originally posted by: BigBrotherDarkness
a reply to: Anaana
Sounds an interesting menagery... do you see such visually, then develop it over time methodically using various sources to invoke the tone or mood
visualised? Or is it compiled from abstract sources, then various themes chosen to fit? Or some other process... if you dont want to share your
process I understand, and hope you share the finished piece with us.
I can't visualise, I totally lack the capacity. Since I cannot picture a scene or subject in my head, it is about translating what I feel, or
know, into something communicable and ultimately interactive. I am learning to do that, and it is not particularly easy, I'm on a sharp
learning curve and I get over ambitious. The drawing process I find easier than the painting (or colouring in), but I am heavy handed in both. To be
where I am, trying to express, is the culmination of eight years of research represented by ten lever arch files jam-packed with carefully ordered
notes. The first painting, with the orange crabs, (it's actually the second, the first is the overall "key" but very basic and belongs only to the
whole), is the Meta Narrative. The One Eyed Woman relates to Northern portion. The Man clothed in the Moon, to the Eastern portion. After a few
doodles, I just go at the blank canvas board. I may start off with ideas, generally one fixed element will stay the same, that's my anchor, but the
rest is likely to change, and my stockpile of variously shaped erasers to manage all the rubbings out attests to my heavy-handedness with the
pencil.
With this one, learning from Brotherman again, I have taken photos at various stages so that I can see just how much I do change things as I go along,
and hopefully, in that way, learn not to waste quite so much energy, graphite and rubber. BUT, that is almost part of the pleasure, I literally have
no idea what it is going to look like, and keep surprising myself on how much I learn.
I need to convert the images to a web friendly format, but if you're interested, I am happy to show how the picture built up, but later, when I have
more time. The painting, as it is now, is on the back burner while I think about where I am going wrong with the painting side of things and how to
rectify it.