I was discussing "the change" in Hollywood recently with my Illuminati sponsor and she inspired additional insight into our emerging love of
metaphysics.
First a little context for the ages (pardon the effort to document what we already know). The news is obviously obsessed with Catholicism now. From
Schiavo to the Pope and any political issue they can spin into a "fanatical divide of faith" they do. The fact anchors feel compelled to now
disclose such trivia as being "a quarter Catholic" or some such nonsense to ascertain credibility on a story speaks volumes.
And emerging trends in entertainment some will note are following suit. The NBC/Sci Fi venture
Revelations is the latest hiply apocolyptic
drama starring hot nuns and miracles, but hardly unique. I'm asking for additional examples as much as giving them, but off the top of my head every
drama from
Tru Calling to
Dead Zone to
Medium centers not just on the paranormal, but some higher power driven story line. Though
it's certainly not all of dramatic entertainment, with obvious exceptions from more "accurate" science and law enforcement genres like CSI and Law
& Order, I do think the metaphysical themes or "metadramas" are increasingly becoming disproportional.
Joan of Arcadia? Was that really
necessary?
As was related to me, this probably started with the "Scully effect" from the 90's
X-Files. Whether intentional or not, Chris Carter did
balance a paranormal "loon" with a science driven partner, but also balanced her with her own deeply held religious faith and an occasional mission
from "God." Carter's second series
Millenium was an apocolyptic drama all it's own then. I seem to also recall all manner of faith based
dramas being the rage in the 90's with shows like
Touched by an Angel, pseudo-science/religi-fiction like
Quantum Leap and the not so
paranormal
7th Heaven. I'm quite sure there's more, but compare just these from the last 10 years to the Hollywood of the prior half
century.
I suppose
The Waltons went to church as did
Beaver, but I know darn well
The Honeymooners,
Lucy and nobody on
Gunsmoke,
Wild Wild West,
Kung Fu or
Love Boat did. And if they did, God wasn't an actual character or sent notes or
solved crimes. Even
BattleStar Galactica has been remade with a patently prophetical and religious theme, while America's longest running
overtly agnostic space opera Star Trek just had
Enterprise cancelled.
I'm sure we could see the same differences in movies where
Miracle on 34th Street wasn't a "miracle" at all, but every movie now from the
horror genre to the
Stigmata clones are full of them. And beyond just the metaphysics of killer dolls stealing souls (aka the metaphysics of
"Chuckie") an increasing number of those movie plot lines are about... the hiply apocolyptic end of the world.
It's so prevalent I don't even think we notice when a parody like
Dogma makes fun of it, or even has enough material to make fun of the
emerging themes. It's become that pervasive.
Biblical scholars in particular may take notice of "dangerous" Christian fiction like the popular
Left Behind series or
DaVinci Code,
but that's just a small percentage of the overall radical shift our society is currently undergoing. Not that the plots aren't entertaining, or an
adult mind can't distinguish between the fantasy of fighting off the apocolypse by the skin of our teeth every episode... but (here it comes) think
of the children.
Seriously, if some part of the "Santa Claus" lie messed you up on even a superficial level (a more common impact than some realize), what in the
world are we doing to kids today with pervasive apocolyptic fiction, angels on every corner (not to mention devils) and God solving crimes on evening
TV?
Note that I don't discount the obvious tie in to non-religious paranormal themes like Aliens, Hobbits and Hogwarts, but on some level a fantasy not
validated by Church on Sunday seems less real.
I'm concerned. Deeply.