It looks like you're using an Ad Blocker.
Please white-list or disable AboveTopSecret.com in your ad-blocking tool.
Thank you.
Some features of ATS will be disabled while you continue to use an ad-blocker.
originally posted by: ketsuko
originally posted by: Joecanada11
a reply to: looneylupinsrevenge
Or you could learn to relate to someone who isn't your ethnicity. That would be a novel idea.
Ummm, that's not what the poster said though.
You learn to love and relate to a character as they are. My son loves the movie into the Spiderverse and really likes Miles Morales, and the movie does a good job explaining how in multiple realities, fate has decided there will be a version of Spider-Man, but that it doesn't always end up as Peter Parker.
My husband also like the movie as a veteran Spider-Man fan himself because the movie gives a plausible explanation for why there are slightly different versions of Spider-Man out there.
He likes it much better than when they just up and suddenly stick a different ethnic background on a character or a different gender without any real explanation except ... reasons (this or that suit said "DIVERSITY") ... People don't just change like that in reality even though, yes, you learn to like people for all of who they are.
originally posted by: CIAGypsy
a reply to: Bloodworth
The sad reality is that caving to these demands is what is causing the bottom to fall out of the entertainment market. People are not stupid and know that such casting decisions not representative of the average movie-goer's life so they don't relate to the story-line. This is economics 101. You don't guide your entire market strategy based upon the opinions of the minority.
I don't think people, as whole, really care about the sexuality of characters unless it is directly related to the storyline. Think about the the movie 'The Birdcage.' In that case, it was directly relevant to the storyline and people enjoyed the movie. Throwing in a gay character just to 'placate' a minority segment of the population is not good economics and turns off most people because it feels forced upon them.
At the end of the day, right or wrong, entertainment is a business.
After its launch on Tuesday, Disney+ users noticed that some of the company's classic content such as “Dumbo” (1941), The Aristocats (1970), “The Jungle Book” (1967) and the original “Lady and the Tramp” (1955) all contain a warning at the end of their respective descriptions. These warnings caution sensitive fans that what they are about to watch contains racial portrayals that might be triggering.
Can we PLEASE keep sexuality and politics out of children's movies???
originally posted by: CIAGypsy
Why does identity have to come down to sexuality? Who cares if Elsa doesn't have a love interest, let alone if it isn't another woman??? Can we PLEASE keep sexuality and politics out of children's movies???
originally posted by: ignorant_ape
a reply to: trollz
FFS - do i have to educate you ?
" not homosexual " could be argued as " wrog " sexual orientation
i have met durham miners who were less redundant than your post
originally posted by: ignorant_ape
a reply to: hunterTheory
i has no idea - cos i have zero experience of children
but i suspect you are cherry picking with your agrument :
" gay elsa weill promote gay kids "
would you like to extend that " logic " to significant attributes of every character in these type of cartoons
my generation grew up watching tom and jerry & other cartoons of that ilk - and guess what - i dont recall any one at any shool i attended - hitting each other with hammers or dropping anvils on people
whats changed ?
originally posted by: sooth
Disney has literally already produced a cartoon about a girl that gets off with a beast and I don't recall the uproar about that from anyone. All of this just speaks to the people of earth today. We're all too goddamn sensitive and have zero respect for any and all opposing viewpoints.