It looks like you're using an Ad Blocker.
Please white-list or disable AboveTopSecret.com in your ad-blocking tool.
Thank you.
Some features of ATS will be disabled while you continue to use an ad-blocker.
originally posted by: LeatherNLace
a reply to: holywar666
You do realize that Freemason conspiracy theories started way before this movie; and any other movie for that matter. Do you think that Hollywood does not throw in nods to pop-culture in the imagery of the movie? If there was a cult of Mr. Peanut that prevailed on the internet, you can bet your bottom dollar that cave hole would have been a curvy shape.
Same goes for celebrities that throw the Illuminati signs up...they do it to appear self important. It has nothing to do with reality. Trust me, I know.
originally posted by: LeatherNLace
a reply to: holywar666
You do realize that Freemason conspiracy theories started way before this movie; and any other movie for that matter. Do you think that Hollywood does not throw in nods to pop-culture in the imagery of the movie? If there was a cult of Mr. Peanut that prevailed on the internet, you can bet your bottom dollar that cave hole would have been a curvy shape.
Same goes for celebrities that throw the Illuminati signs up...they do it to appear self important. It has nothing to do with reality. Trust me, I know.
originally posted by: LeatherNLace
a reply to: holywar666
You do realize that Freemason conspiracy theories started way before this movie; and any other movie for that matter. Do you think that Hollywood does not throw in nods to pop-culture in the imagery of the movie? If there was a cult of Mr. Peanut that prevailed on the internet, you can bet your bottom dollar that cave hole would have been a curvy shape.
Same goes for celebrities that throw the Illuminati signs up...they do it to appear self important. It has nothing to do with reality. Trust me, I know.
originally posted by: SkepticOverlord
a reply to: holywar666
A great deal of masonic imagery was used throughout several design aesthetics in the movies. transmissionsmedia.com...
Some of it is explained in the "extras" in the boxed set, the making-of videos.
During pre-production design and planning, the artists used a lot of historical visual influences from nordic (Rohan), celtic (elves), germanic (dwarves), freemasonry (orcs and Mordor), and more. Their primary rationale was to give everything a "familiar" lost-history feel. On the whole, there's a crap-ton more celtic, druid, and pagan imagery than all others combined.
A similar set of symbols is deployed by Tolkien for the Kingdom of Gondor. As well as the White Tree of Gondor, seven stars are also apparent on the Gondor flags (as pointed out to me by Martin Wells). In this case these cannot denote the seven rings given to the dwarves, as Gondor is a kingdom of men. But things become even more intriguing when looking at the symbols used on the breastplate of Aragorn upon his Coronation, towards the end of the movie ‘Return of the King’.
This black breastplate shows the same seven stars and crown symbol that is used on the Door of Moria, that has the Masonic connotations we have looked at. Of course, Tolkien was himself Roman Catholic, and surely no Freemason (although Roman Catholics are sometimes Masons, I am given to understand), but he does seem to have dipped into the iconography of the Royal Arch degree nevertheless (see above).
It’s more difficult to dismiss this ‘coincidence’ in the case of Aragorn’s breastplate. He is, after all, the returning King, intimately connecting the meaning of the symbols with the Royal Arch. There are self-evident analogies with a Messianic return, connected with celestial imagery. It’s easy to create a meaningful link to the return of an ancient ‘Royal’ Planet.
transmissionsmedia.com...
Really clutching at straws to make it fit.