Here is a posting on Eyes Wide Shut I wrote a few years ago
Truth has not a chance to prevail in this era of EYES WIDE SHUT.
The time predicted in the occult classic Eyes Wide Shut by the late director Stanley Kubrick.
Many people speculate that Mr. Kubrick’s untimely death after he made Eyes Wide Shut had to do with the content of the movie…His displaying the
occult sexual magic rituals of the elite rulers of the world. Some speculate this may have caused these occultists to have done in Mr. Kubrick. This
just may be the case, but not for the reasons mentioned above: that being the elite having a serious problem with Kubrick revealing their sex secrets,
but in fact Kubrick reveals something much more subtle, sinister and awful.
Indeed, what Kubrick was very esoterically informing us about was more subtle and underneath the theme of the movie, but interestingly, the very title
of the movie gives us a huge hint of what he was revealing. To understand this point in context, though, one has to look at the history and themes of
Kubrick’s past movies and their relationship to the popular culture, that’s the key here.
Starting with the 50’s classic “The Killing” a gritty crime drama that captured the environment of the criminal element in modern society as
Kubrick was so adept at doing in his realistic portrayals of life. This theme of crime continued in Kubrick’s repertoire in another classic “A
Clockwork Orange” done in 1971 16 years after “The Killing”.
Both drama’s as noted emphasized crime in modern society, “The Killing,” a tale about robbery and the criminal underground and Clockwork a more
updated tale of not only crime but the kinds of crimes that are relative to the Charles Manson and spree and awful serial killers of our time, late
60’s and early 70’s.
The themes in these two movies seem to be portents by Kubrick of a coming era were such crime and types of crimes as in Clockwork will be rampant and
pervade American society( think about today’s many mad killers rampant). Certainly such a criminal element was around at the time that Kubrick made
these movies, but the degree certainly was not as extensive as it would become in later years…
Similarly, as in two other Kubrick classic’s, “Dr Strangelove, in 1964, and “2001Space Odyssey,” in1968, we have portents of the Star Wars,
Star Trek syndrome in the case of 2001, and the macho “nuke em” mentality of a certain type of American patriot in Dr Strangelove which became
more personified in the 80’s Reagan era.
Indeed, notwithstanding the genius in Mr. Kubrick, we may have here a pattern of not only unique talent and insight, but if we look closely some kind
of pre-knowledge or prescience of Kubrick that indicates he may have been tapped into some occult thought stream—if not being a secret adept
himself—dedicated to revealing to us through the popular entertainment vehicle of film, the plans that the elite have for molding society to their
Now we return to the subject of “Eyes Wide Shut” which may have been Kubrick’s swan song or his final clarion call to us about the plans of
these secret elites. Indeed we know that openly the movie frames itself around the tale of a young yuppie middle class Doctor stumbling across the
sexual magic rituals of the powerful elite, and
their reaction to that in the extent they will go to in covering up their tracks, which includes murder. Also, as some commentator’s have mentioned,
there is a powerful theme of sex slavery brainwashing (ala’ MK Ultra) in the drama as well.
All of the above may certainly have some basis in reality. But the contention here is that if that be the case, such things are peripheral to the real
dangerous message that underlies the movie and which may have caused Kubrick his life. Kubrick in this regard did a masterful job of diverting
attention from the major hidden message of the movie with all the common man vs. the mysterious elite and the sex magic theme, but do we really think
they would kill him over that? That’s nothing new, secret or particularly ominous considering what we know of the elite today and what they know we
know of them. So if we dismiss the obvious but yet still see something very ominous in the movie then I contend that Mr. Kubrick very brazenly put his
message not only underneath the theme of the movie, but had the audacity to put the essence of the message in the title itself, EYES WIDE SHUT.
As a man who obviously in his movie career predicted and foretold of the coming sub-cultural thinking patterns of American society, here in EWS he may
have went too far in this case! In portending rampant crime, the space age, the American patriot, those were more or less innocent or anticipated
cultural phenomena, but in Kubrick predicting or revealing the era of Eyes Wide Shut…now that may have been going too far. For what Kubrick did was
to tell us that in a few years the mass media in conjunction with the elite would begin the final strangulation or usurpation of the minds and hearts
of this civilization by bringing in a period that can only be described as a new dark ages. Perhaps beginning in the horrors of 911, where practically
the entire world would be blinded by the obvious satanic fraud wrought on the populace with the ridiculous spectacle of buildings disintegrating
before everybody’s eyes and being given no reasonable explanation why this happened but yet everyone through ignorance, media hype, and conditioning
are told what to believe and what happened, and lo and behold, most have been hoodwinked: EYES WIDE SHUT
The era of EYES WIDE SHUT is simply put: a time when adult human beings will be told and shown blatant lies and absurdities that in ordinary times a
child could see through.
The Iraq war, 911, Katrina, AND NOW DONALD TRUMP
!...and many other instances that try the credulity of intelligent people.
Eyes Wide Shut
We see, but don’t see
An addendum to this original essay which I published a few years ago, is that the very movie EWS has a theme of the twin(s) TWIN TOWERS element inside
it on two vital points in the movie: the beginning where Cruise is sashaying along the party floor with two sensual, statuesque beauties on his
arms…twins if you may, one on his right side and one on his left, though not exactly twins, of course, but very close. And then more subtly in the
scene where Cruise is present in the Rainbow costume store where he is getting his cloak (to be able to attend the elite sex party) and all of a
sudden again TWINS: JAPANESE TWINS, in fact, little guys, almost midget size (Kubrick couldn’t bring himself to make them tall and really give away
the message, think JAPANESE TWINS (TWIN TOWERS) PNAC NEW PEARL HARBOR—911!) are in the mix having elicit sex with the proprietors daughter!
No folks, this is much deeper than Hellfire club sex parties of the elite.
edit on 12-1-2017 by Willtell because: (no reason given)