why is Math the universal lenguage...what about music?, page 2
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reply posted on 14-4-2007 @ 02:37 AM by Doc Velocity
Once more, the fish within the bowl imagine that the entire universe can be described in terms of water, gravel and fish-flakes.

As I said earlier, math is the universal language of humans who believe that math is the universal language. And we believe that π will be understood and appreciated by any other "intelligent" species in the universe — so long as that species possesses strictly human intelligence.

This is a critically-biased assumption that has nothing whatsoever to do with the likely diversity of intelligence in the universe. There are millions of species right here on Earth that are far older and more successful than humankind, yet we cannot even begin to impress the significance of π on a dragonfly, or a desert tortoise, or even on our closest relative on earth, the chimpanzee.

Much to our human consternation, these stupid, stupid creatures don't even care about π... How dare they??

So, why do we believe that any non-human species is going to grasp it? "Well, if they have technology and communications and space travel and so on and so forth and blah, blah, blah, then they must have a grasp of mathematics."

Not at all. Quite wrong, indeed. An advanced alien species (and it must be advanced, or our "universal language" theory is useless) is just as likely to intuit technology as it is to rely on mathematics. An intelligent species — say, a million years ahead of us — may have completely forgotten those silly, slow, rudimentary counting games and formulas of the ancients, and instead employ some sort of naive, instantaneous knowledge without the labor of linear thought.

Why not? Judging from the diversity of life and intelligence and behavior on the Earth alone, we should be preparing ourselves for truly bizarre encounters with extraterrestrial species that have nothing whatsoever in common with our narrow little view of intelligence, and much less with our mathematics.

— Doc Velocity


reply posted on 14-4-2007 @ 04:26 AM by Fett Pinkus
Techno features an abundance of percussive, synthetic sounds, studio effects used as principal instrumentation, and, usually, a regular, 4/4 beat usually with a tempo of 130–140, sometimes faster, but rarely slower. Some techno compositions have strong melodies and bass lines, but these features are not as essential to techno as they are to other dance genres, and it is not uncommon for techno compositions to deemphasize or omit them. Techno is also very DJ-friendly, being mainly instrumental, and produced with the intention of being incorporated into continuous DJ sets wherein different compositions are played with very long, synchronized segues.


Some of the most effective techno music consists of little more than cleverly programmed drum patterns that interplay with different types of reverb and frequency filtering, mixed in such a way that it's not clear where the instrument's timbres end and the added effects begin.



Instead of employing traditional compositional techniques, the techno musician, called a producer, treats the electronic studio as one large, complex instrument: an interconnected orchestra of machines, each producing timbres that are simultaneously familiar and alien. Each machine is encouraged to generate or complement continuous, repetitive sonic patterns that come relatively 'naturally' to them, given the capabilities and limitations of early sequencers — such sequencers, especially those built-in to old drum machines, tend to encourage the production of repeating 16-step patterns with a limited number of instruments being playable at once, yet they also allow sounds to be arranged in any order, regardless of whether live musicians could easily reproduce them.



Source


As can be seen here: without the maths it would not be possible to make techno, it certainly contains mathematical elements. Now the sounds themselves come from hardware maschines ( and software) that are made based on algorithems, where do algorithems come from?

I do believe that its like the question: what came first - the chicken or the egg?


[edit on 14-4-2007 by Fett Pinkus]


reply posted on 14-4-2007 @ 04:50 AM by Woland
Originally posted by Ashley_T
In ancient kabbalah it is taught that the world is based both on music and mathematics. There is a spiritual collaboration with the number 7 that also resonates in music..

7 colors of the rainbow, or 7 notes on a music scale..


This is nonsense, of course. Newton, when he first identitfied the different wavelengths of light, made a conscious choice to use 7 so it would fit with the harmonic nature of the musical scale. It's not an empirical fact and is a self-fulfilling prophecy. If Newton thought there should be 7 colours, then he could damn well make sure there was.

Music can never be a universal language for a number of reasons:

1) The emotional effect that any sound has is subjective. When Michael Bolton sings 'When a Man Loves a Woman', some people are carried off by the musical phrasing; I like any other music lover, scan the room for a water-tight container.

2) Musical resonance is affected by the medium it passed through. In a different atomosphere, or underwater, Gwen Stefani sounds like she is singing notes, and not just talking.

3) We have 5 senses, but a number of animals have different takes on these. I don't know about you, but I can't see the UV-sensitive colours that some parrots display. Bats use sonic-impulses for navigation, and blasting Beethoven at a bat can never express an idea or emotion, as they do not have the capacity to comprehend it.

I have a poor understanding of mathematics, and am willing to stand corrected on a the following, but my understanding is that, if you define the rules of mathematics, they hold empirically.

So, given a being of sufficient intelligence, the rules can be explained as self-consistent, enabling both sides to have a common language. This can then be passed on from the sufficiently intelligent being to those of their species in a indigenous form of communication.

