Originally posted by wittleryouth
squiz..i love your noise music referance...jezz do i know you?..i played a hewlett packard ocelater in the late 80s early 90s and damm if you didnt
mention every influeience i had back then..stockhousen!..jah wobble! s*** homey...theres hardley a band you didnt bring up in your post that wasnt a
big time influence...yes you can make a concret with over-tones...but crop circles! its funny how most of them turn up just out side of the stone
hege! and thats all military land!....ever see the barbed wire stung around there and the no tresspassing signs...my noise band is called "wild
gunmen" and weve been around for a long time...but we dont play out...whats the point...squiz i really like your study of hans Jenny..keep it up you
little devil...i got your back if a toney blair turd comes your way...
Hi there wittleryouth, I doubt we'd know each other, but you do sound like a friend of mine, he's crazy too. (in a good way)
You lost me there with the music reference.
I agree theirs something special about the stonehenge and Salsbury Hill sights. I'll let you know when I crack the code, and thanks for covering me
from those Blair missiles, or should I be worrying about Brown bombs now.
BTW I've contacted Colin Andrews on this subject, Cymatics that is, hopefully I'll get some insight from him. I'm looking at conducting my own
cymatic experiments as well as some others involving low frequency noise.
Anyone had any experience with this? I'm not sure how to go about recording and playing back inaudible low frequency noise. Any advice would be
appreciated.