little or nothing about the Masons, but I do know that some of what they do is secret. Soooo, could you outline for me what the point of the organization is? Without the "secret" mysteries part, I am not interested in the esoteric knowledge, the secret stuff. What they stand for, what they hope to accomplish, etc?
Also, what is the oldest direct text or document they have? Not something "reclaimed" but a direct link backwards in time. Is it the one Kilgore posted?
And you say that the Masons link themselves to the mysteries of ancient Greece. How? Just tradition? Not that that isnt enough, but I mean as in comparison to actual texts from that time that have been handed down. Is there are family tree so to speak with continuity or are there "gaps" of lost time?
Originally posted by Masonic Light
Similar to what Plato stated concerning the Mysteries in the Timeaus, Freemasonry promotes a science of ethics through ritual and symbolism.
Originally posted by Masonic Light
Outside of this, different Masons have different views. Although you stated that you are not interested in the esoteric side of the institution, this part is historically important.
Originally posted by Masonic Light
For example, many Masonic scholars have believed that the fundamental purpose of the organization was to preserve the doctrines of the Kabalah and Hermeticism during the time when people were persecuted for studying such things. This also explains the secrecy aspect.
Originally posted by Illusionsaregrander
In your opinion, has the order devolved into a social organization only? Or is there some core in some of the "chapters" that makes good use of the "mystery" at the heart of the "Mysteries?"
Originally posted by Illusionsaregrander
www.smithsonianmag.com...
"As for the figure, the demiurge created the world in the geometric form of a globe. Indeed, the round figure is the most perfect one, because it comprehends or averages all the other figures and it is the most omnimorphic of all figures: "he [the demiurge] considered that the like is infinitely fairer than the unlike" (33b)."
33b: "And he gave the world the figure which was suitable and also natural. Now to the animal which was to comprehend all animals, that figure would be suitable which comprehends within itself all other figures. Wherefore he made the world in the form of a globe, round as from a lathe, having its extremes in every direction equidistant from the center, the most perfect and most like itself of all figures, for he considered that the like is infinitely fairer than the unlike."
Originally posted by Skyfloating
reply to post by Illusionsaregrander
Excellent. So much for "the ancients thought the earth was flat". I will be using this in later arguments on other threads.
Originally posted by Rockpuck
Then again, we are pretty ignorant on history in general.
In my opinion though it is a lack of teachers with real passion for history that is the real problem, you have to whet the appetite to learn more and hope that the students will pursue the subjects that interest them. If you teach it as an after-thought or just to fulfill curriculum requirements few will bother to explore it for themselves.
In the words of Henry Chadwick, “If the Consolation contains nothing distinctively Christian, it is also relevant that it contains nothing specifically pagan either...[it] is a work written by a Platonist who is also a Christian, but is not a Christian work.”[6]
The philosophical message of the book fit well with the religious piety of the Middle Ages. Readers were encouraged not to seek worldly goods such as money and power, but to seek internalized virtues. Evil had a purpose, to provide a lesson to help change for good; while suffering from evil was seen as virtuous. Because God ruled the universe through Love, prayer to God and the application of Love would lead to true happiness.[8]
'How many are they, think you, who would think themselves raised to heaven if the smallest part of the remnants of your good fortune fell to them? This very place, which you call a place of exile, is home to those who live herein. Thus there is nothing wretched unless you think it to be so: and in like manner he who bears all with a calm mind finds his lot wholly blessed. Who is so happy but would wish to change his estate, if he yields to impatience of his lot? With how much bitterness is the sweetness of man's life mingled! For even though its enjoyment seem pleasant, yet it may not be surely kept from departing when it will. It is plain then how wretched is the happiness of mortal life which neither endures for ever with men of calm mind, nor ever wholly delights the care-ridden. Wherefore, then, O mortal men, seek ye that happiness without, which lies within yourselves? Ye are confounded by error and ignorance. I will shew you as shortly as I may, the pole on which turns the highest happiness. Is there aught that you value more highly than your own self? You will answer that there is nothing. If then you are master of yourself, you will be in possession of that which you will never wish to lose, and which Fortune will never be able to take from you.
The basis of many churches is geometry and proportion. Numbers had a metaphysical significance, and were thought to have occult power. Every aspect of the medieval cathedral utilized that significace: the number of pillars in the choir, the ratio of the levels of in the triforium, etc. Rose windows are no exception to this rule
1: the unity of all things, symbolized by a circle
2: duality and the paradox of opposites
3: the triangle, stability transcending duality
4: the square, matter, elements, winds, seasons, directions
5: the pentacle, man, ,magic, Christ's wounds
6: equiliubrium and balance of the soul, Solomon's Seal
7: the mystic number, the ages, planets, virtues, gifts of the Spirit, and the liberal arts
8: the octagon, baptism and rebirth
12: Perfection, universe, time, the apostles, the Zodiac, tribes of Israel, and the precious stones in the foundations of New Jerusalem
At the time Boethius wrote this, there was an influx of Germanic tribes to Britain - the Saxons (settled in the South), the Angles and the Jutes (both in the North). They were primarily seeking Lebensraum but they were also escaping forced conversion to Christianity and overlordship by the Ostrogoths. This exodus occurred over a period of 300 years, eventually culminating in settlement in Britain as they were pushed out of the european continent.