Originally posted by hawk123
Finally found the connection between 432 and 440.
Checked again the 7 liberal arts as described earlier in this thread.
Now check geometry:
The pyramid of Giza reflects twice the Consecration number 432
www.earthmatrix.com...
The base of Giza pyramid is 440 cubits
www22.ocn.ne.jp...
The speed of light = 432 * 432 miles / second
and ¼ mile = (440 yards)
Now trying to find again what this means for 440 music pitch.
Originally posted by Arcane Demesne
Originally posted by hawk123
Finally found the connection between 432 and 440.
Checked again the 7 liberal arts as described earlier in this thread.
Now check geometry:
The pyramid of Giza reflects twice the Consecration number 432
www.earthmatrix.com...
The base of Giza pyramid is 440 cubits
www22.ocn.ne.jp...
The speed of light = 432 * 432 miles / second
and ¼ mile = (440 yards)
Now trying to find again what this means for 440 music pitch.
You can't bring made up english measurements, they have absolutely nothing to do with music. In fact, if you wanted to get technical with all this 'false religion' stuff, then you'd use the old Sumerian of base 12 math (which gave us the circle).
12x12x3 (triangle) = 432
But as I said before, MANY myths surround the number 432, it's in almost every ancient religion. Just read some of Joseph Campbell's works. I think you'll find it intriguing that all past civilizations have tried to keep that number alive in some way.
Could the pyramids (a collection of 4 triangles and on square) be a sign of this as well? I believe sound (resonance) can move, break, destroy and even levitate something, and it all has to do with that object harmonic frequencies.
But using human measurements (feet, miles, kilometers) will get you nowhere. you need to stick to pure mathematics. Sorry to be so uncourteous, but I've seen that mistake too many times. Heads up though. This could get very interesting.
According to Boris Said, who was with Tom Danley when he conducted his tests, the King's Chamber's resonated at a fundamental frequency and the entire structure of the King's Chamber reinforced this frequency by producing dominant frequencies that created an F sharp chord. Using large amplifiers F sharp is the frequency that is in harmony with the earth. Said claimed that the Indian Shamans tuned their ceremonial flutes to F sharp because it is a frequency that is sacred to mother earth.
www.gizapyramid.com...
Striking the coffer inside the King's Chamber results in a deep bell-like sound of incredible and eerie beauty, and it has been a practice over the years for the Arab guides to demonstrate this resonating sound to the tourists they guide through the pyramid. This sound was included on Paul Horn's album, (Inside The Great Pyramid, Mushroom Record, Inc., L.A., CA) After being advised of the significant pitch produced by the coffer when it has been struck, and the response of the chamber to this pitch, Horn brought along a device which would give him the exact pitch and frequency. Horn tuned his flute to this tone which was emitted, which turned out to be ‘A’ 438 cycles per second. In a fascinating booklet about his experiences at the Great Pyramid, Horn describes phenomena concerning the acoustic qualities of the inner chambers.
www.gizapyramid.com...
"The moment had arrived. It was time to play my flute. I thought of Ben Peitcsh from Santa Rose, California (a man who had told Mr. Horn about the pitch of the coffer) and his suggestions to strike the coffer. I leaned over and hit the inside with the fleshy part of the side of my fist. A beautiful round tone was immediately produced. What a resonance! I remember him also saying when you hear that tone you will be ‘poised in history that is ever present.’ I took the electronic tuning device I had brought along in one hand and struck the coffer again with the other and there is was - ‘A’ 438, just as Ben predicted. I tuned up to this pitch and was ready to begin. (The album opens with these events so that you can hear all of these things for yourselves.)"
And, indeed, the sound, which Paul Horn brought to my living room, was most fascinating. One can understand why many people develop feelings of reverence when exposed to this sound, for it has a most soothing effect on the nerves. For this alone, the record was worth the price.
"Sitting on the floor in front of the coffer with the stereo mike in the centre of the room, I began to plan, choosing the alto flute to begin with. The echo was wonderful, about eight seconds. The chamber responded to every note equally. I waited for the echo to decay and then played again. Groups of notes would suspend and all come back as a chord. Sometimes certain notes would stick out more than others. It was always changing. I just listened and responded as if I were playing with another musician. I hadn’t prepared anything specific to play. I was just opening myself to the moment and improvising. All of the music that evening was this way - totally improvised. Therefore, it is a true expression of the feelings that transpired."
www.gizapyramid.com...
Originally posted by Arcane Demesne
reply to post by hawk123
Ah I see. I didn't read further down, thanks for the info. So then, what does that say about 440 vs. 432? That the Egyptians were evil because they incorporated that frequency in their most prominent structure, used to catapult their dead kings spirit to Orion?
Just trying to get a grasp as to why some here that 432 is pure, and 440 is evil if the egyptians (long before the Nazis) used it.
Originally posted by Maya432
I keep calling a Sphere/Circle a "tectonic solid"
(i think i spelled it techtonic)...lol
that is wrong and i should correct myself.
it is a solid..I think
sorry...I`m learning along the way here too.
the tectonic shapes seem to originate from the circle,
and are contained by its circumference but they do not include the circle its
self..(think i got that right) theres 5 i think.
