FOIA: White Sands Missle Expert Sees Flying Saucer, page 2
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reply posted on 17-11-2007 @ 07:58 PM by anhinga
reply to post by Now_Then



Big UPs for transcribing some of these! This is the one bit that stands out:


[illegible] of balloon release No. 46 of 9 April 1945 at Alamogordo. [illegible] the time of the reported incident (1506 CST) is about ½ hour before the time of balloon release (1432 [illegible]ST), thus the incident could not have been that balloon.


I imagine by the new year, we'll be getting slammed w/ a lot of these judging from the initial thread. So far, pretty interesting.

[edit on 17-11-2007 by anhinga]



reply posted on 19-11-2007 @ 04:26 AM by Now_Then
reply to post by Hal9000



Hi Hal, thanks for pointing those out - looking at it 'stereoscopic' should of been obvious - problem is now the edit tab does not appear on those two posts, maybe there is a time limit on when you can edit? Any way thanks for the corrections.

Peace!


reply posted on 27-11-2007 @ 06:24 PM by daystrom
On and off topic,

Has anyone noticed that each of these fourteen documents has an "X" through it?

I suspect that the "X" is either taped or stenciled onto the copy machine in order to align the papers for copying, as each "X" seems to be identical to each other and in the same location on each document.

I bring this up for two reasons:

One, I was informed in the Chicago O'Hare UFO thread that using the "Curves..." function in Paint Shop (or Photoshop) was basically a waste of time when trying to highlight "hidden" data within an image... and yet here is an instance where that process has clearly shown what may be important information that was otherwise hidden from the unaided eye.

Two, this may be a way to further "vet" various documents. All of these documents appear to have the "X", but suppose one or two didn't? What would that tell us?

I have noticed various "alignment" marks on other FIOA documents, usually some type of "L" bracket in the corners, that have only become visible (to me) when adjusting the "Curves..." settings within an art program such as Paint Shop or Photoshop.

Perhaps, along with examining the contents of these (and other) FIOA documents a Graphic Analysis of the image of the document would also be in order to help determine if sets of documents were all copied on the same machine / at the same time or if certain documents were perhaps copied on other machines / other times.

While the "forensic" side of investigating FIOA documents is far less exciting than the actual content of the documents, it is, of course, just as (and perhaps even more) important than the contents. It doesn't matter how "amazing" the contents of a document are if the document itself is a fake, yes?

Here are a few examples of the "X"




Further 'graphic analysis' may reveal additional information about these documents.

[edit on 27-11-2007 by daystrom]


reply posted on 27-11-2007 @ 08:41 PM by Hal9000
reply to post by daystrom


I think the "X" is part of the watermark the archivists are putting in. It includes the ATS info along the sides. It is just a way of showing where the pdf file came from. As far as doing any analysis on the document, there is probably nothing that can be extracted from the pdf because it is an image of a copy of the original document. Some of these are being adjusted to fit a format size and file size so even the pdf may not be the original.

If you are interested in any particular document you could get your own copy through the FOIA.


reply posted on 28-11-2007 @ 02:02 PM by daystrom
Interesting.

So both of you feel that any type of 'forensic' study of these (and perhaps other) documents would be a waste of time, yes? It would seem that most of the things that interest me are deemed a waste of time. Well, no matter.

I also seem to have fallen into the nasty habit of making myself unclear. A fault I am trying to correct but it seems to be slow in coming, my apologies.

As I stated above, I have Seen this type of marking before in FIOA documents (pdf, gif, and jpg) Usually I see what look like "L" brackets in the corners of the document, upon occasion I've seen this "X" before and also a cross like a plus sign "+".

Unless the staff jumps in and states that they did indeed hide an "X" in these documents I am going to to continue to function under my original assumption that these are artifacts generated by the original copying process and NOT 'watermarks' added by the staff of ATS.

Looking at these, it seems rather obvious to me that the staff of ATS went to great lengths to 'watermark' these documents on the outside edges, in the margins, as far away from the actual text of the documents as possible. I find it hard to believe that after making such efforts they would then turn around and muddy the works with a great big "X" right through the middle of valuable information and data, wouldn't you agree?

And how would an "X" through the middle of a document tie it to ATS in any way?

No.

The ATS 'watermarks' are clearly visible without enhancement, are carefully placed in order to Not damage the contents, and there is nothing hidden or 'mysterious' about them.

The "X", on the other hand, is only visible if we convert the pdf into some format recognized by an art program and then manipulated by that art program.

I do this with all FIOA documents. Sometimes I am able to pull a word or two out of areas that have been 'blacked out', at others I have been able to reveal indentation writings... how to explain... you know how when you write a note on a pad of paper and then tear the top sheet off of the pad there is still a faint indentation of your note left on the second sheet of paper, yes? And with the proper application of a pencil or charcoal you can reveal the indentations and read the note that was written on the other sheet of paper.

If no one else is interested in examining these (and other) documents in this manner that is fine by me. I made my original post regarding this subject to illustrate why I feel these documents to be genuine, not mysterious, and worthy of further examination.

Again I apologize for my inability to communicate that clearly and thank you both for your timely and in-depth replies.
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