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originally posted by: theantediluvian
a reply to: draknoir2
That's actually a 16th century gun-shield from the armory of Henry VIII, possibly of Italian origin. (see here).
It does bear a passing resemblance but the fire emanates from the opposite side in the painting and if it's indeed a shield (and I don't see why it wouldn't be), it has a striker instead of a barrel so I'm assuming that's not what is depicted
The age of the painting is unknown, but monastery was originally built in the 14th century. It was later destroyed and rebuilt in the 17th century.
The gunsmith Giovanni Battista of Ravenna proposed this gun shield to King Henry VIII of England in 1544.
originally posted by: draknoir2
originally posted by: theantediluvian
a reply to: draknoir2
So why is it more likely that what is depicted is symbolic?
Doesn't have to be symbolic... just artistic.
originally posted by: Vaedur
originally posted by: draknoir2
originally posted by: theantediluvian
a reply to: draknoir2
So why is it more likely that what is depicted is symbolic?
Doesn't have to be symbolic... just artistic.
Looks like a bug too close to the Lens to me.
originally posted by: Airth
It's a depiction of a round loaf of bread, nothing more. This represents "manna from Heaven" with the inscription of "Israel, put your hope in the Lord" to signify Israel's deliverance.
originally posted by: draknoir2
The age of the painting is unknown, but monastery was originally built in the 14th century. It was later destroyed and rebuilt in the 17th century.
originally posted by: Phage
But with some understanding of mythology it is not so difficult. It is a representation of a mythical Roman shield which, in the middle ages, took on the ability to offer protection from lightning. Looks like a pretty stormy sky there.
Looking at the image, it's difficult to imagine what the painting could be depicting if not a spacecraft!
The representation is seen elsewhere.
translate.google.com...
I see that this has already been covered.
originally posted by: Vaedur
originally posted by: draknoir2
originally posted by: theantediluvian
a reply to: draknoir2
So why is it more likely that what is depicted is symbolic?
Doesn't have to be symbolic... just artistic.
Looks like a bug too close to the Lens to me.
originally posted by: NoNameNeeded
FURTHERMORE
why, if it IS a shield, does it not even protect HALF the building? Is it a shield that only served to protect the tv antenna of the local church??
originally posted by: NoNameNeeded
FURTHERMORE
why, if it IS a shield, does it not even protect HALF the building? Is it a shield that only served to protect the tv antenna of the local church??
originally posted by: Pearj
I don't have an opinion on the UFO question, but as an artist; I know this:
When the aim is symbolism, the majority of the work is generally symbolic. It's a part of getting the point across.
For instance:
All of this work is symbolic:
If this is a shield, then only 10% of this work is symbolic:
Typically, more of the subject mater would be symbolic, if the goal of this work was to relay a symbolic message to it's viewers... Otherwise viewers would take this as a depiction of an actual event.
Lastly, a few rhetorical questions come to mind...
If this is a painting from the 1300's and is in German, why would the artist use Roman symbolism from the 6th century?
A one-off symbolic element that was relevant 600 years prior, inserted in an otherwise realistic current depiction?
Commissioned pop-art in a Monastery?
If most Roman shields were square (rectangle); then why would you paint a circle to represent a square? Wouldn't you paint a closer representation of a common shield - so people knew what you were trying to get across?
Maybe the 'shield' on the coin isn't a shield, of course the coin is hundreds of years before the painting.
Great thread, thanks.
originally posted by: NoNameNeeded
Like I mention on p1, symbolism and realism mixed in a similar manner are rather uncommon, hence indeed, the only 10% being symbolic is very unusual and actually confusing to the viewer
originally posted by: NoNameNeeded
FURTHERMORE
why, if it IS a shield, does it not even protect HALF the building? Is it a shield that only served to protect the tv antenna of the local church??
originally posted by: smithjustinb
Moreover, the shield is pointed towards the building as if something from the sky needs protection from the building. The shield theory doesn't make much sense.
originally posted by: draknoir2
Mixing symbolism and realism is not at all uncommon.
www.georgewashington.si.edu...
www.johfra.net...
originally posted by: Pearj
a reply to: NoNameNeeded - Thank you.
originally posted by: NoNameNeeded
FURTHERMORE
why, if it IS a shield, does it not even protect HALF the building? Is it a shield that only served to protect the tv antenna of the local church??
originally posted by: smithjustinb
Moreover, the shield is pointed towards the building as if something from the sky needs protection from the building. The shield theory doesn't make much sense.
Great points, stared.
originally posted by: draknoir2
Mixing symbolism and realism is not at all uncommon.
www.georgewashington.si.edu...
www.johfra.net...
Both links you provided are largely symbolic. A quote from your link:
“He is surrounded with allegorical emblems of his public life in the service of his country, which are highly illustrative of the great and tremendous storms which have frequently prevailed. These storms have abated, and the appearance of the rainbow is introduced in the background as a sign.”
Just saying, symbolic works typically have more than one symbolic element - just like the paintings in your links.
originally posted by: smithjustinb
Moreover, the shield is pointed towards the building as if something from the sky needs protection from the building. The shield theory doesn't make much sense.