Who says Da Vinci knew?!, page 1
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Topic started on 4-1-2006 @ 03:10 AM by Gemwolf
(I have no idea where this thread goes... It's not really about the book... It's about Da Vinci and the crazy theories...)

So I finally had some time to read Dan Brown's Da Vinci code. Now I understand what all the hype is/was about. Still I was a bit disappointed. There was not a single "new" theory or conspiracy Dan Brown presented to the reader. I've heard all the theories/legends/conspiracies before. Dan Brown only collected all of them, interweaved them with each other and presented it in an interesting roller coaster ride story. I'll give him that.

Yes most of it all is based on "facts" (although some facts are nothing more than conspiracies) but it's no more than assumptions. The big problem I have with it all - not so much the fictional story - but with the people who believe it to be true. And with all other "Holy Grail" treasure hunters. They all assume that Leonardo Da Vinci knew the answer. They see all these amazing secrets in Da Vinci's works and assume it to be 100% fact.

I've studied Da Vinci's works and history and I'm a HUGE fan of Da Vinci to say the least. To say that he was a master in everything would be an outrageous understatement. And what made him even more interesting is his pranks, jokes and strange sense of humour. Dan Brown made some appalling false statements about Da Vinci as if they were facts. I'll spend some time on that some other day...

The point is that everyone is reading these "secret codes" in Da Vinci's work. Although Da Vinci was without a genius with incredible insight, who said he was right? Da Vinci knew he was a clever man, and thought himself to be right about everything and everyone else was wrong. He was self-centred to say the least. His art is "littered" with his own personal agendas and personal jokes.

Everyone takes Da Vinci's "Last Supper" of an actual illustration of the Last Supper. So he painted a person who might or might not be Mary Magdalena. So he didn't paint any "cups" so there can't be an actual "Holy Grail" (i.e. a cup Jesus drank out of and shared wine with His apostles with...). Just because Da Vinci didn't paint one doesn't mean squad. He didn't feel it important for the scene. Da Vinci lived over a 1,000 years after the actual event. What did he know about it? His artistic interpretation. His personal agenda against the Church. There is little reason to believe that anything Da Vinci painted was real. He painted dragons yet no one believes him to have known actual dragons.

Sure there are many secrets and hidden meanings in Da Vinci's works, but personally I believe they all come down to Leonardo's personal opinion, politics, propaganda and silly jokes.

Dan Brown spoiled Da Vinci for me. I'm sure he meant it all as plain fiction, but everyone who jumped on the bandwagon just made it worse.

Show me a single fact that Da Vinci was ever member of any secret society - it doesn't even have to be the Priory of Sion. A single fact that Da Vinci knew anything about the Holy Grail... It's all bollocks, I say.


reply posted on 4-1-2006 @ 05:06 AM by VelvetSplash
IMO, the whole line of studying Da Vinci's (or any of the other artists who's work is mentioned in this theory) is a bit of red herring, or a largely insignificant, if enjoyable, side-line to the matter at hand.

Have you read '
The Holy Blood & The Holy Grail', which in part inspired the Da Vinci Code?

It, itself can get bogged down in grail romance stories and artwork at times, but without the fiction as a wrapping and hardly any mention at all of Da Vinci's work.

According to the book, and their sources, Da Vinci was one of the Grand Masters of the Priory of Sion, one of many, not particularly singled out as a specifically important one throughout the ages.

I think Dan Brown simply read the book and weaved a murder mystery around the theme of the book, taking Da Vinci's work as a plot device for the book because it is a famous, iconic body of work, and many pieces are part of popular culture and known to all/most people - So it's kind of a hook to get people into the book - Clever marketing technique.

I've come to the working conclusion that the research and concentration on the Holy Grail theory of a Jesus/Magdalene bloodline is really only part of the story - a brief summary of my opinion is in this thread.


reply posted on 31-10-2006 @ 06:25 PM by carpooler
Both of these two hombres, built encryptions, for the express purpose of defeating the excerable Inquisitioners, of the Catholic Church. To do this, they both defined blind spots, or Scotomas, and proceeded to capitalize on them.
Da Vinci is a real treat, using mirror writing in his codexes, self protrait (Mona Lisa), and probably the last supper artwork too.
With the proviso that any dyslectic would never make it out of the Scriptorium of a local abby, which was a prerequisite, to becoming an Inquisitor, da Vinci put something together that befuddled everyone until, I believe, circa 1920.
Normal folks, and that means inquisitors too, need a mirror to see into these puzzles. I believe, that there is a variety of dyslectic, who would automatically put individual figures, per the disputed Magdalene image, on the reverse side, of the central pivotal figure, but rest assurred, any dyslexia expressed by a guest, would have raised a red flagl PDQ, and Leonardo would have taken immediate action to isolate these folks from his encrypted work.
The credo is that Father Abbot, upon seeing a noviciate monk, copying a parchment backwards, would boot the young man, straight back to the swinefold, from whence he probable originated, anyways. Ergo, no dyslectic inquisitors!
Those scriptoriums were so rigid, that a drop of ink, on an original, would be faithfully copied, 400yrs. later, even though it was an obvious slip-up, to begin with.
Please recall, that Leonardo kept the Mona Lisa, close at hand, for most of his remaining days. There must be something in it that trips up dyslectics, as well as being the mirror image(self portrait) with the eyes looking straight back to the painter. To see the real image,(Leonardo, or at least as he fancied himself in the studio mirror), you need to observe this, reflected from a mirror, too.
So simple, such genius!
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