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We ourselves saw the aboveground chambers, for we went through them so we can talk of them, but the underground chambers we can speak of only from hearsay. For the officials of the Egyptians entirely refused to show us these, saying that there were, in them, the coffins of the kings who had built the labyrinth at the beginning and also those of the holy crocodiles. So we speak from hearsay of these underground places; but what we saw aboveground was certainly greater than all human works.
Furthermore, they resolved to leave a memorial of themselves in common, and in pursuance of this resolve they made a labyrinth, a little above Lake Moeris, and situated near what is called the City of the Crocodiles
For the Greeks, Atlantis was built on one of Gaia’s (Earth’s) large land masses named Atlantic Island by sea god Poseidon whose palace was the focus of the city’s circular rings. And from the Egyptian stories, Bakhu was similarly constructed on Atum Island which was the primordial mound raised from Nun (Neith) the primeval water’s depths by several gods including sea god Sobek, who built his palace there and became Lord of Bakhu. These Egyptian creation theologies assert that Sobek, offspring of Neith, had laid eggs in the bank of the shoreline of Atum Island, which is clearly evocative of several circular rings embedded in the Earth. .
Sobek-Neferu is believed to have completed the fabled labyrinth monument at Hawara in the Faiyum Oasis, following the death of her father and brother. Following her death, which wound up both the Twelfth Dynasty and the Middle Kingdom period, the cult of Sobek continued through into the Second Intermediary Period, with no less than five kings with names honouring Sobek
It seems likely that Sobek began as a dark god who had to be appeased, but that his protective qualities and his strength were valued when they were used in defence of the Pharaoh and the people. He could protect the justified dead in the netherworld, restoring their sight and reviving their senses. Because of his ferocity, he was considered to be the patron of the army.
In Ptolemaic and Roman Egypt, a "local monograph" called the Book of the Faiyum centered on Sobek with a considerable portion devoted to the journey made by Sobek-Ra each day with the movement of the sun through the sky. The text also focuses heavily on Sobek’s central role in creation as a manifestation of Ra, as he is said to have risen from the primal waters of Lake Moeris
The primeval power of Sobek is already acknowledged in a hymn from the Pyramid Texts (PT 317), where the dead pharaoh identifies himself with the god, who here appears as son of the Great Neith-Meher-Weret, the celestial cow of the inundation: “Sobek, green of feathers, alert-looking, broad-chested, sparkling, coming out from the legs and the tail of the Great One, who is in splendour.”
The Greek historian Herodotus (c. 484–425 BC) noted that the Egyptian citizens of Sais in Egypt worshipped Neith and that they identified her with Athena. The Timaeus, a Socratic dialogue written by Plato, mirrors that identification with Athena, possibly as a result of the identification of both goddesses with war and weaving
Sometimes Neith was pictured as a woman nursing a baby crocodile, and she was titled "Nurse of Crocodiles". As mother of Ra, she was sometimes described as the "Great Cow who gave birth to Ra"
Now the serpent was more subtle and crafty than any living creature of the field which the Lord God had made. And he [Satan] said to the woman, Can it really be that God has said, You shall not eat from every tree of the garden?
The subject is so ludicrous you will be funning David Icke for another 2000 years at least.
The strength and speed of the crocodile was thought to be symbolic of the power of the Pharaoh, and the word "sovereign" was written with the hieroglyph of a crocodile. It was thought that Sobek could protect the Pharaoh from dark magic. During the Twelfth and Thirteenth Dynasties, the cult of Sobek was given particular prominence and a number of rulers incorporated him in their coronation names
I get the sense this interests you beyond the "facts" presented...
The lord established a shrine, a holy shrine, whose interior is elaborately constructed. He established a shrine in the sea, a holy shrine, whose interior is elaborately constructed. The shrine, whose interior is a tangled thread, is beyond understanding. The shrine's emplacement is situated by the constellation the Field, the holy upper shrine's emplacement faces towards the Chariot constellation. Its terrifying sea is a rising wave, its splendour is fearsome. The Anuna gods dare not approach it. …… to refresh their hearts, the palace rejoices. The Anuna stand by with prayers and supplications. They set up a great altar for Enki in the E-engura, for the lord ……. The great prince ……. …… the pelican of the sea
He demarcated borders and fixed boundaries. For the Anuna gods, Enki situated dwellings in cities and disposed agricultural land into fields. Enki placed in charge of the whole of heaven and earth the hero, the bull who comes out of the ḫašur forest bellowing truculently, the youth Utu, the bull standing triumphantly, audaciously, majestically, the father of the Great City (an expression for the underworld),
As Utnapishtim recounts the story of the flood to Gilgamesh, he tells him that Enki warned him that Enlil planned to destroy humanity and that Utnapishtim should build an ark shaped exactly like a cube ("her length and breadth shall be the same"). This is a strange detail until we realize that for the Mesopotamians the constellation of Pisces included the so-called Pegasus Square between the two fish, and that this square was known as "1 Iku," precisely the dimensions of the ark (an iku was a unit of measurement equivalent to 3600 square meters).
Gilgamesh and Enkidu are meant to be an incarnation of the constellation which we now refer to as Gemini. Gilgamesh was explicitly identified in a late text with the god Meslamta-ea (note the "mes" prefix) which name is the oldest known of that of the god Nergal, whose temple at Kutha was called "Emeslam." Meslamta-ea, furthermore, was one of a pair of deities whose counterpart was known as Lugal-irra, both of whom were linked astronomically with Gemini. These two gods were twins, and they were specifically associated with guarding doorways, particularly the gateway to the underworld, where they stood with bronze axes waiting to dismember the dead.