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originally posted by: zazzafrazz
a reply to: Djarums
He was awful!
And the opening was an outdated dud.
originally posted by: ketsuko
a reply to: Tangerine
I do know this - Hollywood seems to be rapidly losing its audience. Maybe I won't have to worry about the Awards in a few more years because there won't be a Hollywood left to congratulate itself.
originally posted by: Tangerine
I doubt that you're in a position to judge the intellect and knowledge of screenwriters. How many screenplays have you actually read? None? Thought so.
originally posted by: Psynic
originally posted by: Tangerine
I doubt that you're in a position to judge the intellect and knowledge of screenwriters. How many screenplays have you actually read? None? Thought so.
In my more than forty years of working in film I've read quite a lot of screenplays.
How do you come by your "knowledge".
originally posted by: ketsuko
a reply to: Tangerine
Surely many did, but how many of them can say they were as accomplished and well-known as Rivers. And how many of them likewise had their own star on the Walk of Fame, a career that spanned stage, screen (both large and small) and publishing? How many of them were the pioneers for women in entertainment that Rivers was? Instead of Arquette's milquetoast complaining, the Academy could have honored someone who actually did break new ground for women in entertainment, but no, they left her on the cutting room floor and chose to honor more executives instead. What new ground did the suits break? Greenlighting the most boring films ever?
I do know this - Hollywood seems to be rapidly losing its audience. Maybe I won't have to worry about the Awards in a few more years because there won't be a Hollywood left to congratulate itself.
originally posted by: MKMoniker
www.nytimes.com... nes&nlid=49939149&_r=0
OSCARS SHOW GROWING GAP BETWEEN MOVIEGOERS AND ACADEMY
Viewership down nearly 15% ... lowest-rated Oscars since 2009 ... endless grumbling about non-diversity, when (Black) John Legend and Common collected an Oscar for Best Song ("Glory"); and (Hispanic/Mexican) Alejandro G. Inarritu collected the coveted Best Picture Oscar for "Birdman" ... most other deserving movies won in the predictable categories: the period piece "Budapest Hotel" for Best Make-up and Best Costume, and "Interstellar" for Best Visual Effects.
Hollywood/Los Angeles has become too insular. It's no longer about compelling stories, vision and adult humor. It's all about hiring friends of friends of friends, which is why most movies have 30 "producers" - and that may be why movies are so expensive to make anymore. (Gender-pay-equality is a valid issue in every industry, but if the studios trim the fricking mass of producers on each film, their costs would go down dramatically!)
So it's all "juveniles and CGI" anymore, writing scripts according to "formula" - or shooting hundreds of feet of spur-of-the-moment dialogue, which also wastes time and money - and then shipping off the mish-mash to Special Effects and hope it makes sense when it comes out the other end.
I guess what makes me the saddest, is that movies are no longer made for adults, with adult themes and adult humor. The history of movies is about reaching for that quintessional idea of "magic". That's why I buy DVDs instead of one-time downloads. So I can still watch movies with "magic", that are smart and funny and don't insult your intelligence.
If you want to know how magical and transformative movies used to be, here's an Oscar-winning movie I'll be watching tonight:
www.amazon.com...=sr_1_1_twi_2_twi_3?s=movies-tv&ie=UTF8&qid=1424788861&sr=1-1&keyword s=cinema+paradiso+dvd
'CINEMA PARADISO' - ITALIAN MOVIE THAT WON AN OSCAR FOR "BEST FOREIGN FILM"
It meanders a bit in the middle, but the beginning is priceless, as a war-ravaged Italy finds solace and hope thru their little village movie theater. Magical. Transformative. Examines a post-world war dimension of "healing collectively thru movies."
(NOTE: Italian with English sub-titles. But NO sit-down-to-dinner-with-white-tablecloth scenes, where you lose most of the white-letter subtitles.)