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NWO is responsible for concert pitch A-440hz

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posted on Jun, 8 2010 @ 02:59 PM
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Now: Why was 44100 selected as sampling frequency by Philips and Sony?

From John Watkinson, The Art of Digital Audio, 2nd edition, pg. 104:


"Video recorders... were adapted to store audio samples by creating a
pseudo-video waveform which would convey binary as black and white
levels. The sampling rate of such a system is constrained to relate simply
to the field rate and field structure of the television standard used, so that
an integer number of samples can be stored on each usable TV line in
the field.

Such a recording can be made on a monochrome recorder, and these
recording are made in two standards, 525 lines at 60 Hz and 625 lines at
50 Hz. Thus it is possible to find a frequency which is a common multiple
of the two and is also suitable for use as a sampling rate.

The allowable sampling rates in a pseudo-video system can be deduced
by multiplying the field rate by the number of active lines in a field
(blanking lines cannot be used) and again by the number of samples in a
line. By careful choice of parameters it is possible to use either 525/60 or
625/50 video with a sampling rate of 44.1KHz.

In 60 Hz video, there are 35 blanked lines, leaving 490 lines per frame or
245 lines per field, so the sampling rate is given by :
60 Hz X 245 X 3 = 44.1 KHz (44100)

In 50 Hz video, there are 37 lines of blanking, leaving 588 active lines per
frame, or 294 per field, so the same sampling rate is given by
50 Hz X 294 X3 = 44.1 Khz. (44100) PAL system

The sampling rate of 44.1 KHz came to be that of the Compact Disc. Even
though CD has no video circuitry, the equipment used to make CD
masters is video based and determines the sampling rate.

245 = 5 x 7 x 7
294 = 6 x 7 x 7


Why 44,100 samples per second? (See chapter 10, page 291 of book)
Mathematics and Technology By Christiane Rousseau, Yvan Saint-Aubin
books.google.com...
Including the mapping on the PIANO

and this presentation:

www.dms.umontreal.ca...




[edit on 8-6-2010 by hawk123]




posted on Jun, 8 2010 @ 03:21 PM
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Hey sorry if this has been mentioned already but this thread reminded me of a Kate Bush song that I really like called experiment Iv. These are the lyrics:


We were working secretly
For the military.
Our experiment in sound,
Was nearly ready to begin.
We only know in theory
What we are doing:
Music made for pleasure,
Music made to thrill.
It was music we were making here until

They told us
All they wanted
Was a sound that could kill someone
From a distance.
So we go ahead,
And the meters are over in the red.
It's a mistake in the making.

From the painful cry of mothers,
To the terrifying scream,
We recorded it and put it into our machine.

Then they told us
All they wanted
Was a sound that could kill someone
From a distance.
So we go ahead,
And the meters are over in the red.
It's a mistake in the making.

It could feel like falling in love.
It could feel so bad.
But it could feel so good.
It could sing you to sleep

?"I'll bet my mum's gonna give me a little toy instrument!"?

But that dream is your enemy.

We won't be there to be blamed.
We won't be there to snitch.
I just pray that someone there
Can hit the switch.

But they told us
All they wanted
Was a sound that could kill someone
From a distance.
So we go ahead,
And the meters are over in the red.
It's a mistake we've made.

Hmm hmm hmm, hmm hmm hmm.
And the public are warned to stay off.



posted on Jun, 8 2010 @ 03:30 PM
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Originally posted by Mesdoline
Hey sorry if this has been mentioned already but this thread reminded me of a Kate Bush song that I really like called experiment Iv. These are the lyrics:


We were working secretly
For the military.
Our experiment in sound,
Was nearly ready to begin.
We only know in theory
What we are doing:
Music made for pleasure,
Music made to thrill.
It was music we were making here until



Who plays the HAARP ?



posted on Jun, 9 2010 @ 12:07 AM
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reply to post by Mesdoline
 


Great artist and original songwriter thumbs up for mentioning her work.
I think the song was written about a true event ?in post war Britain, where
the military were working on frequency weapons?
Certainly deep frequencies can make one nauseaus.
Timbre I believe is what makes say an Oboe sound so haunting and melancholic ?regardless of tuning(in isolation).



