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Originally posted by Kano
(...)Surely the discovery of any form of life on Mars would be a massive boost for them and their budgets?(...)
Originally posted by BarryKearns
Do you prefer to take the position, Kano, that all of the releases have actually somehow been accurate portrayals of what the surface really looks like?
If not, I think we need to accept that they simply are producing contradictory "color" releases, instead of creating smoke screens regarding speculations on their "motives" for doing it.
When did motive become necessary to determine that something is wrong?
Originally posted by ArchAngel
Here is the whopper!
Since we are specualting why not one that makes sense?
[fantasy_mode]
NASA began it's Terra-Forming project decades ago. It began with the very first probes. Their real purpose was for them to know the conditions on the surface.
Later probes carried genetically engineered blue-green algae. NASA told us that these probes failed, but really they worked perfectly. They circled mars, and dropped their payload of tiny little landers carrying the seeds of life.
The algae grew and flourished on Mars in the CO2 atmosphere.
The landers are in an area known to have been seeded. They were sent to check the progress of the project.
They are transmitting data other than what is being shown to the public. There really are patches of blue-green in the images, but NASA does not release the data for that.
[/fantasy_mode]
Originally posted by Kano
We know that plenty of the approximate color images have had differences in the colorations of the surrounds. Even with the large brightness differences, the basic colors do not seem to change a great deal.
Originally posted by BarryKearns
Both the "new calibration" pic above and the Sushi-Sashimi pic are obviously taken at near-noon conditions, and both have sharp shadows indicating fairly clear conditions... yet the soil is (to me at least) a pretty radically different color.
Originally posted by Kano
If the images are getting modified, why would they not just adjust all the images so they look very similar and thus avoid any of these questions? Its not particularly difficult, even in photoshop.
[Edited on 10-2-2004 by Kano]
1) Who authorized the release of the Cherry Kool-Aid version of PIA05015, while filing a different version under the same name in the Photojournal archive... and why does the discrepancy continue to exist to this day?
2) Who has continually failed to post the raw data used for their most recent "definitive" color mixes, despite obviously having them for 10+ days?
3) Who acts in a supervisory role to vet the job of color balancing being done (by alleged "different technicians") before publicly releasing color images... and when was that person's last color vision eye exam?
4) What standards and controls are in place that allow such vastly different color mixes to be released, while consistently calling them "approximate true color"?
5) What does Cornell consider an acceptable margin of error for something to still be considered "approximate true color"? Is there any color scheme so off that it doesn't qualify?
6) If we assume that the most recent images are the most accurate, why has it taken this long (and with so many differently-colored intervening releases) to come up with a consistent balancing? They have always had the exposure levels sent down with the images, so why not simply always adjust them back down and then just mix the channels?
7) Who made the decision to take full-frame shots in L4-L5-L6 of near-zero-science-value things like the signed plaque and the Lego Astrobot (with no terrain in-frame), but zero frames for WEEKS that included the calibration tool and the terrain in the same full-frame shot in L4-L5-L6?
8) If they've now figured out how to properly balance the colors, why not provide corrected versions of the previously inaccurately-mixed releases?
9) How many people out there would expect that THEY would still be employed if they had performed work and used judgement of this dubious quality, in such a high-profile and public-facing role?
Originally posted by Kano
I will have a go at answering some of the questions posed here, some I simply do not know the answer to though.
1) Who authorized the release of the Cherry Kool-Aid version of PIA05015, while filing a different version under the same name in the Photojournal archive... and why does the discrepancy continue to exist to this day?
I don't know who authorises any of the releases, however I suspect the reason there are 2 versions of PIA05015 is that the first one was pretty much the first images from Spirit, and in L256 and someone overcorrected for the L2. This was noticed and remedied for the archival shot. The press shot, having already been part of a press-release, cannot really be changed.
7) Who made the decision to take full-frame shots in L4-L5-L6 of near-zero-science-value things like the signed plaque and the Lego Astrobot (with no terrain in-frame), but zero frames for WEEKS that included the calibration tool and the terrain in the same full-frame shot in L4-L5-L6?
Again I dont know. At least things have changed a little now.
Originally posted by Kano
Barry, I believe the 8th January is the date the image was taken. The cherry one was an obvious cockup and thus the fixed image was released very quickly after. The colors would have to be adjusted a little to make up for using the L2 instead of the L4, the landscape images come out with less red when taken in L2. I agree this really should have been avoided. But hey, first image back, rush to get it out etc. The error was noticed and corrected quite fast.
There are quite a few L456 images that include the sundial and the ground now. As after the Rovers have left their landers, all sundial pics include some ground. I don't know if or when any more panorama images are planned, perhaps when Spirit arrives at "Bonneville" (or if she sees anything extra special along the way). Or when Opportunity drives up out of the crater.
Beats me. I don't even know how to access the raw data from outside JPL (since I can do it from the inside).