Music, for the reasons above, can never transcend this barrier of creating a common base that is empirically testable.


reply posted on 14-4-2007 @ 05:05 AM by St Udio
Originally posted by dvd500
I have always wondered why Math is considered the universal language when i believe Music is more universal than math,


whats more universal Math or Music? Any thoughts




the answer or explaination lies in the knowledge that;

Music = right brain ....and.... Math = left brain

see:
faculty.washington.edu...
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~


how does that figure? Because math is structure and all things seen around us can be reduced to its parts...a function of mathematics.

music in its intended form is only a pleasant emotional trancendental
experience...music is not pages of scales & notes, sheet music is 'Math'
any 'music' which is graphed or diagramed or converted into a visual
context is no longer 'music' but has been converted into a mathematical expression


now it is true that mathematical sequences and formulas can be given musical values, and would sound pleasant enough ~which would be 'music' and not 'noise'~ but again one is using the left brain thinking processes to present the 'math=music' model, therefore placing 'Math' in the superior position- - -ergo the Universal Language
(at least among mankind originating from Earth)


~its a left brain dominance world, that's why 'math' is considered the universal language~


reply posted on 14-4-2007 @ 06:45 AM by malganis
Originally posted by dvd500
do
re
mi
fa
sol
la
ti

those are the main notes. i count 7 are there any other main notes...sharps and flats don't count cause they're not main notes.


I take it you haven't studied music theory or physics of sound then? Do Re Mi is a poor way to look at it, and also saying that sharps and flats don't count isn't correct either. You shouldn't think of main notes as if they are naturally existent and were discovered.

All music theory is based around maths, scales, chords, sequences, structures, you name it. Learning music theory is just a type of applied maths, that's why the deaf people could write it without hearing it, because they knew the maths of it so well that they just knew that it would sound correct.

To go even deeper, each note of a scale is physically based on maths as well. They are based on almost perfect recurring increments in how much the air is oscillating when you make a sound. So if you play a note 'A' on a piano, the air is vibrating at roughly 440hz (440 times per second). Then it goes up in certain amounts until you reach the next 'A', the octave higher, which is roughly 880hz.

So the number system is what is running underneath the surface of music, so music is based on maths.

It still amazes me how humans managed to originally discover the concept of numbers and mathematics, everything in science and everything else can be based on them, so maths is more of a universal language.

(Wahey, finally using my degree-in-progress to contribute to ATS!)


[edit on 14/4/2007 by malganis]


reply posted on 14-4-2007 @ 09:52 AM by Jiffy
Originally posted by Johnmike
Originally posted by dvd500
do
re
mi
fa
sol
la
ti

those are the main notes. i count 7 are there any other main notes...sharps and flats don't count cause they're not main notes.

everything about math an equation otherwise 2+2=5 see what happens when the right equations are not followed? even the definition of the word equation in the modern dictionary uses the word math or mathematics as an explanation so of course math is all about equations.



There's no such thing as a main notes. In the scale commonly used in Western countries, you have a the following notes:

A A# B C C# D D# E F F# G G# A

That's the A chromatic scale, going up by half-steps. These are only called "half" steps because that's how it was assigned under our naming system. Basically, "A" just represents a certain frequency of sound. You could put a note between C# and D and call it "note R" or something, and it would exist. It's just that most Western instruments couldn't play it without special tuning.

I think certain Eastern scales have quarter steps or something.

[edit on 14-4-2007 by Johnmike]


right you are. 12 tone scale = chromatic scale. Excellent point on the 1/4 tone scale of eastern music as well (24 tones).

As a professional musician and math hobbyist I would say that music is math. Just a way of measuring vibration and seeing which formulas work and affect living things in generally predictable ways.


edit: math is music too... and coincidentally I have a soldering iron getting hot to upgrade EMG707 active pickups on my custom 7 string geetar from 9v to 18v of juice ... for those who care haha

[edit on 14-4-2007 by Jiffy]


reply posted on 14-4-2007 @ 10:30 AM by dvd500
Originally posted by malganis
Originally posted by dvd500
do
re
mi
fa
sol
la
ti

those are the main notes. i count 7 are there any other main notes...sharps and flats don't count cause they're not main notes.


I take it you haven't studied music theory or physics of sound then? Do Re Mi is a poor way to look at it, and also saying that sharps and flats don't count isn't correct either. You shouldn't think of main notes as if they are naturally existent and were discovered.

All music theory is based around maths, scales, chords, sequences, structures, you name it. Learning music theory is just a type of applied maths, that's why the deaf people could write it without hearing it, because they knew the maths of it so well that they just knew that it would sound correct.

To go even deeper, each note of a scale is physically based on maths as well. They are based on almost perfect recurring increments in how much the air is oscillating when you make a sound. So if you play a note 'A' on a piano, the air is vibrating at roughly 440hz (440 times per second). Then it goes up in certain amounts until you reach the next 'A', the octave higher, which is roughly 880hz.

So the number system is what is running underneath the surface of music, so music is based on maths.

It still amazes me how humans managed to originally discover the concept of numbers and mathematics, everything in science and everything else can be based on them, so maths is more of a universal language.

(Wahey, finally using my degree-in-progress to contribute to ATS!)


[edit on 14/4/2007 by malganis]


Actually I have taken music theory and again just like math in order to understand any mathematical theories problems or equation as simple as it is..what is the 1st thing we learn in school how to count to 10 which is the basics no? Music....in order to understand any music theories how scales work, or chords or A chromatic scale you got to learn your basics, the equivalent of 1-10 in math which is what? C D E F G A B isn't it? isn't that the 1st music lesson? like I said its the equivalent of 1-10 in math.

I guess my choice of word when i said main notes confused people. but what i meant is the basics notes of music.
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