posted on Jun, 15 2010 @ 11:18 AM
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Been playing guitar since eight years old...(over 50 yrs)always played by ear.....
Funny thing is when tuning up with other people (to concert pitch)i find i am invariably LOWER by that fraction of a fret or so....
Checking further against the youtube video, i find that i instinctively (or coincidently) have been tuning to roughly that pitch for many years...
I am not a prfessional musician, nor do i jam with others much...never put it together till now....but that is a familiar and comfortable pitch to the ear(untrained that is)
have you examined electric universe theory for any cross corelations yet?
I see they explain the polar geometrics in terms of Bjirkland ?sic currents...which in theory connect everything to everything in the universe..........Perhaps that constant microwave background noise is not the echo of the big bang but the hum of the universe vibrating....ever checked the frequency of that?perhaps it is a function or corresponds to 432?
what in infinite dance hey?
This is a great eye opener thanks!



posted on Jun, 30 2010 @ 05:47 AM
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Originally posted by DrLenHorowitz
reply to post by B.Morrison
 


This posting violates the strict policy of this web service. There are to be "NO INSULTS" and those who abuse their right here, are to be quickly "BANISHED." How dare you condemn me, the messenger that has brought you the messages prompting this important dialogue, as "money hungry." I demand an apology, for all that I do for humanity...

WHAT.........EVER.

if you are who you say then why on earth would I (the wicked violator
) wish to even hear your incessant babbling about new age blib and i'm a messenger blah blab blob.


Check out 528Records.com to advance a Healthy World Revolution.


advertising mods? does this qualify as advertising? I smell T&C violations..

incidently this ATS lenhorowitz is demanding an apology over the following..


but when i get past that 20 post thing I'll start a thread to share the study I've done on the money hungry Len Horowitz & BOTH sides of the argument concerning his integrity,


I repeat... WHAT....EVER.

I never posted that thread because I couldn't be bothered wasting anymore of MY time on sleazeball greed merchants.....yet here I am typing away...yet again....

If you disagree check out his 20 billion different URL's for peddling his 'magic water' or google 'SARS CURE SCAM+HOROWITZ'

the guy is no good.

-B.M

[edit on 30/6/10 by B.Morrison]



posted on Jun, 30 2010 @ 05:50 AM
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Heres an iteresting link for you all if not already added here?
www.dailymail.co.uk...

British scientist uncovers secret messages hidden in Platos ancient text?

Also recently sounds from the sun and the LHC sounds when finding the god particle?



posted on Jun, 30 2010 @ 05:51 AM
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Originally posted by stirling
Been playing guitar since eight years old...(over 50 yrs)always played by ear.....
Funny thing is when tuning up with other people (to concert pitch)i find i am invariably LOWER by that fraction of a fret or so....


similar deal with me as a kid but I'd sing along to old vinyl LP's & be naturally a little flat in comparison to the record, but it always sounded right to me, and I sang better without the song playing because of my 'flat'-ness...

-B.M

[edit on 30/6/10 by B.Morrison]



posted on Jun, 30 2010 @ 06:03 AM
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reply to post by CHiram_Abiff
 


Wow....and simply, awesome.


I care to know tho if you dislike Nassim's theories & which ones & why? just curious, I won't make a big deal about it..

-B.M

[edit on 30/6/10 by B.Morrison]



posted on Jul, 2 2010 @ 01:47 PM
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Originally posted by jazz10
Heres an iteresting link for you all if not already added here?
www.dailymail.co.uk...

British scientist uncovers secret messages hidden in Platos ancient text?

Also recently sounds from the sun and the LHC sounds when finding the god particle?


God particle signal is simulated as sound (basde on LHC results)

news.bbc.co.uk...



posted on Jul, 4 2010 @ 02:16 PM
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The holistic nature of the seven musical scales.
We can clearly see the pythagoras starting ratio 432:384 = 9:8 and how 432 fits in this matrix.
www.smphillips.8m.com...



posted on Jul, 24 2010 @ 07:26 AM
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...... In the mean time the information I have collected states that now the Illuminati are
attempting to control the world through the recording business and the media. Inserting subliminal
messages through all the major recording studios, they have now gone to actual application with the
broadcasts of the 425MHz mind controlling frequencies with towers all over the world (the one in Russia
is targeting California) and they are controlling the television companies and are starting to insert
hypnotic messages into everything we watch and read. I can only do my part to try and stop them, I hope
some other people will help this time.

From - PROJECT SUPERMAN, A "VICTIM" OF THE ILLUMINATI'S
SUPER-RACE PROJECTS & MONTAUK EXPERIMENTS SPEAKS OUT


interesting...

P.L.U.R.I
-B.M



posted on Jul, 24 2010 @ 08:12 AM
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this bit is interesting also..


I have sat in "the chair" several hundred times and they used me to open several hundred portals and
make several hundred recordings. The earlier time travel project was the one called project "Southern
Cross". Time portals have always been here on Earth (at least as long as modern man). The oldest
version of the time portal is an older system in which a huge crystal which has been here since the time of Atlantis is activated by emitting sound frequencies while over the crystal.
There are supposedly 8
crystals hidden around the world. Only one has been located, and it is at the corner of what makes up one
of the corners of the Bermuda Triangle. Project "Southern Cross" was used to win world war II in the
favor to the allies.


Also from - PROJECT SUPERMAN, A "VICTIM" OF THE ILLUMINATI'S
SUPER-RACE PROJECTS & MONTAUK EXPERIMENTS SPEAKS OUT

P.L.U.R.I
-B.M



posted on Nov, 29 2010 @ 11:09 AM
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reply to post by Maya432
 


Could this allow for say a frequency 333 or even 666? and could those frequencies hold power within themselves that we do not realize yet?



posted on Nov, 30 2010 @ 01:00 AM
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reply to post by NewWorldWriter
 


in the range of frequencies that humans can hear you can have a frequency of any number from 20 to 20,000, So your 333 and 666 is easily accomplishable


what I find interesting is that if you keep doubling the frequency of a sound it becomes light...the frequencies don't stop in either direction simply because we can't hear them any more.

-B.M



posted on Nov, 30 2010 @ 02:25 PM
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Originally posted by NewWorldWriter
reply to post by Maya432
 


Could this allow for say a frequency 333 or even 666? and could those frequencies hold power within themselves that we do not realize yet?


Everything was measured by the radius of the sun, being 432 x 1000 miles
The Lyre explains the music.

Hermes = 353; Lyra = 531; Zeus = 612; Apollo = 1061
www.hermetics.org...

Lyra = 531
Lyra the ‘Lyre’ or ‘Harp’ is the instrument invented by Hermes (Mercury) and given to Apollo
www.crystalinks.com...

Lyra = 531 (+mirror 135) = 666

whgbetc.com...

204 (total courses of stone on the Great Pyramid) / 1.3333333(a 4th in music intervals) = 153 = SUM 1..17

153 + 513 = 666 = SUM 1..36
135 + 531 = 666


Apollo = 1061
Hermes = 353 (Roman Mercury) see the remainder of 353.666
dcsymbols.com...

The .666 decimal remainder of the gematria value of Hermes brings out his solar nature through the sum of the numbers that form the magic square of the sun. The three Hermes circles also bring out Hermes title Trismegistos, meaning “thrice greatest.”
(Roman Jupiter) Zeus : Apollo = 612 : 1061 = 15 :26
Tris (3) x Hermes = 3 x 353.666 = 1061 = Apollo



posted on Jan, 1 2011 @ 12:36 PM
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Mathematically, the Greeks considered the Logos to be the square root of 2. The number 1 represented divinity and 2 was that of multiplicity. So 1 was the archetype and 2 was the forms created from that archetype. The Greeks then took a square with sides of 1 unit of length. They bisected the square diagonally forming two identical right-angled triangles. The diagonal forms a hypotenuse of the square root of 2 units in length.

So the square root of 2 was seen as the mediator between divinity and worldly, between unity and multiplicity. It is an irrational number, i.e. it goes on for infinity and never repeats which symbolizes its inexpressible nature. Again the square root of two being approximately 1.414 is the same the Greek phrase for THE GOD APOLLO which has a numerical value of 1414. So the square root of 2 represents the union of opposites in a mysterious way. The Greeks also represented this with the birth of Harmonia, the daughter of Aphrodite and Ares. Aphrodite represents love and Ares represents war and Harmonia (“fitting together”) unifies the two. So the Logos is harmony and mediation. Jesus is really the same thing as Mithra who very name means “mediator.”

But the square root of 3 is also important. If you draw two circles overlapping such that the edge of one passes through the center of the other, what is formed between them is an almond-shaped figure called the vesica piscis.

If we divide the length of a vesica piscis by its width, the result is the square root of 3. The Greeks coded this into the name PYTIOS or 1060 and ZEUS or 612 since 1060/612=1.732 (coincidence that the square roots of 2 and 3 added together are 3.14 or pi?). So draw vertical and horizontal lines through the vesica that intersect exactly at the center. Now, suppose you surrounded these two overlapping circles with a larger one that exactly enclosed them both and then overlapped that circle with one the same size with their edges passing through each other’s centers as before. You’d form larger vesica. Draw a vertical and horizontal lines through its center. Repeat this process until you have six concentric layers of circles. What would you see? The horizontal lines all line up to form a continuous line and represents the diameter of the circles. Each larger circle enlarges the previous smaller circle's diameter by a third. Now if we label the shortest vertical line as B, the succeeding larger verticals would be E, A, D, G, C and F--perfect 4ths. The lengths of the vertical lines represent the string lengths of those notes, each one needing to be a third longer to get to the next note. These would cover three octaves and played in that order would be descending. To get them all in the same octave, we have to double the lengths of G and D, which drops them one octave. A and E have to be doubled twice to drop them two octaves. B has to be doubled eight times to drop it 4 octaves. C and F stay where they are. We now have the Pythagorean progression of E D C B A G F (E’). Each note maintains its spacing from the others as shown. Using this layout along the horizontal line, we now know where and how to place the holes on a flute.

The vesica is also interesting in that a vibrating string forms that shape. The ancients saw it as a womb from which notes are born. The Egyptian glyph of an open mouth was also a vesica and indeed notes issue forth from open mouths as well. The vesica is used a great deal in Christian art. Placed vertically, Christ is seen emerging. This art too is a depiction of a musical relationship. The vibrating string forms a womb from which emerges the Logos made flesh.

Robert Fludd (1574-1637) an alchemist and Pythagorean philosopher gave us this depiction of the “monochord” in 1617:

It’s hard to see, but he designates the sun’s orbit as the note G. Since the Freemasons are essentially sun-worshippers ), the G in their emblem with a compass above a carpenter’s square below is musical in nature. The compass forms 3 points (heaven) and the square—as its name suggests—signifies 4 (earth). So there is our diatonic scale, the highest note being the G and representing the sun on the summer solstice when it is at its highest point in the sky representing the full rising of what the Hindus call Kundalini.



posted on Jan, 21 2011 @ 12:16 PM
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Hi everybody!

My first post here on ATS. Excuse my improvisational english


I just founded this 432Hz stuff and this pretty old thread, while I was looking for Solfeggio to improve healing effect of Neuroprogrammer 2 sets,

After a bit research I have to say this:

This post is full of occult / new age numerology and almost Babylon - confusion

The first thing You have to know is - THERE IS NO HERTZ
because THERE IS NO SECOND
So THERE ARE NO NUMBERS which could define and confirm a tone
Got it? (It's just artificial cutting of time. We can say "cut daytime to 12 hours" and than one second shall last twice long. Or 15, 40 hours - doesn't matter. Everytime You'll get different number (Hz) with the same tone.)
This Fibonacci connection is also rather a projection.
Please stop counting for a while. It's useless.

The patterns, that's another story. If these Solfeggio tones are exactly the same, which create the perfect patterns(salt), than I see some possible benefits in it. However the esoteric agenda around it? C,c,c! No thanks.

If birds are tuned to 432Hz - okay, that's amazing. I don't believe it yet, but It's worth some research.
Next thing. How anybody knows, that Greeks tuned to 432 Hz few thousand years ago? That's funny. Almost as funny as saying that galaxy is "in432" so as the Earth...

And NWO 440Hz possible agenda?
Someone said, that 440Hz is more "in head" and 432Hz "in heart" This sounds to me like subjective feeling of some "mystic" person, rather than a science, but let's say so... Than we should be glad, that we weren't fully resonating with all the satanic music around us all over the years.

I wonder if the intelectual and scientific progress could relate to this. "THEY" surely know about it something more. They are obsessed for centuries with such kinda stuff. Especially with numbers("huh"?!) Even this 432Hz return / retune could be a part of their plan...who knows.

Don't say I'm a debunker of it. Actually I¨m fascinated with it. And I'm also a bit nervous that it isn't Da Frequency.

Here's my latest deduction:
As we can't rely on Hertz-counting, how we can find the right, perfect harmony scale? (except salt patterns method)
Our eyes are telling us something. The colours are part of this scale (many octaves above of course) yet I suppose, in perfect mathematical harmony with our hearable tones. And our eyes are designed to see the true quality of colours. I suppose RED colour is first note. It's frequency is guess what... 428 THz (at least wikipaedia says so) Propably it's not so simple, that we just take away a few ciphers, is it? OK guys, start counting

We can call it "C" or "F" than, who cares. I think thats the way to find it out. Can somebody figure the harmonics out?
What do you think?



posted on Jan, 21 2011 @ 11:05 PM
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Originally posted by PapagiorgioCZ
Hi everybody!

My first post here on ATS. Excuse my improvisational english


I just founded this 432Hz stuff and this pretty old thread, while I was looking for Solfeggio to improve healing effect of Neuroprogrammer 2 sets,

After a bit research I have to say this:

This post is full of occult / new age numerology and almost Babylon - confusion


that is true - I have seperated the aspects of this research as best I could in this thread - www.abovetopsecret.com...


The first thing You have to know is - THERE IS NO HERTZ
because THERE IS NO SECOND
So THERE ARE NO NUMBERS which could define and confirm a tone
Got it? (It's just artificial cutting of time. We can say "cut daytime to 12 hours" and than one second shall last twice long. Or 15, 40 hours - doesn't matter. Everytime You'll get different number (Hz) with the same tone.)
This Fibonacci connection is also rather a projection.
Please stop counting for a while. It's useless.


this is what caused my research to cease, I could not reconcile that information with practical means of applying it to my musical instrument - its hard to discover the whole musical world is flawed, then try to make it work somehow...


The patterns, that's another story. If these Solfeggio tones are exactly the same, which create the perfect patterns(salt),


the solfeggio tones are from a very questionable source. look up horowitz scam and you'll find what you are looking for. we may find something in the patterns - agreed.


If birds are tuned to 432Hz - okay, that's amazing. I don't believe it yet, but It's worth some research.


fair enough, I too would like the proof..


How anybody knows, that Greeks tuned to 432 Hz few thousand years ago?


I have proof of that in the way of ancient instruments with a resonant frequency of 432, but I still need proof of the way they (Greeks) used different tunings and called them modes/scales, when in fact they were different reference pitches too, that would go a long way to allowing me to experiment further.


And I'm also a bit nervous that it isn't Da Frequency.


gods tone? Chinese mythology?

thanks for your post


-B.M

P.S) if it helps - I can testify that digitally dropping audio files by .318 cents - achieving a hertz drop of 8, i.e 440 - 432 - sometimes it works, sometimes it doesn't. Likewise - when tuning my guitar to a ref pitch of 432, in equal temp, its is a softer warmer tone with more powerful vibrations that sustain for longer - this is experienced by playing a solid body guitar with the body pressed to your torso - you feel the vibrations through your skeleton.

Here's what I've discovered - 440 is useful for a particular effect and usability in the modern world. 432 carries a completely different effect and creates a more unique experience. They are both good. You can sing along to both too, but you will find a different degree of abrasiveness in your voice depending on what you go with.



posted on Jan, 22 2011 @ 05:15 PM
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off-topic post removed to prevent thread-drift


 



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